Aitar-Aitar_II-2CDR-2004-BCC

Section

MP3/FLAC

Group

BCC

Size

103,68 MB

Files

21

Date

2010-06-06

NFO

Artist  : Aitar
Title   : Aitar II
Genre   : Electronic
Year    : 2004
Date    : 03/2010
Bitrate : VBR kbps
Tracks  : 21
Label   : Sub Jam
Source  : CDDA
Encoder : Lame 3.97
Length  : cd1: 46:04 cd2: 28:26
Size    : 103,7 MB


Tracklist:
----------

cd1

01.SXZ Come (MHP)                         02:24
02.Factionalism (b6)                      06:27
03.My Infirm Rain (b6)                    07:39
04.Miraculous (MHP)                       05:06
05.My Dreary D (b6)                       09:28
06.My Dusty River (b6)                    05:42
07.CV Les (MHP)                           09:18

cd2

01.Tokyo Death 11 (b6)                    02:02
02.Tokyo Death 07 (b6)                    02:02
03.Tokyo Death 29 (MHP)                   02:02
04.Tokyo Death 08 (MHP)                   02:02
05.Tokyo Death 09 (b6)                    02:02
06.Tokyo Death 10 (b6)                    02:02
07.Tokyo Death 21 (MHP)                   02:02
08.Tokyo Death 06 (MHP)                   02:02
09.Tokyo Death 19 (b6)                    02:02
10.Tokyo Death 94 (b6)                    02:02
11.Tokyo Death 05 (b6 & cy)               02:02
12.Tokyo Death 79 (MHP)                   02:02
13.Tokyo Death 44 (MHP)                   02:02
14.Tokyo Death 01 (b6)                    02:00
                                         -------
                                          74:30 min




Aitar present themselves as a duo
consisting of the mysteriously monikered
B6 and MHP, although in effect their
release is a double-header rather than a
collaboration, with each artist more or
less alternating tracks with the other.
the Industrial-flavoured MHP offerings
tend towards dense, Isolationist blocks
of sound (öSXZ Comeö even opens with
hoary old Nuremberg rally samples, whose
significance for a young Chinese
audience can only be guessed at). The
more sophisticated work of B6,
meanwhile, particularly on the ôTokyo
Deathö suite, is sharp, intricate and
slyly disorientating. Both of these Sub
Jam release serve notice of interesting
creative developments in mainland China
and are worthy of investigation.

http://www.subjam.org/

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