▓█
█ ██
█ ███░ ██
█ █░ █ ██ ███░
█ ████ ██ █░ ████▒ ██ █ ███▒ ▓█ ██
█░ █▒ █▓░█ █░ █░▒███ ██▒████ ███ █ █▓ ░█ ██ ██ ██
░██ █ █▓▓█ █ █ █ ███ █ ██ ▒███ ██ ░█ ██ ██▒
█████ █ ▓█ ██▓███▓ ▒█ ██ ██ █ ██ ░███ ███ ███░ ████
█▓ ██ ███▓ ██░ █████▒ ██ █ ████▓█ █▒██ ░██ ██ ▒█
██████ ██ █▓ ██ ░██ █▒ ▒████▒ ▒█ ░████
██▓ ███░ ████ ██░ ▓░ ████
█▓ ██
█ - d e e p h o u s e -
16.04.2010
·∙∙·[rlsnfo]·∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
.
artist : Va
title . Slow To Speak Guidance
type : Mix
year . 2010
genre : House
subgenre . Deep House
label : TRACK RABBIT SUPPERS
cat . TRS05
URL : http://www.juno.co.uk
.
·∙∙∙[ripnfo]∙∙ ∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
.
encoder . Lame 3.97
quality : VBRkbps / 44.1 kHz / Joint Stereo
source . CD
.
·∙∙·[trax]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙∙
01.Callisto - The Groove 5:03
02.Larry Heard - Guidance 1:49
03.Kevin Yost - 2wrongs Making It Right 6:58
04.Callisto - Need Ur Love 3:56
05.Fresh & Low - Stay The Night 2:55
06.Fresh & Low - Wind On The Water 5:39
07.Abacus - We Cookin' Now 4:31
08.Va - Track 08 1:54
09.Callisto - Ambent II 3:18
10.Callisto - The Cimmerian 3:50
11.Larry Heard - Guidance 3:05
12.Fresh & Low - Love Capsule Deluxe 5:03
13.Va - Track 13 4:59
14.Va - Track 14 3:57
15.Epic Desire - Can't Live Without Your Love 8:17
16.Callisto - Bounce 6:27
17.Callisto - Junkle II 2:39
74:20 min 112.02Mb
·∙∙∙··∙∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·
The deep house crew brings you once again a high quality release of
soulful dance music.. music with emotion that deserves the promotion..
·∙∙∙·[comments]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·∙·
Deep House is probably the most misused & misconstrued phrase in the
dance music vernacular. It has been exhausted, distorted & erroneously
applied to virtually every form of electronic music that has a
4-to-the-floor beat and a few key synthpads, a term that implies a
, esoterism & general ôdeepnessö that lends itself to the wholesale rape
and pillage of just about every dance music apologist & skilled musical
revisionist seeking to legitimize their specimens with a quick-fire
labeling and associative justification. Practically every commercial
knock-off of established underground trends gets spruced up with wild
proclamations of deepness, attempts to paint over the glossy polish of
wealth & hallow insincerity with a legitimate claim to the ôunderground.
ö But beyond all the assertions of a ôdeep house revival,ö there was a
time when the term referred to an real community disseminated across much
of the Western world, a vibrant musical trend sprung from the flourishing
possibilities of the 1990Æs house music sceneùone whose effect is still
being felt to this day.
Concentrating on the instrumental abstraction of early electronic tracks,
Prescription Records literally shook the very foundation of house music
and opened an entirely new path to a new generation of producers who had
never lived through the heyday of the Garage, Muzic Box or Zanzibar, a
group of dance music enthusiasts who were determined to forge an entirely
new aesthetic out of the ashes of disco and garage. Arguably more than any
other label, ChicagoÆs Guidance Recordings symbolized this new obsession
with conceptual instrumental expression, championing a slew of early
forays into the domain cryptically ordained ôdeep house.ö With releases
from stalwarts suck as Larry Heard, Dana Kelly a.k.a. Callisto, Abacus and
many, many more, the D.I.Y. styled, free-formed label focused on an
anti-dogmatic approach to the art of A&RÆing, releasing a slew of new and
unestablished talent as well as immortal legends, all in search of an
identifiably new underground aesthetic centered around this new
expressionism. Whether inspired by the classic deep instrumental styling
of early NY and Chicago house or the otherworldly explorations of
DetroitÆs avant-garde, Guidance Recordingsùespecially during its critical
early yearsùstood at the fore of the legitimately deep, melodically driven
tracks of the latter 1990Æs.
Eventually falling prey to the vapid promises of mass success and
lounge-rooted mediocrity, Guidance Recordings fell by the waste side in
the early 2000Æs, leaving behind a plentiful and often-times contradictory
catalog spanning close to a decade. Lately the great historical
revisionists of electronic music tend to either entirely ignore its impact
as a label, or conversely praise it categorically without in-depth knowledge
of its legacy. Veteran deep house fanatics and dance music devotees Francis
Englehardt & Paul Nickerson, a.k.a. slow to speak, have set out to justly
chronicle this fabled label, determined to unravel the myth and translate
the catalog into a tangible musical dissertation of quality deep house
musicùsetting the record straight once and for all on this widely
misunderstood and misrepresented label. Many of these tracks have been
lost in the ceaselessly morphing trends of electronic fad and fancy, lost
in the chasms of sealed-up closets, dusty storage spaces and damp basements.
Resurrected, put to the test of time and delivered with the sincere
underground enthusiasm of slow to speakÆs sagely mastery in the art of
dance music programming, let the distortions, confusions and
misrepresentations cease once and for all with the concrete chronicling
of this vital label: the definitive Guidance Mix
remember to support artists.
·∙∙∙·[respect]∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··
shoutouts to the groups that love the music they promote..
·∙∙··[news]∙·∙∙ ∙∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙
"BBC" The UN has praised Tanzania for granting citizenship to some
162,000 refugees who fled Burundi 38 years ago
·∙∙··[dh]·∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙·····∙··∙
If you're down with the deep house music, music with feeling..
music that makes you groove no matter where you are.. and you
think you can add to this feeling.. then drop us a line d_h@inbox.lv
keep the feeling real. .∙· d e e p h o u s e 2 0 1 0 ·∙.
·∙∙∙··∙∙··∙·∙∙·∙···∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙··∙∙∙··∙∙··∙·∙∙·∙···∙···∙·