VA-Evolution_EP_Series_Part_One-SHA032-VINYL-2010-sour
NFO
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: : release no ( 10511 ) \ rating |
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: : artist (Various Artists ) | .---. |
: : title (Evolution EP Series Part One ) | 0 |%%%| |
: : record label (Shogun Audio (SHA032) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2010/03/29) | 7 |%%%| |
: : street date (2010/03/08) | 6 |%%%| |
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: : :.: (04 tracks) (20:45 min) ( 28,1 mb) | `---' |
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nr times track titles
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| A 5:39 Friction & K-Tee - Overtime (Spectrasoul Remix) |
| B 5:16 Phace - Strange Science |
| C 5:17 Spectrasoul - Bygones |
| D 4:33 Icicle - Minimal Funk |
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| | | |
| | As we enter 2010 Shogun Audio unleash upon us | |
| | a brand new EP series for a brand new decade. | |
| | The Evolution Series is now ready to move us | |
| | forward into a new chapter of the Shogun saga | |
| | and deliver us the future of drum & bass and | |
| | beyond, kicking off with what is simply a | |
| | juggernaut of an EP. | |
| | | |
| | Hitting the switch on disc one is the mighty | |
| | Spectrasoul boys who are drawn in to remix | |
| | the classic Overtime by label-mates Friction | |
| | & K-Tee. Sprinkling their magic dust over it | |
| | the duo come up trumps with a sumptuous | |
| | subtle re-working with added piano and | |
| | all-round lighter vibes but with that | |
| | all-important drifting vocal refrain | |
| | thankfully still intact. A very tidy update | |
| | indeed. | |
| | | |
| | Flip over for a very different kind of track | |
| | from Germanys biggest D&B producers, Phace. | |
| | "Strange Science" is a prime example of their | |
| | trademark neurofunk sound. Raw, industrial | |
| | percussion combines with running breaks, | |
| | space-age synths and an absolute smacker of a | |
| | bassline to get things pumping! | |
| | | |
| | Spectrasoul then return on the C-side with | |
| | the beautiful "Bygones". A DJ-friendly intro | |
| | paves the way to a lush drop of warm bass and | |
| | a melancholic vocal that falls out soon after | |
| | to make way for some sick bass edits. Wait | |
| | for the breakdown and the return of the vocal | |
| | and theres no doubting this to be a truly | |
| | classy slice of music. | |
| | | |
| | It's left to Icicle to finish us off in | |
| | typically fine form with "Minimal Funk". | |
| | Opting for a more leftfield percussive | |
| | arrangement, heavy kicks and some growling | |
| | undertones this one'll make you wince! One | |
| | for the headz, one for the Shogun Audio | |
| | soldiers. | |
| | | |
| | Massive support from Friction, Fabio, | |
| | Spectrasoul, Andy C, Noisia, Phace, | |
| | Misanthrop, Alix Perez, D Bridge, Icicle, | |
| | Commix and more. | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2010 ]
Files
| Path | Size |
|---|---|
| a-friction_and_k_tee-overtime_(spectrasoul_remix)-sour.mp3 | 8,10 MB |
| b-phace-strange_science-sour.mp3 | 7,33 MB |
| c-spectrasoul-bygones-sour.mp3 | 6,65 MB |
| d-icicle-minimal_funk-sour.mp3 | 6,03 MB |