▄▄▄▄▄▄▄▄▄▄▄▄
▄▄▄████████████████████████▄▄▄
▄▄████████████████████████████████████▄▄▄▄▄
▄██████████████████████████████████████████████▄
██████████████████████████████████████████████████▄ ░
█████████████████████████████████████████████████████
███████████████████████████████████████████████████████
█████████████████████████████████████████████████████████ ░
███████████████████████████████████████████████████████████
█████████████████████████████████████████████████████████████ ░
▐██████████████████████████████████████████████████████████████
███████████████████████████████████████████████████████████████ ░ ░
▐███████████████████████████████████████████████████████████████▌ ░
█████████████████████████████████████████████████████████████████ ░░░ ░
█████████████████████████████████████████████████████████████████ ░░ ░
██████████████████████████████████████████████████████████████████▌ ░░░░
▄▄▄███████████████████████████████████████████████████████████████████▌░ ░░
▄█████████████████████████████████████████████████████████████████████████ ░░░░
▀█████████████████████████████████████████████████████████████████████████ ░ ░░
▀▀▀▀▀▀██████████████████████████████████████████████████████████████████░░░░░
███████████████████████████████████████████████████████████████ ░░░░
██▓▓▓▓███████████████████████████████████████████████████████████▄▄░
▄▄████▓▒░░░▒▓▓██████████████████████████████████████████████████████████
███▓▓▒░░░░░░░░░▒▒▓▓████████████████████████████████████████████████████▀░
██▓▓▒▒░░░░░ ░░░░░▒▒▓▓███████████████████████████████████████████ ░░░░░
▐██▓▓▒▒░░░ ░░░▒▒▓▓████████▀▀▀▀▀▀▀▀▀██████████████████▀▀▀▀▀▀█▌ ░ ░ ░
██▓▓▒▒░░ ░░░▒▒▓▓██▄▄ ██ ▄▄█████████▀▀ ██ █ ░░░
██▓▓▒▒░░░ ░░░▒▒▓▓██████▄▄▄▄▄▄██████████████████▄▄▄▄▄▄▄█▌ ░░░░░
███▓▓▒▒░░░ ░░░▒▒▓▓▓█████████████▓▓▒▒▓▓██▓▓▓███████████ ░░░░
▀████▓▓▒░░░░░░░ ░░░░▒▒▓▓▓▓▓▓▓▓▓▓▓▓▒▒░░▒▒▓▓██▓▒▒▒▓▓███████▌ ░░
▀▀███████▓▒▒░░ ░░░░▒▒▒▒▒▒▒▒▒▒▒▒░░░░░▒▒▓▓██▓▒░░▒▒▓▓█████ ░ ░
████▓▓▒▒░░ ░░░░░░░░░░░░░░░░░░░▒▒▓▓██▓▒░░░▒▒▓▓███ ░░
█████▓▓▒▒░░ ░░░░░░░░░░░░▒▒▓▓██▓▒ ░░▒▒▓▓█ ░ ░
██████▓▓▒▒░░ ▄░░░▒▓▓███▓▒░░▒▒▓▓█ ░
▐██████▓▓▒▒░░ ▀▀█████▀ ░░▒▒▓▓█ ░
▐███████▓▓▒▒░░ ░░▒▒▓▓█ ░
██████████▓▓▒░░ ░░▒▒▓▓█ ░
████████████▓▒░░░ ░░▒▒▓▓█
▐█████████████▓▒░░░░ █░▒▒▓▓█ ░
▐███████████████▓▒▒░░░░░░ ▄▀▀████████████▄
████████████████████▓▓▓▒▒░░░░ ░░▒▒▓▓█ ▀▀▀▀▀▀
████████████████████████▓▓▓▒▒░░░░░░░ ░░░░▒▒▓▓█
▐█████████████████████████████▓▓▓▓▓▒▒░░░░░░░░░░░░░▒▒▓▓██
█████████████████████████████████████▓▓▓▓▒▒░░░░░▒▒▓▓██▀
████████████████████████████████████████████▓▒░▒▒▓██▀
███████████████████████████████████████████████████████
▄██████████████████████████████████████████████████████████▄▄
██▀▀ ▄▄▄▄ ▀██████████████████████████████████████████████████████▄▄
██ ███████ ▀██████████████████████████████████████████████████████████▄▄▄
██▄ ███████ ▀ ▄▄▄▄▄▄▄ ▀▀▀██████████████████████████████████████████████████▄▄
███ ███████████████████▄ ▀█████████████████████▀▀▀▀▀██████████████▀▀▀▀▀██████
█ ▄▄█████████▀▀ ▀▀▀██████ ▀████████████████▀▀ ▄▄███▄▄ ▀▀██████▀▀ ▄▄███▄▄ ▀▀███
█▄▄▄▄ ██████ ▄█████▄▄ ▀████ ██████████████▀ ▄███████████ ▀███▀ ▄███████████ ▀██
█████ ██████ █████████▄ ███▌▀████████████▀ ██████████████ ██▀ ██████████████ ██
█████ ██████ ██████████ ▐███ ███████████▀ █████▀▀▀███████ █▀ █████▀▀▀███████ ██
█████▄ █████ ████████▀ ▄███▌▄███████████ █████ ▄█▄ ▀█████ █ █████ ▄█▄ ▀█████ ██
████ ▄▄█████▄▄▄▄▄▄▄▄▄▄████▀ ████████████ ████ ▄████ ▀███▀ █ ████ ▄████ ▀███▀ ██
████▄▄ ███████▀▀▀▀ ▄▄ ▀▀███▄ █▀▀ ▄▄▄▄ ▀▀▄ ███ ▀███▀▀ ▀ ▄██▌ ███ ▀███▀▀ ▀ ▄███
░█████ █████ ▄▄████████▄ ███▌ ▄████████▄ ▀██▄ ▄▄████▄▄ ▀█▄ ▀██▄ ▄▄████▄▄ ▀█
░█████ █████ ███████████▄ ███████▀ ▄ ▀███▄ ▄ ▀▀███████████▄ ▀█▄ ▀▀███████████▄
░█████ █████ ███████████▀ ██████ ▄███▄ ███▄ ▄█▄ ▄▄▄ ▀▀█████▄ ▄█▄ ▄▄▄ ▀▀████▄
▄████▄▐████ ██████████▀ ███████ ▀████ ████████ ▀████▄ ▀████▄█████ ▀████▄ ▀███
▄ █ ██ ████ ███▀▀▀▀▀ ▄▄█████████▄ ▀ ▄▄███▀██████▄ ▀▀█▀ ▄████▀██████▄ ▀▀█▀ ▄███
░██▀▄█▄ ██ ▄▄▄▄▄█████████▀ ▀████████████▀ ▀▀██████▄▄▄████▀ ▄ ▀▀██████▄▄▄████
▄▀▄▀▄█▀█▄▄▄▄▄▄▄▄▄▄▄▄ ▀▀▀ ▄▄▀▄▄ ▀▀█████▀▀ ▄▀▀▀▄▄ ▀▀███████▀ ▄▀ ▀▀▄▄ ▀▀▀██████▀ ▄
▀█▀▄░▀▄▀ ▀▀▀▀▀ ▀▀▄▄▄▄▄▄▄▄▀ ▀▀▄▄ ▀▀▀ ▄▄▀ . ▀▀█▄▄▄▄▄▄▄▄█▄
░██▀█ ▀▀▀▀▀ ▀▄█▄ ▀▄▄▄▀
▄▀██▀ B O S S M P 3 I S P R O U D T O P R E S E N T ▀▄█▀█▄
▄▀██░ ********************************************************** ▐███▀
▀▄█▄ artist : Hybrid size : 97,8 MB ██▌▄
░█▄▀▄ album : Live at the amphitheater 933 FM bel : n/a ░██▀▄
▄▀██▀ genre : Beat str.date: 00/00/0000 ▄▀▄▀▀
▄▀██░ source : CDDA rip.date: 09/01/2003 ▀█▀▄
▀██ bitrate : 192 kbit ripper : Team BOSS ██▀█
█ █ ▄▀██▀
▄▀ ▄ █▀▀▀▀▀▀▀▀▀▀▀▀▀▀██▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█ ▄▀██
██▀ ░█ ███▀▀███ ███ ▄▀ ███▀███ ██▄ ███ ███▀▀▀ ███▀██ █░ . ▀▄█▄
▄ █ █▄ . ░██ ███ ███ ███ ▀ ███ ███████ ███ ▄▀ ███ ██ ██░ ░█▄▀▄▄
▄ ▀▀▄█▄█▄▀▄▄▄███ ███ ███ ███ ▀▄ ███▄▄▄▄ ███████ ███▄▄▄ ███ ██ ██▀▄▄ ▄▀██▀
▀▀▄▄▄ ▀█▀█ ▄▀██ ███▀▀██▀ ███ ▄▀ ███ ███████ ███ ▄ ███ ██ █ █ ▄▀█▀█ █▄▄▀
▀ ▄█▀ ▄▀▀▀▄██ ███ ██ ███▄▄▄ ██▄▄███ ███ ▀██ ███ ▄▀ ███▄██ ██ ▀██▄██▀░ ▀
▄█▄▀░█ ░█▄▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄▄ ▄▄ ▄ ▄▄▄ ▄ ▄▄▄▀█▄▄▄▄▄▄▄▄█▄███▄▀▄▀▄░
▀▄▀█░█ ░█ ▄▀ ▀▄█▀█ ▄▀ ▀ ▀▄██▄▀ ▀▄█ ▀▄▄▀ █▀█░ ▀▀▄▀░▄█▄▀█░
█▀█▀▄▀ █ ▀▄ ▄ ▀▀▀ ▀▀ ▀▀▀ ▄ ▄ █▀ ▀▄▀█▄
████▄ ▀ ▀▀▀ ▀▀▀ ░████░
▐███▄▄ ░██▌▄▀
██▌▄▀█ Mike Truman, Chris Healings and Lee Mullins are ░██▌▄▀
██▌▄▀█ Hybrid, a Swansea-based collective with designs on ░██▌▄▀
██▌▄▀█ the future of music. Their debut album, Wide Angle, ░██▌▄▀
██▌▄▀█ will surprise anyone who thinks that dance music ░██▌▄▀
██▌▄▀█ can't be clever, challenging and musically astute. ░██▌▄▀
██▌▄▀█ Here's the shocking news: You might want to listen to ░██▌▄▀
██▌▄▀█ it for longer than a few weeks. You don't have to be ░██▌▄▀
██▌▄▀█ standing up to listen to it. ░██▌▄▀
██▌▄▀█ Truman, Healings and Mullins met while clubbing in ░██▌▄▀
██▌▄▀█ Swansea seven years ago. They bonded over Truman's ░██▌▄▀
██▌▄▀█ house remix of Pink Floyd's Another Brick in the ░██▌▄▀
██▌▄▀█ Wall, and they've been doing DJ sets and mixing their ░██▌▄▀
██▌▄▀█ own music ever since. They have become sought-after ░██▌▄▀
██▌▄▀█ remixers, putting their production skills to use on ░██▌▄▀
██▌▄▀█ tracks for artists as varied as Jazzy Jeff, Carl Cox ░██▌▄▀
██▌▄▀█ and Alanis Morissette. Now they are ready to make ░██▌▄▀
██▌▄▀█ their album debut. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Wide Angle - which has been over a year in the making ░██▌▄▀
██▌▄▀█ - was born of Hybrid's frustration with the narrow ░██▌▄▀
██▌▄▀█ horizons of British dance music; its structural ░██▌▄▀
██▌▄▀█ predicabitity; its slavish concentration upon beat to ░██▌▄▀
██▌▄▀█ the exclusion of everything else; its disinclination ░██▌▄▀
██▌▄▀█ to seek inspiration from the broader musical corpus. ░██▌▄▀
██▌▄▀█ They wanted to make the dance form more melodic, more ░██▌▄▀
██▌▄▀█ imaginative, bigger and deeper than it had ever been ░██▌▄▀
██▌▄▀█ before. So they went from Swansea to London, Moscow ░██▌▄▀
██▌▄▀█ and New York, gathering material for a set of ░██▌▄▀
██▌▄▀█ startlingly innovative tracks. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ "We want to make music that will last," says Mullins. ░██▌▄▀
██▌▄▀█ "Something that isn't disposable, something that ░██▌▄▀
██▌▄▀█ people will want to listen to over and over again." ░██▌▄▀
██▌▄▀█ Something, perhaps, that dance music's natural ░██▌▄▀
██▌▄▀█ constituency might get more out of than a rushing ░██▌▄▀
██▌▄▀█ sensation in the skull and a spontaneous nosebleed ░██▌▄▀
██▌▄▀█ and that those beyond that natural constituency might ░██▌▄▀
██▌▄▀█ also find inspirational. "We just push the music to ░██▌▄▀
██▌▄▀█ see how far it will go," says Healings. ░██▌▄▀
██▌▄▀█ Too much club music, Truman argues, is wholly ░██▌▄▀
██▌▄▀█ predicable: "You know where the samples have come ░██▌▄▀
██▌▄▀█ from, you know where the beats have come from, you've ░██▌▄▀
██▌▄▀█ heard all these riffs over and over again. What's the ░██▌▄▀
██▌▄▀█ point in listening to it? You might as well turn it ░██▌▄▀
██▌▄▀█ off. We want to make music that will be surprising, ░██▌▄▀
██▌▄▀█ something that will spark the imagination and that is ░██▌▄▀
██▌▄▀█ enriching to listen to, rather than just supplying ░██▌▄▀
██▌▄▀█ the same old product." Dance music whose movements ░██▌▄▀
██▌▄▀█ are less predictable than the usual breakbeat ░██▌▄▀
██▌▄▀█ repertoire. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ To this end, they recruited singer-songwriter Julee ░██▌▄▀
██▌▄▀█ Cruise, best known for her work with cult film-maker ░██▌▄▀
██▌▄▀█ David Lynch. It was her fragile, Naiad voice that ░██▌▄▀
██▌▄▀█ gave Twin Peaks its otherworldly quality, and more ░██▌▄▀
██▌▄▀█ recently, she has been performing with the B52s, Moby ░██▌▄▀
██▌▄▀█ and on the soundtrack of Kevin Williamson's hit ░██▌▄▀
██▌▄▀█ horror movie, Scream. "Most techno and dance is so ░██▌▄▀
██▌▄▀█ cold and boring," asserts Cruise. "Try and hum it. ░██▌▄▀
██▌▄▀█ You can't. Hybrid have melody. They have intelligent, ░██▌▄▀
██▌▄▀█ ironic lyrics. They have a nice, neat, clean, ░██▌▄▀
██▌▄▀█ tasteful voice. It's a sophisticated sound." ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ They also recruited Sacha Puttnam, a composer and ░██▌▄▀
██▌▄▀█ musicologist who trained at the Moscow Conservatory - ░██▌▄▀
██▌▄▀█ where he rented a tiny flat from a fellow academic ░██▌▄▀
██▌▄▀█ that contained just a bed and a grand piano. Since ░██▌▄▀
██▌▄▀█ graduating, he's moved back to his native London and ░██▌▄▀
██▌▄▀█ into film and TV work. ░██▌▄▀
██▌▄▀█ He scored The Confessional for Canadian theatrical ░██▌▄▀
██▌▄▀█ genius Robert LePage, and recently composed the music ░██▌▄▀
██▌▄▀█ for a BBC adaptation of Bleak house. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Puttnam brought a strong element of orchestral ░██▌▄▀
██▌▄▀█ discipline to Hybrid's electronic experimentalism. He ░██▌▄▀
██▌▄▀█ found the experience educative. "When I'm composing, ░██▌▄▀
██▌▄▀█ there's always this little academic on my shoulder, ░██▌▄▀
██▌▄▀█ telling me to keep things changing constantly, and to ░██▌▄▀
██▌▄▀█ keep within certain strictures. But Mike's taught me ░██▌▄▀
██▌▄▀█ to forget all that." Bringing slamming dance rhythms ░██▌▄▀
██▌▄▀█ into contact with classical orchestration forced ░██▌▄▀
██▌▄▀█ Puttnam to discard the rule book. But he also found ░██▌▄▀
██▌▄▀█ precedent for this kind of experimentation: "It's ░██▌▄▀
██▌▄▀█ exactly what Debussy did," he contends. "In his day ░██▌▄▀
██▌▄▀█ you weren't allowed parallel fifths. So he comes ░██▌▄▀
██▌▄▀█ along, starts using parallel fifths and suddenl ╘y ░██▌▄▀
██▌▄▀█ that's his own sound. So when Mike's not worrying ░██▌▄▀
██▌▄▀█ about academic restrictions, suddenly you get these ░██▌▄▀
██▌▄▀█ wonderful harmonies that you're not supposed to have. ░██▌▄▀
██▌▄▀█ And they work." Last August, they went to Moscow to ░██▌▄▀
██▌▄▀█ prove the point. In the bowels of Mosfilm, the old ░██▌▄▀
██▌▄▀█ Soviet film complex where Eisenstein and Tarkovsky ░██▌▄▀
██▌▄▀█ once clocked on for work, they recorded the tracks ░██▌▄▀
██▌▄▀█ for Wide Angle with the 90-piece Russian Federal ░██▌▄▀
██▌▄▀█ Orchestra. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Working the DJ circuit has allowed the Hybrid boys to ░██▌▄▀
██▌▄▀█ immerse themselves in a broad range of musical ░██▌▄▀
██▌▄▀█ styles. "You draw all these influences in, and use ░██▌▄▀
██▌▄▀█ them to create new sounds," explains Truman. Wide ░██▌▄▀
██▌▄▀█ Angle betrays the influences of John Barry, Stevie ░██▌▄▀
██▌▄▀█ Wonder, Eartha Kitt, Berlin techno, Peter Gabriel and ░██▌▄▀
██▌▄▀█ Claude Debussy. "Everything that we've listened to ░██▌▄▀
██▌▄▀█ over the years has been absorbed and used in some ░██▌▄▀
██▌▄▀█ way," he reflects. ░██▌▄▀
██▌▄▀█ "A lot of people just concentrate on the engine of ░██▌▄▀
██▌▄▀█ the music, and forget about melody, and the other ░██▌▄▀
██▌▄▀█ bits that make it interesting," argues Mullins. Wide ░██▌▄▀
██▌▄▀█ Angle offers brassy, grandiose soundscapes which ░██▌▄▀
██▌▄▀█ summon up images of Sean Connery parachuting from an ░██▌▄▀
██▌▄▀█ exploding helicopter; dark, hypnotic swathes of ░██▌▄▀
██▌▄▀█ sci-fi noise; lush string arrangements supplied by 90 ░██▌▄▀
██▌▄▀█ classically-trained Russians; belting club beats ░██▌▄▀
██▌▄▀█ tempered with sly, sophisticated touches; sweet, ░██▌▄▀
██▌▄▀█ sassy crooning and Marilyn Monroe vibrato from Julee ░██▌▄▀
██▌▄▀█ Cruise; ball-breaking rap from SoonE MC. It's music ░██▌▄▀
██▌▄▀█ for grown-ups. But it doesn't, thankfully, have that ░██▌▄▀
██▌▄▀█ highfalutin pomposity that has felled past attempts ░██▌▄▀
██▌▄▀█ to expand pop's musical horizons. Jeff Wayne it ░██▌▄▀
██▌▄▀█ ain't.s ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ "I played it to my family in Iowa," says Cruise. "My ░██▌▄▀
██▌▄▀█ brother's into jazz, my mother's in a nursing home, ░██▌▄▀
██▌▄▀█ my sister's a regular housewife and my other brother ░██▌▄▀
██▌▄▀█ is a hippy from Berkeley. And they all sat there in ░██▌▄▀
██▌▄▀█ the living room and they really liked it. They all ░██▌▄▀
██▌▄▀█ got it, in their own way. This music doesn't exclude ░██▌▄▀
██▌▄▀█ anybody. It doesn't tell you that you don't belong. ░██▌▄▀
██▌▄▀█ You don't have to be as bland as Celine Dion to have ░██▌▄▀
██▌▄▀█ appeal as wide as that." Maybe she's getting a little ░██▌▄▀
██▌▄▀█ carried away here, but Julee sees Hybrid fitting ░██▌▄▀
██▌▄▀█ snugly into a tradition that includes Gershwin and ░██▌▄▀
██▌▄▀█ Copland. "It's proper music," she enthuses. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Hybrid's multi-album deal with Distinct'ive Records ░██▌▄▀
██▌▄▀█ has allowed them the security to formulate long-term ░██▌▄▀
██▌▄▀█ plans. They are developing their live act, and have ░██▌▄▀
██▌▄▀█ already gone down a storm in venues as far apart as ░██▌▄▀
██▌▄▀█ Miami and Liverpool. They've just be signed for a gig ░██▌▄▀
██▌▄▀█ on top of Mount Fuji. With Wide Angle laid down, the ░██▌▄▀
██▌▄▀█ band are now doing the groundwork for their next ░██▌▄▀
██▌▄▀█ album.s ░██▌▄▀
██▌▄▀█ And with tastes and skills as eclectic as Hybrid's, ░██▌▄▀
██▌▄▀█ there's plenty of scope for the wildest kind of ░██▌▄▀
██▌▄▀█ experimentation. They're making noises about an ░██▌▄▀
██▌▄▀█ unplugged breakbeat album, and suite of music in ░██▌▄▀
██▌▄▀█ which the melodic instruments play the beat, and the ░██▌▄▀
██▌▄▀█ percussion instruments play the melody. Whatever ░██▌▄▀
██▌▄▀█ their next move, expect to be surprised. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ Hybrid live from the Amphitheater in Ybor City, ░██▌▄▀
██▌▄▀█ Florida on 93.3 FM. Enjoy. ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
██▌▄▀█ ░██▌▄▀
░██▀▄▀ ░██▀▄▀
▄▀▄▀▀ ▄▀▄▀▀
▀█▀▄░ ▀█▀▄
░██▀█ ░██▀█
▄▀██▀ ......................... ▄▀██▀
▄▀██░ ▄▀██
▀▄█▄ [Track Information] ▀▄█▄
░█▄▀▄ ░█▄▀▄
▄▀██▀ 01. Live_at_the_amphitheater_933_FM-08-30-2003 71:14 ▄▀██▀
▀██▄ ▀██▄
░██▄▀ ------- ██▄▀
▄▀▄▀ (71:14 min) ▄▀▄▀
▀▄██░ ▀▄██
▀██▄ ░██▄
██▀▄ ██▀▄
░▀█▀ ▀█▀
▄▀██ ▄▀██
▀██▄ ▀██▄
░██▄▀ ██▄▀
▄▀▄▀ ▄▀▄▀
▀▄██░ ▀▄██
▀██▄ ▀██▄
░██▄▀ ██▄▀
▄▀▄▀ ▄▀▄▀
▀▄██░ ▀▄██
▀██▄ ░██▄
██▀▄ ██▀▄
░▀█▀ ▀█▀
▄▀██ ▄▀██
▀██▄ ▀██▄
░██▄▀ ██▄▀
▄▀▄▀ ▄▀▄▀
▀▄██░ ▀▄██
▀██▄ ░██▄
██▀▄ ██▀▄
░▀█▀ ▀█▀
▄▀██ ▄▀██
▄▀██ ▄▀██░
░███▄ ███▄
░██▄▀ ░██▄▀
▄▀██░ ▀▄ ▄ ▄ ▀▄ ▄▀ ▄▀██░
█▀███ █▄▄ ▄▄▀█▀▀▄ ▄▀▄░█▄▄ ▄▄▄▀▀▄░█▄▄ ▄▄█ █▀███
▀▐██▌ ░█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█░ ▀▐██▌
░█▀▄█ ░█ ██▀▀▀███ ███▀▀███ ██▀▀▀███ ██▄ ███ ███▀▀▀ ███▀██ █░ ░█▀██
░▄▀▄▄▀▄ ██ ██ ███ ███ ███ ██ ███ ███████ ███ ███ ██ ██░ ░▄▀█▄
▄▀▄▄▄▀▄▀▄▄▄███ ██ ▀▀▀ ███ ███ ██ ███ ███████ ███▄▄▄ ███ ██ ██▀▄▄ ▄▀▄▄▄▀
▄▄▄░▀█▀█ ▄▀██ ██ ▀▀██ ███▀▀██▀ ██▀▀▀▀▀▀ ███████ ███ ▄ ███ ██ █ █ ▄▀█▀█ ▀
▄█ ▄▀▀▀▄██ ██▄▄▄▄██ ███ ██ ██ ▄ ▄ ███ ▀██ ███ ▄▀ ███▄██ ██ ▀██▄▀▀▀
▄▀▄█ ░█▄▄ ▄▄▄▄ ▄▄▄▄▄ ▄▄▄ █▄▀█▄▄ ▄ ▄▄▄ ▄ ▄▄▄▀█▄▄▄▄▄▄▄▄█▄███▄█▄▀▄
░█▀▄ ░█ ▄▀ ▀▄█▀█ ▄▀ ▀ ▀▄██▄▀ ▀▄█ ▀▄▄▀ ░█▀█ ▀▀▄ ▄█▄▀
░█▄█▀ ▀▄ ▄ ▀▀▀ ▀▀ ▀▀▀ ▄ ▄ █▀ ▀▄▀█▄
▀▄███ ▀▀▀ ▀▀▀ ░████░
██▌▄▀ ▄▀▄▀▀
▀▄███ Greetings, obviously you are reading this because ▐███▀
░███▄ BOSS has caught your attention in one way or another, ██▌▄
███▄▀ most likely from this great release. ░██▀▄
██▌▄▀ ▄▀▄▀▀
░██▀▄ BOSS has many quality rls' everyday you just have to ▀█▀▄
▄▀▄▀▀ find them. Our team started to release internationally ██▀█
▀█▀▄ in 2000. In our group news we always inform you with ▄▀██▀
░██▀█ what we are looking for. ▄▀██
▄▀██▀ ▀▄█▄
▄▀██ ░█▄▀▄
▀▄█▄ Currently BOSS is looking for: ▄▀██▀
░█▄▀▄ ▄▀██
▄▀██▀ 1) Non-Commercial Shells (10mb+/1gig+) ░██▄
▄▀██ 2) Membership is currently closed ██▄▀
▀██▄ ▄▀▄▀
░██▄▀ Remember we do this for fun!! If you like the rls then ▀▄██
▄▀▄▀ go buy it and support the artist!!! ░██▄
▀▄██ ██▀▄
░██▄ We kindly ask for the security of our scene to not ▀█▀
██▀▄ spread our releases via p2p (kazaa, soulseek, etc.) ▄▀██
▀█▀ ▄▀██░
▄▀██ Greetz Fly Too: ░███▄
▄░██ ░██▄▀
░██▄▀ (and any others we respect..u know who you are) ███
▄▀██ ▀▐██▌
█▀███ █▀▄█
▀▐██▌ GREETZ THE BOSS CREW!!! ▄▀▄▄
░█▀▄█ ▄▀▄▄▄▀░
▀█▄▀▄▄▀▄▀▄▄ ▄▀▄█▄░
█▄▀█▄█▀▀ ▀ ▄▀▄█▀▄ ▄ ▄▀▄▀█▀▄▀▀▄ ▄ ▄▀▄▀▄▀ ▄ ▄▄▀▄█▄▀▄█
░█▀█▄▀ ▄▀▀▀ ▀▀▀██▄▄▄▀▀ ▀▄▄▄▀▄▀ ▀▄▀▄▄▄██▀▀▄ ▀▀ ▀▀▄█▄ ▀ ▀▄▀▄▀▄█░
░▀██▄ █ ▀▄▀ ▀ ▀ ▄▀ ▀█ ▀▄▀▄█░
███ ▀███
██ ██▄
▀█▄ ▄█▀
▀▀