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▐▓▓▌ ▒░ ░ ▓ ░░░░░░ Centropomus undecimalis ▓ ░ ░▒ ▐▓▓▌
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█▓▀▓▄▄ ▀▀ Proud To Present ▀▀ ▄▄▓▓▀▀
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▐▓▌▄▀▀▀▓ ▐▒▓░ ARTIST......: Thelonius Monk ▐▓▌▄▀▀▀▓ ▐▒▓░
▀█▄ ░ ▄█▀ TITLE.......: At the Blackhawk ▀█▄ ░ ▄█▀
▐▌ ▀▀▄▄ ▀▀ LABEL.......: Riverside ▐▌ ▀▀▄▄ ▀▀
▀ ▄ ▀█▄ TYPE........: Album ▀ ▄ ▀█▄
▄█▀ ▄ ▐▒▓░░ ░ GENRE.......: Jazz ▄█▀ ▄ ▐▒▓░░ ░
▐▓▌ ▀ ▄█▀ SOURCE......: CDDA ▐▓▌ ▀ ▄█▀
▀▓▄▀▀ TRACKS......: 08 ▀▓▄▀▀
▀▀▄ TIME........: 59:39 min ▀▀▄
▀ ▄ ▐▌ SIZE........: 87,10 MB ▀ ▄ ▐▌
▄▄▄▀▀ BiTRATE/MODE: avgkbps/VBR ▄▄▄▀▀
▄█▀ ▄ ▀█▄ Encoder.....: LAME v3.97 -V2 --vbr-new ▄█▀ ▄ ▀█▄
▐▓▌▄▀▀▀▓ ▐▒▓░ URL.........: n/a ▐▓▌▄▀▀▀▓ ▐▒▓░
▀█▄ ░ ▄█▀ RIP DATE....: Jan.31.2010 ▀█▄ ░ ▄█▀
▐▌ ▀▀▄▄ ▀▀ STREET DATE.: 000.00.1960 ▐▌ ▀▀▄▄ ▀▀
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░░▓███▄▄▄ ▀█▓▀ ▀▀ TRACKLiST ▀▓ ▀▓█▀ ▄▄▄███▓░░
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▄▀▀ ▒▓ 01.Let's Call this 08:34 ▓▒ ▀▀▄
▄▀▀ ▒▓ 02.Four in One 08:42 ▓▒ ▀▀▄
▄▀▀ ▒▓ 03.I'm Getting Sentimental Over You 06:15 ▓▒ ▀▀▄
▄▀▀ ▒▓ 04.Epistrophy (Complete) 06:41 ▓▒ ▀▀▄
▄▀▀ ▒▓ 05.Evidence 07:09 ▓▒ ▀▀▄
▄▀▀ ▒▓ 06.San Francisco Holiday (Worry Later) 09:10 ▓▒ ▀▀▄
▄▀▀ ▒▓ 07.'round Midnight 12:08 ▓▒ ▀▀▄
▄▀▀ ▒▓ 08.Epistrophy (Closing Theme) 01:00 ▓▒ ▀▀▄
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▀▀▀▓▀▀▀ ░░░░ RELEASE NOTES ▀▀▀▓▀▀▀
SCANS PROOFS 300 DPI ADDED FOR EACH RLZ
enjoy!!!
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░▓██▒░ The material used for this title was initially to ░▓██▓░
░▓██▒░ have been taken from a pre-planned confab between ░▓██▓░
░▓██▒░ Thelonious Monk (piano) and Shelly Manne (drums) at ░▓██▓░
░▓██▒░ the Blackhawk in San Francisco circa late April of ░▓██▓░
░▓██▒░ 1960. Although several selections with the West ░▓██▓░
░▓██▒░ Coast cool percussionist were documented (located on ░▓██▓░
░▓██▒░ the 1986 Monk Complete Riverside Recordings box) , ░▓██▓░
░▓██▒░ for a variety of reasons the performance failed to ░▓██▓░
░▓██▒░ ignite any real magic. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ During the second show -- the bulk of which is ░▓██▓░
░▓██▒░ located here -- Manne was replaced by Billy Higgins ░▓██▓░
░▓██▒░ (drums) and the revamped combo also included Monk ░▓██▓░
░▓██▒░ regulars Charlie Rouse (tenor sax) and John Ore ░▓██▓░
░▓██▒░ (bass). Completing the bandstand are Harold Land ░▓██▓░
░▓██▒░ (tenor sax) and one-time Manne accompanist Joe ░▓██▓░
░▓██▒░ Gordon (trumpet). The results are uniformly ░▓██▓░
░▓██▒░ fulfilling and feature familiar favorites, ░▓██▓░
░▓██▒░ standards, and a Monk composition worked up ░▓██▓░
░▓██▒░ presumably for the occasion called "San Francisco ░▓██▓░
░▓██▒░ Holiday" aka "Worry Later." ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ A spry and workmanlike "Let's Call This" gets things ░▓██▓░
░▓██▒░ started with Gordon, Land, Rouse, and of course, ░▓██▓░
░▓██▒░ Monk, all trading the reigns. The pianist's ░▓██▓░
░▓██▒░ counterpoint is particularly satisfying within his ░▓██▓░
░▓██▒░ solos as they reveal the playful interaction Monk is ░▓██▓░
░▓██▒░ best known for. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ That musical mischief spills over as "Four in One" ░▓██▓░
░▓██▒░ bops and swings solidly from tip to tail. Once again ░▓██▓░
░▓██▒░ the brass truly stands out -- especially Gordon, ░▓██▓░
░▓██▒░ whose powerful lead is neatly tucked away between ░▓██▓░
░▓██▒░ the two tenors. All parties are right on the money ░▓██▓░
░▓██▒░ as they embellish and execute with equal measures of ░▓██▓░
░▓██▒░ passion and precision. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ Monk always brings something special to his cover of ░▓██▓░
░▓██▒░ "I'm Getting Sentimental Over You," and this upbeat ░▓██▓░
░▓██▒░ update is certainly no exception. Gordon's role ░▓██▓░
░▓██▒░ cannot be overstated throughout. However, here he ░▓██▓░
░▓██▒░ lifts the proceedings to another level. In fact, the ░▓██▓░
░▓██▒░ effect is clear on Monk as his solos are amongst the ░▓██▓░
░▓██▒░ artist's most inspired on the project. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ The full-length "Epistrophy" is a real find as it ░▓██▓░
░▓██▒░ was rarely ever performed in this context, although ░▓██▓░
░▓██▒░ Monk often used an abbreviated rendering of the ░▓██▓░
░▓██▒░ song's theme to signal the end of his live sets. ░▓██▓░
░▓██▒░ Taking their time, the instrumentalists adeptly ░▓██▓░
░▓██▒░ navigate as they guide and are guided by the ░▓██▓░
░▓██▒░ choruses' haunting, yet scintillating Latin-tinged ░▓██▓░
░▓██▒░ backbeats. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ The second half of the album is classic Monk, ░▓██▓░
░▓██▒░ kicking off with a rousing reading of "Evidence." ░▓██▓░
░▓██▒░ Granted, it lumbers a bit during the off-kilter ░▓██▓░
░▓██▒░ sequence at the top, but rapidly ascends into a ░▓██▓░
░▓██▒░ thoroughly swinging and utterly engaging affair. In ░▓██▓░
░▓██▒░ particular, the union that binds Monk with Higgins ░▓██▓░
░▓██▒░ is not to be missed. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ And speaking of the percussionist, he jumpstarts the ░▓██▓░
░▓██▒░ newest arrival into the bandleader's songbook, "San ░▓██▓░
░▓██▒░ Francisco Holiday." Producer Orrin Keepnews relates ░▓██▓░
░▓██▒░ -- in his extensive liner notes accompanying the ░▓██▓░
░▓██▒░ aforementioned Complete Riverside Recordings ░▓██▓░
░▓██▒░ anthology -- that it was Keepnews who mistakenly ░▓██▓░
░▓██▒░ named the selection "Worry Later" when that was ░▓██▓░
░▓██▒░ Monk's reply at a rehearsal when asked what the name ░▓██▓░
░▓██▒░ of the song should be. So, in Monkspeak, the artist ░▓██▓░
░▓██▒░ meant that he would "Worry Later" about what the ░▓██▓░
░▓██▒░ proper moniker should be. Despite that bit of ░▓██▓░
░▓██▒░ trivia, the melody itself is full of the twists and ░▓██▓░
░▓██▒░ turns one would expect, with Rouse immediately ░▓██▓░
░▓██▒░ taking on the task of setting the pace for the rest. ░▓██▓░
░▓██▒░ ░▓██▓░
░▓██▒░ Leaving the best for last, "'Round Midnight" is a ░▓██▓░
░▓██▒░ flawless gem. On a purely emotive level, the version ░▓██▓░
░▓██▒░ captured here may well be the best from his latter ░▓██▓░
░▓██▒░ Riverside era. ░▓██▓░
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░▓██▒░ Wrapping up Thelonious Monk Quartet Plus Two at the ░▓██▓░
░▓██▒░ Blackhawk (1960) is the typical closing reprise of ░▓██▓░
░▓██▒░ "Epistrophy." As heard in its compact form, it ░▓██▓░
░▓██▒░ represents the way Monk used the number at the ░▓██▓░
░▓██▒░ conclusion of his programs. ░▓██▓░
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