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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ VA - Kode9 - DJ-Kicks ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ VA ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Kode9 - DJ-Kicks ▓▓▓▓█
████ GENRE...[ Electronic GRABBER.[ K7262CD ████
████ LABEL...[ !K7 ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2010 QUALiTY.[ vbr 186kbps ████
████ SOURCE..[ WEB (WAV) MODE....[ Joint-Stereo ████
████ PLAYTIME[ 63:13 min REL.DATE[ 06.20.2010 ████
████ TRACKS..[ 31 RiPPER..[ TEAM OMA ████
████ SiZE....[ 84,5 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Lone - Once In A While 01:56 ████
████ 02 Aardvarck - Revo (Mixed) 01:40 ████
████ 03 Kode9 - Blood Orange 02:23 ████
████ 04 Kode9 - You Don't Wash (Dub) (Dj-kicks) 03:05 ████
████ 05 Cooly G - Phat Si 01:40 ████
████ 06 Ill Blu - Bellion 02:10 ████
████ 07 Ikonika - Heston 01:41 ████
████ 08 Scratcha Dva - Jelly Roll 02:18 ████
████ 09 Mr Mageeka - Different Lekstrix 02:17 ████
████ 10 Grievous Angel - Move Down Low 02:10 ████
████ 11 Sticky - Look Pon Me (Feat. Natalie Storm) 01:26 ████
████ 12 Sticky - Jumeirah Riddim Sequel 01:19 ████
████ 13 Mujava - Pleaze Mugwanti 02:31 ████
████ 14 Dva - Natty 01:55 ████
████ 15 Aardvarck - Re Spoken 02:54 ████
████ (Nubian Mindz Released Mix (Mixed)) ████
████ 16 Morgan Zarate - M.A.B. (Feat. Sarah Ann Webb) 01:36 ████
████ 17 Rozzi Daime - Dirty Illusions 02:39 ████
████ 18 Zomby - Spiralz 01:14 ████
████ 19 Kode9 - It 00:43 ████
████ 20 J Davey - Mr. Mister 02:14 ████
████ 21 Digital Mystikz - 2 Much Chat 02:21 ████
████ 22 Terror Danjah - Stiff 02:40 ████
████ 23 Digital Mystikz - Mountain Dread March 01:47 ████
████ 24 Zomby - Godzilla 01:13 ████
████ 25 Digital Mystikz - Mountain Dread March (Reprise) 01:34 ████
████ 26 Addison Groove - Footcrab 02:14 ████
████ 27 Kode9 Vs. Ld - Bad 02:28 ████
████ 28 Maddslinky - Cargo 03:21 ████
████ 29 Ramadanman - Work Them 02:23 ████
████ 30 Terror Danjah - Bruzin (Vip) 01:07 ████
████ 31 The Bug - Run (Feat. Flo Dan) 02:14 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 63:13 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ www.soulseduction.com/common/item_detail.php?ItemID=192580 ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ Kode9s grasp on the throat of bass music in ████
████ 2010 is almost unparalleled. His trend setting ████
████ record label, Hyperdub, is in its sixth year ████
████ of viral contagion; hes become a published ████
████ author on the theory of sound abuse and sonic ████
████ frequencies being used as weaponry in his book ████
████ Sonic Warfare and his production work has ████
████ mutated from an almost simplistic marriage of ████
████ beats and sine waves into a fusion of ████
████ dancefloor Ebonics and discordant synths. ████
████ Becoming a figurehead of UK dance music hasnt ████
████ been a quick process, and Kode9s ████
████ single-mindedness has contributed in some way ████
████ to his notoriety, but its simply his tireless ████
████ work as a record label boss and AandR that has ████
████ marked him out as one of the most powerful ████
████ ears within the scene. Probably best known to ████
████ the wider global audience as the label that ████
████ gave birth to two genre defining albums from ████
████ Burial, Hyperdub has become one of the most ████
████ reliably testing labels out there. Just as ████
████ likely to release a glut of two and a half ████
████ minute beat sketches from American beat maker ████
████ Samiyam or Zomby as sprawling house opuses ████
████ from Brixton bass bin temptress Cooly G, the ████
████ label is at the forefront of innovation and ████
████ its something that he has infused into his ████
████ volume of the DJ-KiCKS series. ████
████ ████
████ Very simply, [the mix is] just a snapshot of ████
████ my DJ sets at the first half of 2010, he says ████
████ calmly. Its definitely not an exploration of ████
████ my musical heritage, but its not all new ████
████ stuff. It probably signifies something about ████
████ my relationship to dubstep that the mix only ████
████ has a few dubstep tunes in it, and is instead ████
████ a mix of UK funky, broken beat, dubstep, grime ████
████ and some RandB. Unfortunately, I fear some ████
████ listeners, because of my background, will ████
████ think that all the tracks are just mutations ████
████ of dubstep. ████
████ ████
████ Starting off in serene fashion with Nottingham ████
████ producer Lones upbeat exploration of steel ████
████ drum snatches on Once In A While, Kode9 dives ████
████ into the percussive textures of Dutch producer ████
████ Aardvarck before steering the mix into a duo ████
████ of his own productions: Blood Orange and the ████
████ specifically tailored exclusive single, You ████
████ Dont Wash (dub) (DJ-KiCKS). Jumping off from ████
████ this point into a journey through current UK ████
████ funky, Kode9 aligns tracks from Hyperdub ████
████ artists Cooly G and Ikonika with works by Ill ████
████ Blu, Sticky, Grievous Angel, Mr Majika, ████
████ Ikonika and Scratcha DVA, sampling the ████
████ textures and suitably brutal drum patterns ████
████ that regularly inject Londons dancefloors with ████
████ such a sustained level of energy. ████
████ ████
████ I find the whole mix pretty danceable in ████
████ different ways. Some of the stuff is around 8 ████
████ or 9 years old like the Aaardvark tune Revo ████
████ which Martyn introduced me to last year, he ████
████ notes; And in the early 2000s, I was a big fan ████
████ of Nubian Mindz as well so it was great to dig ████
████ up that remix of his for the mix as I feel ████
████ rhythmically things have swung back round to ████
████ some of that broken techno stuff, with all its ████
████ scattered snares, bent synths and maximalist ████
████ percussion. Also that Maddslinky tune Cargo is ████
████ an oldie, but I've basically been playing it ████
████ in practically every set over the last couple ████
████ of years. The first time I heard that tune ████
████ played at FWD>> at Plastic People I remember ████
████ it was like someone had suddenly let the ████
████ sunshine into this dark basement... ████
████ ████
████ The tracklisting is mostly, but not all ████
████ London-centric, featuring a selection of big ████
████ booming riffs and asymmetic percussion ████
████ possessed by a guttural sense of forcefulness. ████
████ Cooly G's Phat Si really is one of those ████
████ tracks for me; its just a timeless, mean, ████
████ deadly roller and is effortlessly a Hyperdub ████
████ classic. Producers like Lone and Zomby ████
████ definitely have a magic touch and Mala, for me ████
████ is like a tropical island in an ocean of ████
████ dubstep sewage. ████
████ ████
████ On this mix Kode9 surfs through those artists ████
████ and productions that sideswipe you in an ████
████ unexpected moment of surrealist realisation. ████
████ Whether its being brought by a track bringing ████
████ the sunshine carnival vibe to a Shoreditch ████
████ basement or by the sheer level of production ████
████ and temperament that a producer pours into ████
████ each of their tracks. Veering from the taught ████
████ and poignant snare snap of Morgan Zarates ████
████ M.A.B. he flips from the troubled soul of ████
████ Rozzi Daimes falsetto on Dirty Illusions to ████
████ the bruised rhythm of JDaVeY and on into the ████
████ advanced rhythm science of Terror Danjah and ████
████ Headhunters breakout 808 anthem under his ████
████ Addison Groove alias, Footcrab, distilling ████
████ some of the more powerful strains of modern UK ████
████ dance music culminating in the big moody ████
████ tombstone of The Bug and Flo Dans Run. ████
████ ████
████ I love the sour RandB tracks of Rozzie Dame ████
████ and Jay Davey in the middle. If only more pop ████
████ music sounded like that he notes tangentially. ████
████ The first and second halves [of the mix] are ████
████ pretty typical of my sets over the last year. ████
████ The little dream sequence in the middle, I ████
████ only get to do when the vibe feels right and ████
████ people look capable of moving to more downbeat ████
████ stuff instead of just standing around and ████
████ nodding their heads. ████
████ ████
████ I started DJing around 19 years ago and I dont ████
████ know I just think that every few years I get a ████
████ musical epiphany from an intense experience in ████
████ a club or in something I hear that fills me ████
████ with energy, information and inspiration to ████
████ produce and DJ. After each one I spend the ████
████ next few years trying to decipher what ████
████ happened in that singular moment.And sonically ████
████ thats what Kode9s DJ-KiCKS does: attempt to ████
████ decipher the tangled state of UK dance music ████
████ in 2010. ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .