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■ D-I-G-I-T-A-L-L-Y U-N-I-T-E-D
┌────────────────────────────────────────────────────────────────┐
│ Todd Terry Presents Sax - This Will Be Mine (MRLP-55001) 2x12 │
└────────────────────────────────────────────────────────────────│──┐
┌───────────────────────────────────────────────────────────────│──┘
│ ││
│ Artist........ Todd Terry Presents Sax ││
│ Title......... This Will Be Mine (MRLP-55001) 2x12'' ││
│ Label......... Freeze Records ││
│ Cat. Nr....... MRLP-55001 ││
│ Year.......... 1991 ││
│ Genre......... House ││
│ Street Date... 1991 ││
│ Release Date.. 01/10/2003 ││
│ Size.......... 86,5 MB ││
│ Tracks........ 12 ││
│ Length........ 62:51 min ││
│ Source........ Vinyl ││
│ Encoder....... Lame 3.93.1 ││
│ Quality....... 192KBps / 44.1Khz / Full Stereo ││
│ ││
└──────────────────────────────────────────────────────────────│──────-·
││
┌─────────────────────────────────┐ ││
│ R E L E A S E C O M M E N T S │┐ ││
└─────────────────────────────────┘└─────────────────────────────│──┐
┌──────────────────────────────────────────────────────────────│───┘
│ ││
│ Todd Terry's autobiography: ││
│ ││
│ When you hear my name, you're probably going to think of ││
│ house music. Well, I don't know how to break this to you, ││
│ but there's more than a little bit more to me than four to ││
│ the floor! True - I did the house mix on Everything But The ││
│ Girl's 'Missing' a few years back. The critical acclaim ││
│ around that track meant that some people think I am ││
│ representative of mainstream house music. Sorry to ││
│ disappoint you; here's the other side to the story. ││
│ ││
│ I'm from Brooklyn, New York - a city that has risen to fame ││
│ as the biggest melting pot of different styles of music in ││
│ the world. My first dance cut ever, "Flight 16", came out on ││
│ Cutting Records, which I co-owned at the time. When I made ││
│ it, it didn't really have any kind of genre. People tried to ││
│ call it different things, but it was pretty much in the ││
│ middle of everything. It had elements of hip-hop, elements ││
│ of house and elements of jungle. Basically, it was breakbeat ││
│ - but not in any form that you'd know now. ││
│ ││
│ DJs should be playing hip-hop, reggae - everything. We ││
│ shouldn't let people put us into pigeonholes or genres. That ││
│ makes us too narrow-minded. After all, we should be playing ││
│ for the people. They pay our wages. We should be playing ││
│ stuff that the people can't get their hands on. When you see ││
│ my DJ sets, you'll hear everything from Public Enemy to ││
│ Armand Van Helden to Photek. And just when you think you've ││
│ heard it all, I'll drop something totally fresh and new and ││
│ leaving the dancefloor will be the last thing on your mind. ││
│ ││
│ It's not just my live sets but also my production that I ││
│ like to use as a tool to cross boundaries and break ││
│ preconceptions. Take a look at one of my albums - ││
│ "Resolutions". Throughout the EP, you can hear me drawing ││
│ from both my latter-day hip-hop influences and the more up- ││
│ to-date technology-driven sounds I use. If you look hard, ││
│ chances are you'll even hear a little drum and bass. ││
│ ││
│ However, 'Resolutions' was only a microcosm of my sound. I ││
│ have a lot more, but not all of it is going to work. I want ││
│ to continue breaking new ground. I want to take on projects ││
│ that don't just pay the bills, but which motivate and ││
│ inspire me. I proved the point of doing dance hits with the ││
│ 'Missing' remix. Now I might as well go out and do whatever ││
│ else inspires me." ││
│ ││
│ I don't tend to moan about the one-dimensionality of the ││
│ music industry. I don't criticize other artists for playing ││
│ it safe. Instead, I am trying to enact change. Instead of ││
│ sitting around on my ass, I'm opening myself up to more ││
│ music to stir my soul. There's no more artistry out there; ││
│ artists get stuck in one category. Often, they're just ││
│ catering to a sound. Everybody has his or her own sound - a ││
│ P-Diddy sound or a Timbaland sound for example. The ││
│ disadvantage with that is that artists tend to get stuck. ││
│ ││
│ To get out of that rut, you have to keep your finger on the ││
│ pulse, even if that means going out to clubs twice a week ││
│ and all weekend. The dance scene is really nomadic; each ││
│ year it all hangs around a few songs that just lift you up ││
│ when you walk into a club, and everyone's always looking out ││
│ for one of those hot songs. It's my business to find these ││
│ tracks first. ││
│ ││
│ Evolution is big in my life. I try to reinvent myself with ││
│ every release I have. Why should I wait around for the right ││
│ time to release something? I might as well just do it put it ││
│ out on a white or whatever. You never know - down the line ││
│ someone might sample one of my productions and it'll be ││
│ huge. I will take that chance. ││
│ ││
│ Right now, I'm doing my thing with my Sound Design and In ││
│ House imprints. I've just signed several high-profile acts ││
│ to UK labels; we're doing the underground thing the way we ││
│ used to do it. We're getting out there, promoting our ││
│ artists and making the old school new again. ││
│ ││
│ ││
│ ││
│ ││
│ ││
└──────────────────────────────────────────────────────────────│──────-·
││
┌─────────────────────┐ ││
│ T R A C K L i S T │┐ ││
└─────────────────────┘└─────────────────────────────────────────│──┐
┌──────────────────────────────────────────────────────────────│───┘
│ ││
│ [01] Jazz Anthem, 05:59 ││
│ [02] Soul In The Mix, 04:59 ││
│ [03] Make It Right, 05:55 ││
│ [04] Special Groove 06:32 ││
│ [05] Jazz Tazz, 04:40 ││
│ [06] I Need A Fix, 04:44 ││
│ [07] Don't You Want Some More 05:25 ││
│ [08] This Will Be Mine 05:02 ││
│ [09] The Movement 03:50 ││
│ [10] House Is A Feelin 05:31 ││
│ [11] If You Wanna Ride 05:14 ││
│ [12] The Journey (Part 2) 05:00 ││
│ ││
│ Total Playtime : 62:51 min ││
│ ││
└───────────────────────────────────────────────────────────────│─────-·
UPDATED : 14/07/2003