Everest-On_Approach-2010-MTD
- Section
-
MP3/FLAC
- Group
- MTD
- Size
- 55,41 MB
- Files
- 11
- Date
- 2010-05-08
NFO
▄▄▄▄▄▄▄▄▄▄▄
▄▄▄▄▄▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓█▓▓█▓▄▄▄▄▄▄▄
▄▄▄▓▓▓▓▓▓▓▓▓▓▓▓████████████████████████████▓▄
▄▄▓▓▓▓▓▓▓▓▓▓▓▓▓████████████████████████▀▀ ▄▄ ▀▀██▓▓▄
▄▄▓▓▓▓▓▓▓▓▓█████████████████████████████▀▄▄████████▄▀█▓▓▌
▄▄▓▓▓▓▓▓███████████████████████████████████████████▀ ▀██▌▐█▓▌
▄▓▓▓▓▓▓███████████▀▀▀▀▀▀ ▀▀▀▀▀███████████████▄███ ██▓
▄▓▓▓▓█████████▀▀▀▀ ▄▄▄▄▄▄▄▄▄▓▓▓▓▓▓▓▓▓█▄▄▄▄▄▄▄▄ ▀▀▀▀██████████▌▐█▓▓
▄▓▓▓█████▀▀▀ ▄▄▄▄▓▓▓▓▓▓▓▓▓▓▓▓▓▀▀▀▀▀▀▀▀▀▓▓▓▓▓▓▓▓▓▓▓▓▓▄▄▄▄ ▀▀▀███ █▓▓▌
▄▓▓███▀▀ ▄▄▄▓▓▓▓▀▀▀ ▄▄ ▀▀▀▀▓▓▓▓▓▓▓▄▄▄█▓▓▓▌
▄▓▓▀▀▓▄▄▓▓▓▀▀ █▀▀█▄ ▀▀▓▓▓█▀▄▄▀
▄▓▀▓▄▓▓▀▀ ▄█ ▐▌ ▀█▄ ▀▄▓▓▓▓
▓▄▓▀▀ ▄▓▀ █▓ █▓ ▐█▓▓▌
▀ ▄▄▓█▀ ▐██▌ ▓▓▄ ▐██▓▌
▄█▓██ █▓█▓▄ ▓▀▓▄ ███▓
▄▓▓▓██ ▓▓████▓ ▐▌ ▀▓▄ ██▓▓
█▓▀███▌ ▄▓▓██▀▀██▓▄ █▄ ▓▓▄ ▐██▓▌
█▓█▌▐▓█ ▄█▓▓█▀ ▀█▓▓▐█▄ ▀█▓▄ ▐██▓▌
█▓█▀ ▓█ ██▓▓▀ ░░ ░░░ ▀█▌▀█▌ █▓▓ ███▓
▐▓▓ ▄▓█▄███▓ ░░▒▒░▒▒▒▒░ ▀▄ █▄ ██▓ ██▓▓
█▓ ▀████▓ ░░▒▓▓▒▓▓▓▓▒░ ▀▄█▌ ██▓ ▐██▓▌
█▓ ▄ ▐▓█▓ ░░▓▓██▒███▓▓▒░░ ▀█ ▐██▌ ▐██▓▌
▐█ ▐▌ ▓█ ░▒▓██▓█▓██▓█▓▓▒▒░ ▐▌ ███ ███▓
█▌ ▓ ▐▌ ░▒▓███▓█▓█▓███▓▓▒▒░ ▐█ ▐██▌ ██▓▓
▐█ ▐▌ ▄█ ░▒▓█████▓█▓█████▓▓▒░ █▓ ███ ▐██▓▌
█▌ █▓▄▓█ ░▒▓████████▓█████▓▓▓▒░ ▐█▓ ▀██▄ ███▓
█ ██▓▓█ ░░░▓███████▓█████▓▓▓▓░░░ ██▓ ▓█▓ ▄ ▐██▓▌
▐▓ ▐██▓▀ ░▒▒▒▒▒█████▓█████▓▓▒▒▒▒█▒░ ▀██▄ ▓█▓ ▐▓▌█▀▀▀
▓▌ ▐█▀ ░▒▀▓██▒▒▒███▓██▓▓▒▒███▀▀▒░░ ▀██▄ ▀█▓ ██ ▄███▓▐▄
▓ █▌ ░▒▌ ▀▀█▓▓▓▓▒▓▓▓░█▀▀ ▐▒░ ▀█▓ █▓ ▀▄▓█▀▀▀▀▌▓▌
▐▌ █ ░░▒█ ▀ ▀▀▀░▀▀▀ ▀ █░░ ▐▓▌ ▀▓▄ ▄▌▓▀ ▀ ▀█
▓ ▐█ ░▒▓█░ ▒▓█▓▒ ░█▓░ ▀▓▄ ▀▓ ▄▀▀▄▄▄█████▄ ▐▌
▐▌ ▐▌ ▒▓█▓▓█▄▄ ▄███▓███▄ ▄▄██▓█▓▓ ▀█▄ ▐▌ ▄▓▌▓█▀▀▀▀▀▀▌▓▌█
▓ █ ▐▓▓▓█▓███████ ▒ ████████▓█▓█▌ ▓▄ ▐█▀ ▄▄▓ ▄▐█▐▌
▐▌ ▐▌ ▀▓▀▀▓▓█████▌ ░ ▐██▓▓▓▓▓▀▀█▀ ▓▄ ▄ ▀▀▓ ▐▌█▌▌
▓ ▄▓ ░ ▀▀█▓█ ▒ █▓▒▀▀ ░ █▌ ▀▓██▄▄ █ ██
▐▌ ▄▓ ▌ ▐█▓▄▒▓▒▄█▓▌ ▐ ▀ ▄▄ ▀▀▓▌▓██▄▄ ▓ ██
▓▄▓▀ ▌ ▐██▓████▓▓▌ ▐ ▐█▄ ▀▓ ▀▀▀███▄▓ █▌
▐██▀ ▄ ▐▓ ▀▒▓▒█▒█▒▓▒▀ ▓▌ ▄ ▀▓█▄ ▀█▌▓▄█
█▓ ▄▓ ▐█▌ ■░▄▓▄▓▄▓▄░▀ ▐▓▌ ▄▓ █▄ ▀██▓▄▄ ▀██
█▓ ▄▀▓▌ ██▄ ▄ ▀▀▀▀▀ ▄■ ▄▓▌ ▄▄█▀ ███▓▄ ▀▓▌▓█▄▄▄▄▄▓▐▓█▀
█▓ ▐▌ █▓ ▀█▓▒▄▀▓█▓█▓▀▄█▓▓▀ ▄▓▓▀ ▄▀ ███▓▓ ▄▀▄ ▀▀▀▀▀ ▄▄▄
▐▓▌ ▓ ▐█▓▌ ▓▓▒▓█▄█▄███▓▓ ▓▓▀▄█▀ ███▓▓ ▐▌ ▐▌ ▄▓▓▀
▐▓▌ ▄ ▐▌ ███▓▄ ▓▓▓▓██████▓ ▄▓███▀ ███▓▓ ▓▄█ █▀ ▌
▓█ ▐▌▐▓ ▀██▓▓▄ ▓▓█▓████▓ ▓▓██▀ ███▓▓ ▐██▌ ▓ ▓
▐▓▌ █ █▓ ▀█▓▓ ▀▓█▀██▀ ▄▓██▀ ███▓▓ ██▀▓ ▐▌ ▐▌
▓█ ▐███▓▄ ▀█▓ ▄▓▓█▀ ███▓▓ ▄▓▓█▌ ▐▌ ▓ ▐▌
▓▌ ████▓▓▄▄ ▀▓ ▄▓▓█▀ ███▓▓ ▄▓▓█▀▀ ▄▀ ▄▓▓ ▐▌
▐█ ▀▀▀██▓▓▓▓▄ ▓ ▓▓█▀ ███▓▓ ▓▀▀ ▐▌ ▄▓▀ ▓▌ ▐▌
▓▌ ▀▀██▓▓ ▓ ▓█▀ ███▓▓ ▀ ▀▀▀ ▐▌ █
▓▄▄▄▄ ▀█▓ ▌ ▓█ ███▓▓ █ █
▀▀▀▀▓▓█▄▄▄ ▀▓ ▌ ▓█ ███▓▓ ▄▀ ▐▌ ▓▌
▄▄█▀▀▓▓▄ ▓ ▓▀ ███▓▓ ▐▌ ▐▌ ▐█
▄▀▀ ▄▀ ▐▌ ███▓▓ ▀▄ ▄▓ █▌
▐▌ ▄▀ ▐▌ ███▓▓ ▐▓▀ █▌
▄▓ ▄▓▓▀ ▐▌ ███▓▓ ▓ ▐█
▄▓▓▀ ▓▀ ▓ ███▓▓ ▐▌ █▌
▓▀ ▐▌ ▐▌ ███▓▓ ▐▌ ▐▌
▐▌ ▄▓ ▓▄ ███▓▓ ▓ ▐▌
▐▌ ▄▓▀ ▄▄▓██▄▄ ▄▄▓█▄█▀▓█▄ ▀▄ ▄███▓▓ ▀▄ ▄█ ▐▌ ▓
▓▄ ▄▓▀ █▀██████▀█████ ▓███▌ ▀█▀▀▀ ▄▄▄▓▌ █▀ ▄ ▄ █ ▓
▀▓▄▄▓▀ ▐▓█▄▀▓███▌▐▓██▌▐▓███▌▄█▓▓▄ ▄▓▓▄ ▄▓████▀ ▄▓█▌ ▄▓█▓█▄ █ ▐▌
▀▀ ▐▓██▌▐▓███ ▓██ ▓████ ▓██▓ ▓██▓▌▐▓██▄▄ ▐▓█▓▌▀▓██▀▓█▌ █ ▐▌
▀███ ▓███ ▐▓▌▐▓███▌ ▓███ ▓███▌ ▀▓▓███▄ ▐▓██▌ ▓██ ▀▀ ▐▌ ▓
█▀▐▓██▌ ▀ ▐▓███▌ ▓███ ▓███▌ ▀▓█▌▐▓██▌ ▓██ ▓ ▐▌
▀ ▓██▀ ▓████ ▓███ ▓███▌ ▄▓█▄ ▐▓▌▐▓██▌ ▓██ ▄ ▐▄▓
▓█▀ ▐▓███▀ ▓▓██▄████▌▐▓██████ ▐▓██▌ ▓██▄▓▌ ▀
▀ ▀▓▀ ▄ ▀▀▀▀▓▓█▀ ▀▓▓▓▀▀ ▐▓▓██ ▀▓▓▓▀
▀ ▄ ▄▄ ▄█ ▄ ▄▄█
██▄▓██▓▀▀▀ █▀ ▄ ▐█▓█▌
███▄ ████ ▄▓█▌ ▐▓█▓▌
███▓▓ ▓███ ▐▓█▓▌ ▐▓██▌
▀██▓▓ ▓███ ▐▓██▌ ▐▓██▌
▄▄███▓██▄▄ ▀ ▄▓▓██▄ ▐▓▓██ ▐▓▓██▄ ▄▄▄
▄▓███████████▄ ▄▄▄█ ▄█▓█▌
▐▓█▀ ▄█▀▀███████ ▄▄▓▓▄ ▄▓▓▓▓▓▓▄ ███▓██▄▐▓█▓
▓▀ ▐▓████▄▀▓████▌▄█▓▓██▓█ ▐▓██▀███▓ ▓█▓▌ ▐▓█▓▄▄▄
▀ ▀▓████ ▓███▌▐▓█████▓▌▐▓█▌ ▐▓██ ▓██▌ ▐▓█████▌
▄ ▀▄ ▀██▀ ▐▓██▌▐▓███ █▀ ▐▓█▌ ▐▓██ ▓██▌ ▐▓█▌ ▓██ ▄
▓ ▀██▀ ▐▓█▀ ▐▓██▀▀ ▐▓█▌ ▐▓██ ▓██▌ ▐▓█▌ ▐▓█▌ ▓
▐▌ ▄▓▓████▄▄█▀ ▐▓██ ▄ ▐▓██▄████▌ ▓██▌ ▐▓█▌ ▓██ ▐▌
▐▌ ▓▀ ▀▓▓▓▓▓▀ ▓▓█▄█▌ ▀▓▓▀▀▓██▀ ▓▓██ ▐▓▓▌ ▐▓▓▌ ▐▌
▓▄ █▄▄▄▓ ▀▀▀ ▀▀▀▀ ▀ ▀▀▀▀ ▀▀▀ ▀▀▀ ▄▓
▐▓▓▄ ▄▄▄▄▄▄ ▄▄▄▄▄▄ ▄█▓▌
▀█▓▓▓▄▄▄░░▒▒▓████▄ ░ ▄█▓██▓▒░░░▄▄▄█▓▓▓▀
▀█▓▓▒░▒▒░░░▒▒▓██▓▓▄ ░ ▄██▓██▓▓▓░▒▒▒▒▒▒▓▓▀
▀▓▓▒░░▒▒▒░░░▒▓███▓▄ ▄▓▓███▓▓▓░░▒▒▒░░▓▓▀
▀▀▓░░░▒▒▒░▒▓▓▓███▄ ░ ▄█████▓▓▓░▓▒▒░░▓▀▀
▄ ▄ ▀▓░▒░▒▓▓▓▓███▄ ░▓░ ▄▓▓███▓▓▒▓░░░▓▀ ▄ ▄
▄▓ ▓▄ ▀▓▒▓▓▓▓▓███▄ ░ ▄▓████▓▓▓▒░░▓▀ ▄▓ ▓▄
▐▓▌ ▐▓▌ ░▒▓▓▓▓▓▓██▓▓▄ ▄▄▄▄▄ ▄▓▓████▓▓▓▓░░░ ▐▓▌ ▐▓▌
▐▓▒ ▄▄▓▓▓▄▄ ▒▓▌ ▒▒▓▓▓▓▓█▓▒░▒▓█▓██▓███▓▒░▓▓█▓▓▓▓▓░░ ▐▓▒ ▄▄▓▓▓▄▄ ▒▓▌
▒░▓█▓█▒█▓█▓░▒ ▓▒▒▓▓▓▓▓▒▒▓███▓█▓██▓█▓▒░▒▓▓▓▓▓░ ▒░▓█▓█▒█▓█▓░▒
░▒▓▓▓▒░▒▓▓▓▒░ ▀▓▒▓▓▓▒░▒█▓█▓██▒█▓███▓▓▒▒▓▓▓░ ░▒▓▓▓▒░▒▓▓▓▒░
▓▓▒▀▒▒▓▒▒▀▒▓▓ ░▒▓▒░▒▓█▓▓▓█▒░▒█▓█▓██▓░▒░ ▓▓▒▀▒▒▓▒▒▀▒▓▓
▐▌ ▄ ▐▌ ░▒░▒▓███████▒██▓▓▓██▓▒░ ▐▌ ▄ ▐▌
▒▄ ▄▓▀▓▄ ▄▒ ░░▓█▀▀▀▀▀▀███▀▀▀▀███▓░ ▒▄ ▄▓▀▓▄ ▄▒
▀▓▓▌░▐▓▓▀ ▄▄▄▄▄ ▐▓▀ ░▓░ ▀▓▌ ▄▄▄▄▄ ▀▓▓▌░▐▓▓▀
█▄▀▄█ ▄▄▓▓▓▓▓▓▒▓▒▒░▒▒▌ ▄ ▐▒▒░▒▒▓▒▓▓▓▓▓▄▄▄ █▄▀▄█
■■▀■■ ▒▓▓▓▒▒▒▒▒▒▒▓▒░░▒░ ░▓▀▓░ ░▒░░▒▓▒▒▒▒▒▒▓▓▓▓▒ ■■▀■■
▄▓▒▒▒▒▒░░░░░░░▒░░░▒▄ ░▓ ░ ▓░ ▄▒░░░▒░░░░░░▒▒▒▒▒▒▓▄
░░░░░░░ ▐▒▓ ▄▒▌ ░ ▐▒▄ ▓▒▌ ░░░░░░░
▄ ▒▒▒▒▒▒ ▐▓▓████▀█▓ ▒ ▓█▀███▓▓▌ ▒▒▒▒▒▒ ▄
▀▓▒▓▒▒▓▀ █▓▓▀▀▀▀ █▓ ▓ ▓█ ▀▀▓▓█ ▀▓▒▒▓▓▀
▄▄ ▄▓▓▀ ▐██▓▄█▄▓██▌ ▀▓▓▄ ▄▄
▐▓▌ ▀▀ ▓█▀▀▀▀▀▀▀█▓ ▀▀ ▐▓▌
▓█▄ ▀▄ ░▒▒▓▓░░ ▄▀ ▄█▓
▐▓███▓█▄ ▄█▓███▓▌
▀█████▓▌ MTD Proudly Presents ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄ ▄▄▄▄▄▄███▀▀
▄▄███▀▀▀▀▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄ ▄▓▓▄ ▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀▀▀▀██▄▄
▄█████▓▌ ▀▀▀▀▀▀▓▓▓▓▓▓▄▄▄ ▀▀ ▄▄▄▓▓▓▓▓▀▀▀▀▀ ▐▓█████▄
▐▓███▓█▀ ▀▀▀████▀▀▀ ▀█▓███▓▌
▓█▀ ▄▀ ▄ ▄▄▄ ▄ ▀▄ ▀█▓
▐▓▌ ▀▓▀ ▄ ▐█▌ █ ▀▓▀ ▐▓▌
▓█ ▄ ▄▄ ▄▄▄▄▄ ██▄ ▄▄▄▄▄ ▄ █▓
▓▌ ▄▄█▌ ▐▓▌▐▓▌▐█▌▐▓▌ ▐▓▌▐█▌ ▐█▄▄ ▐▓
▐▓████ ▓█ ▓█ ██ ▓█ ▓█▄██ ████▓▌
▀ ▀█▌ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▐█▀ ▀
▓▄██ ██▄▓
▓█▀▄▄ ▄▄▀█▓
▐▓▌▐█▌ Artist : Everest ▐█▌▐▓▌
▐▀▄██ Album : On Approach ██▄▀▌
▄███▌ Label : Vapor Records ▐███▄
▀███▌ Genre : Indie ▐███▀
▐▄▀██ Street date : 2010-05-11 ██▀▄▌
▐▓▌▐█▌ Quality : 176 kbps / 44.1kHz / Joint Stereo ▐█▌▐▓▌
▓█▄▀▀ Encoder : Lame 3.97 -V2 --vbr-new ▀▀▄█▓
▓███ Size : 58.10 MB ███▓
▀ ▀█▌ Time : 43:51 min ▐█▀ ▀
▓▄███ Url : http://everestband.com ███▄▓
▐▓████▌ ▐████▓▌
▓▌ ▀▀█▌ ▐█▀▀ ▐▓
▓█ ▀ ▀ █▓
▐▓▌ ▄▓▄ ▄▓▄ ▐▓▌
▓█▄ ▀▄ ▀ ▀ ▄▀ ▄█▓
▐▓███▓█▄ ▄▄▄████▄▄▄ ▄█▓███▓▌
▀█████▓▌ ▄▄▄▄▄▓▓▓▓▓▓▀▀▀ ▀▀▀▓▓▓▓▓▄▄▄▄▄ ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀ ▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄▄▄▄███▀▀
▄▄███▀▀▀▀▀▀▀▀▀ ▀▀▀▀▀▀▀▀▀███▄▄
▄█████▓▌ ▄▄▄▄█▀▀█ ▄ ▐▌ ▐▓▀▄ ▐▓█████▄
▐▓███▓█▀ ▀ ██ ▄▄▄▄▄ ▄▄▄▄▄ ▄▄▄▄▄ ▓█▄▀ ▓█▄▄▄ ▀█▓███▓▌
▓█▀▄▄▀ ▐▓▌▐▓▌▐█▌▐▓▄▄█▌▐▓▌▐█▌▐▓▌▐▓▌▄▄ ▐█▌ ▀▄▄▀█▓
▐▓▌▐█▌ ▓█ ▓█ ▓█ ██ ▓█▄▄ ▓█ ▓█ ▓█▄██ ▐█▌▐▓▌
▀▀▄██ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ██▄▀▀
▄██▀ ▀██▄
█▓▌ 1. Let Go 4:13 ▐▓█
█▓▌ 2. I've Had This Feeling Before 4:30 ▐▓█
█▓▌ 3. Keeping The Score 4:20 ▐▓█
█▓▌ 4. Dots 3:17 ▐▓█
█▓▌ 5. Unfortunate Sea 3:27 ▐▓█
█▓▌ 6. East Illinois 2:10 ▐▓█
█▓▌ 7. Fallen Feather 5:14 ▐▓█
█▓▌ 8. House Of 9's 4:20 ▐▓█
█▓▌ 9. Tall Buildings 4:28 ▐▓█
█▓▌ 10. The Rush 4:02 ▐▓█
█▓▌ 11. Catalyst 3:50 ▐▓█
█▓▌ ▐▓█
█▓▌ ▐▓█
▀██▄ ▄██▀
▄▄▀██ ██▀▄▄
▐▓▌▐█▌ ▐█▌▐▓▌
▓█▄▀▀▄ ▄▀▀▄█▓
▐▓███▓█▄ ▄▄▄████▄▄▄ ▄█▓███▓▌
▀█████▓▌ ▄▄▄▄▄▓▓▓▓▓▓▀▀▀ ▀▀▀▓▓▓▓▓▄▄▄▄▄ ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀ ▄▓▓▄ ▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄▄▄▄▄███▀▀
▄▄███▀▀▀▀▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄ ▀▀ ▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀▀▀▀▀███▄▄
▄█████▓▌ ▀▀▀▀▀▓▓▓▓▓▓▄▄▄ ▄▄▄▓▓▓▓▓▀▀▀▀▀ ▐▓█████▄
▐▓███▓█▀ ▀▀▀████▀▀▀ ▀█▓███▓▌
▓█▀▄▄▀ ▐▓▀▄ ▀▄▄▀█▓
▐▓▌▐█▌ ▄▄▄▄▄ ▄▄▄▄▄ ▄▄██▄ ▄▄▄▄▄ ▓█▄▄▄ ▐█▌▐▓▌
▀▀▄██ ▐▓▌▐█▌▐▓▌▐█▌ ▐▓▌ ▐▓▄▄█▌▄▄ ▐█▌ ██▄▀▀
▄███▌ ▓█ ██ ▓█▄██ ▓█ ▓█▄▄ ▓█▄██ ▐███▄
████ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ████
▀███▌ ▐███▀
▄▄▀██ ██▀▄▄
▐▓▌▐█▌ Often descriptions of bands fall into the equation of ôthis ▐█▌▐▓▌
▐▓▌▐█▌ well known group plus this other established act plus a few ▐█▌▐▓▌
▐▓▌▐█▌ adjectives.ö But some bands defy this shorthand, offering ▐█▌▐▓▌
▐▓▌▐█▌ something so pure & true that its roots aren't apparent. ▐█▌▐▓▌
▐▓▌▐█▌ Everest is this sort, taking us down to foundational rock ▐█▌▐▓▌
▐▓▌▐█▌ truths with an easy glide and expansive vision. While one can ▐█▌▐▓▌
▐▓▌▐█▌ draw some clues from the folks theyÆve toured with û Neil ▐█▌▐▓▌
▐▓▌▐█▌ Young, Wilco, My Morning Jacket û ultimately Everest is ▐█▌▐▓▌
▐▓▌▐█▌ simply a great rock ænÆ roll band in the classic, open-minded ▐█▌▐▓▌
▐▓▌▐█▌ mold, something boldly apparent on their sophomore release, ▐█▌▐▓▌
▐▓▌▐█▌ On Approach (arriving May 11th) on Warner Bros. Records / ▐█▌▐▓▌
▐▓▌▐█▌ Vapor Records). ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Formed in Los Angeles in 2007, Everest is comprised of ▐█▌▐▓▌
▐▓▌▐█▌ Russell Pollard (vocals, guitar, drums, lyricist), Jason Soda ▐█▌▐▓▌
▐▓▌▐█▌ (guitar, keys, vocals), Joel Graves (guitar, keys, vocals), ▐█▌▐▓▌
▐▓▌▐█▌ Elijah Thomson (bass, vocals) and Davey Latter (drums, ▐█▌▐▓▌
▐▓▌▐█▌ percussion). Their 2008 debut, Ghost Notes, drew strong ▐█▌▐▓▌
▐▓▌▐█▌ critical marks and comparisons to primo Topanga Canyon, ▐█▌▐▓▌
▐▓▌▐█▌ California country rock. However, none of this quite prepares ▐█▌▐▓▌
▐▓▌▐█▌ one for On Approach, which finds the group in a full-tilt ▐█▌▐▓▌
▐▓▌▐█▌ creative charge. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ ôWe weren't a band for very long when we made Ghost Notes. I ▐█▌▐▓▌
▐▓▌▐█▌ had songs, we recorded them in just two weeks, then ▐█▌▐▓▌
▐▓▌▐█▌ immediately toured. On Approach has been a completely ▐█▌▐▓▌
▐▓▌▐█▌ different experience,ö says Pollard. ôNow itÆs guys who've ▐█▌▐▓▌
▐▓▌▐█▌ actually struggled together and survived some tight spaces, ▐█▌▐▓▌
▐▓▌▐█▌ cramped hotel rooms, some arguments and some really, really ▐█▌▐▓▌
▐▓▌▐█▌ good times. There was a lot of collaboration, and we werenÆt ▐█▌▐▓▌
▐▓▌▐█▌ afraid to do anything.ö ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ On Approach is a bold album that bolts out of the gate with ▐█▌▐▓▌
▐▓▌▐█▌ an enveloping sound capable of filling large spaces, both in ▐█▌▐▓▌
▐▓▌▐█▌ the outside world and between oneÆs ears. In broad strokes, ▐█▌▐▓▌
▐▓▌▐█▌ it hits the sweet spot between stratospheric, stadium size ▐█▌▐▓▌
▐▓▌▐█▌ rock and gorgeous, emotionally charged pop craftsmanship. ▐█▌▐▓▌
▐▓▌▐█▌ From infectious and thumping opener ôLet Goö through heavy ▐█▌▐▓▌
▐▓▌▐█▌ rocker ôIÆve Had This Feeling Before,ö the sweet humming, ▐█▌▐▓▌
▐▓▌▐█▌ ôKeeping The Score,ö the naked romance of ôDots,ö the ▐█▌▐▓▌
▐▓▌▐█▌ haunting, spacious roots rock of ôEast Illinoisö and ôFallen ▐█▌▐▓▌
▐▓▌▐█▌ Feather,ö and culminating in the boiling over cascade of ▐█▌▐▓▌
▐▓▌▐█▌ closer ôCatalyst,ö On Approach moves with a focused, ▐█▌▐▓▌
▐▓▌▐█▌ switched-on intensity that announces the arrival of one of ▐█▌▐▓▌
▐▓▌▐█▌ the most engaged rock units today. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ On Approach isnÆt just an assemblage of random tracks, but a ▐█▌▐▓▌
▐▓▌▐█▌ classic two-sider vinyl kind of album, where the full ▐█▌▐▓▌
▐▓▌▐█▌ resonance and weight of it can only be felt by taking the ▐█▌▐▓▌
▐▓▌▐█▌ full ride. Everest is this sort of band, too, one that ▐█▌▐▓▌
▐▓▌▐█▌ strives for something more than three-minutes in the ▐█▌▐▓▌
▐▓▌▐█▌ spotlight. These guys are lifers and the music they make is ▐█▌▐▓▌
▐▓▌▐█▌ built for lifetimes, maintaining some elusive core that ▐█▌▐▓▌
▐▓▌▐█▌ rewards one with each new spin. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ ôOn Approach has all the good things that make a great ▐█▌▐▓▌
▐▓▌▐█▌ record,ö says veteran producer/mixer Rob Schnapf who mixed ▐█▌▐▓▌
▐▓▌▐█▌ EverestÆs latest, and whoÆs impressive credits include such ▐█▌▐▓▌
▐▓▌▐█▌ modern classics as BeckÆs Mellow Gold & Odelay, Elliott ▐█▌▐▓▌
▐▓▌▐█▌ SmithÆs XO & Figure 8, as well as Foo FightersÆ eponymous ▐█▌▐▓▌
▐▓▌▐█▌ debut. ôThis record has a familiarity yet doesnÆt copy ▐█▌▐▓▌
▐▓▌▐█▌ anything. ItÆs expansive, and it doesnÆt sit in one place. ▐█▌▐▓▌
▐▓▌▐█▌ Listening back to the final version, I realized it was like ▐█▌▐▓▌
▐▓▌▐█▌ an old-time record experience, one you donÆt get any more.ö ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ With guitars that range from bright and chiming to tense and ▐█▌▐▓▌
▐▓▌▐█▌ meandering, harmonies that are both delicate and pastoral, ▐█▌▐▓▌
▐▓▌▐█▌ and PollardÆs gentle, hazy vocals, On Approach is indeed ▐█▌▐▓▌
▐▓▌▐█▌ reminiscent of a bygone era, a time before the Internet, when ▐█▌▐▓▌
▐▓▌▐█▌ albums were still an art form and stories were told on vinyl. ▐█▌▐▓▌
▐▓▌▐█▌ But as it exudes timelessness, as it ebbs from rustic grooves ▐█▌▐▓▌
▐▓▌▐█▌ into hushed lullabies, it also asserts itself as something ▐█▌▐▓▌
▐▓▌▐█▌ very of the here and now û something that is more than the ▐█▌▐▓▌
▐▓▌▐█▌ sum of its parts. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ ôOne of the things that's intriguing about this album for me, ▐█▌▐▓▌
▐▓▌▐█▌ is hearing the moments where we started to transcend,ö ▐█▌▐▓▌
▐▓▌▐█▌ reveals Pollard, ôwhere those moments and the music became ▐█▌▐▓▌
▐▓▌▐█▌ something beyond ourselves.ö ▐█▌▐▓▌
▓█▄▀▀▄ ▄▀▀▄█▓
▐▓███▓█▄ ▄▄▄████▄▄▄ ▄█▓███▓▌
▀█████▓▌ ▄▄▄▄▄▓▓▓▓▓▓▀▀▀ ▀▀▀▓▓▓▓▓▄▄▄▄▄ ▐▓█████▀
▀▀███▄▄▄▄▄▄▄▄▄▓▓▓▓▓▀▀▀▀▀ ▄▄ ▀▀▀▀▀▓▓▓▓▓▄▄▄▄▄▄▄▄▄███▀▀
▀▀▀▀▀▀▀▀▀ ▄▄▄▄███████▄▄▐██▌▄▄███████▄▄▄▄ ▀▀▀▀▀▀▀▀▀
▄▄████▀▀▀▀ ▄▄▄ ▀▀█▌▓██▓▐█▀▀ ▄▄▄ ▀▀▀▀████▄▄
▄██▀▀▀▄▄▄████▀▀▀▀▀██▄ ▓██▓ ▄██▀▀▀▀▀████▄▄▄▀▀▀██▄
▀▄▄▄▀▀▀▀ ▀ ▓██▓ ▀ ▀▀▀▀▄▄▄▀
▄▄▓▓▓▄▄ ▄▀▀▀ ▄▄█▓█▄▄ ▀▓▓▀ ▄▄█▓█▄▄▄ ▀▀▀▄
▄▓▓▓███▀██▄ ▄████▒████▄ ██ ▄████▒███▓███▄▄▄
▐▓███████ ███▄ ▄██████▒████▓▌ ▐█▌ █▓████▒████▓▌ ▀▀▀███▄▄▄
▓████████▌▐████▄ ▄████████▒█████▓ ▓█ ▓█████▒█████▓ ▀▀▀███▄▄
▓███████▀▄██▓ ▀███▀ ▓████▀░▀████▓ ▐▓▌ ▓████▀░▀████▓ ▀▓█▄
▓██▀▀ ▀▀██▓ ▐▓▌ ▓██▀██▄█████▓ ▐▓▌ ▓██▀██▄██▀██▓ ▓█▌
▓▀ ▄█▄ ▀▓ ▓ ▓█▌▐████████▓ ▓█ ▓█▌▐█████▌▐█▓ ▄█▄ ▐██
▀ ▓██▄▀███████▓ ▐█▌ ▓██▄▀███▀▄██▓ ▀ ▐██
▓██▀▀ ▀▀██▓ ▓█ ▓██▀▀ ▀▀██▓▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄██▌
ascii by ▓▀ cough ▀▓ ▐█▌ ▓▀ cRO ▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀
▀▀
Files
| Path | Size |
|---|
| 01-everest-let_go.mp3 | 6,37 MB |
| 02-everest-ive_had_this_feeling_before.mp3 | 5,19 MB |
| 03-everest-keeping_the_score.mp3 | 5,92 MB |
| 04-everest-dots.mp3 | 4,01 MB |
| 05-everest-unfortunate_sea.mp3 | 3,85 MB |
| 06-everest-east_illinois.mp3 | 3,12 MB |
| 07-everest-fallen_feather.mp3 | 6,57 MB |
| 08-everest-house_of_9s.mp3 | 5,42 MB |
| 09-everest-tall_buildings.mp3 | 5,45 MB |
| 10-everest-the_rush.mp3 | 4,35 MB |
| 11-everest-catalyst.mp3 | 5,16 MB |