ANBB_(Alva_Noto_And_Blixa_Bargeld)-Ret_Marut_Handshake-(RN120)-WEB-2010-MPX
- Section
-
MP3/FLAC
- Group
- MPX
- Size
- 25,39 MB
- Files
- 5
- Date
- 2010-06-30
NFO
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░ ▄█▀ ▄▄▄▄█ PRESENTS: ▀▀█▄▄▄▄▄▄▄▄▄▄▄█▀▀▀ ▀█▄ ▀██▄
▄███ ▄█▀ ▀█ ███▄
█▓█▀ ▄█ ANBB (Alva Noto and Blixa Bargeld) - Ret Marut Handshake █▄ ▀█▓█
▄██▀ █▓ ▓█ ▀██▄
█▓█ █░ RiPPER......[ Winnie the Pooh ░█ █▓█
█▓█ ▄█▀ ENCODER.....[ LAME ▀█▄ █▓█
█▓██░▀ BiTRATE.....[ avg. 188kbps ▀░██▓█
█▓▓█ MODE........[ Joint-Stereo █▓▓█
▄█ ▀▓█▄ GRABBER.....[ ▄█▓▀ █▄
█ █▓█ DATE RiPPED.[ 06.30.2010 █▓█ █
█▄ ▄█▓█ YEAR........[ 2010 █▓█▄ ▄█
▀▄█▓█ RELEASE SiZE[ 25,4 MB █▓█▄▀
█▓▓█ TUNES.......[ 05 █▓▓█
█▓█▀ ▀▄ SOURCE......[ ▄▀ ▀█▓█
██▀ ▀▄ GENRE.......[ Electronic ▄▀ ▀██
█▓█ █ LABEL.......[ Raster Noton █ █▓█
█▓█ █ CAT.NO......[ RN120 █ █▓█
█▓█ █ URL.........[ www.beatport.com █ █▓█
█▓█ █ █ █▓█
███▄▄▀ ████ ███▄ ███▄ ████ ██ █ ███ ▀▄▄███
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█▓ █▓█ █▀▀▀▀▀ ▀▀▀▀▀█ █▓█ ▓█
█ █▓█ NR.│ TRACKNAME. │ TiME. █▓█ █
█ ███ ∙∙∙│∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙│∙∙∙∙∙∙ ███ █
█ █▓█ 01.│ Ret Marut Handshake │ 06:11 █▓█ █
█ █▓█ 02.│ One │ 02:50 █▓█ █
█ █▓█ 03.│ Electricity is Fiction │ 04:16 █▓█ █
█ █▓█ 04.│ Bernsteinzimmer │ 03:21 █▓█ █
█ █▓█ 05.│ I Wish I Was a Mole in the Ground │ 01:55 █▓█ █
▀▓ ████ │ ∙∙∙∙∙∙∙∙∙∙∙∙ ████ ▓▀
▀▄█▓█ │ TOTAL[ 18:33 █▓█▄▀
█▓▓█ . █▓▓█
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█▓ █▓█ ▀ ▀ █▓█ ▓█
█ █▓█ Two of the most distinctive presences in German █▓█ █
█ █▓█ experimental music unite for this stunning new █▓█ █
█ █▓█ collaborative venture, introducing the project with a █▓█ █
█ █▓█ five-track 12" that precedes a full-length due later on █▓█ █
█ █▓█ in the year. As it turns out, these two seemingly █▓█ █
█ █▓█ strange bedfellows have long admired one another's work █▓█ █
█ █▓█ and the project has itself been a long-term concern, in █▓█ █
█ █▓█ development since 2007. Bargeld lends his vocal to █▓█ █
█ █▓█ Nicolai's soundscapes, a formula that in theory might █▓█ █
█ █▓█ lead to an end product resembling Alan Vega's work with █▓█ █
█ █▓█ Pan Sonic. There is, however, something rather more █▓█ █
█ █▓█ immediately synergetic about this project, and █▓█ █
█ █▓█ Bargeld's voice embeds itself very naturally within █▓█ █
█ █▓█ Nicolai's seemingly inhospitable, yet ever-inscrutable █▓█ █
█ █▓█ production. Lead track 'Ret Marut Handshake' sets the █▓█ █
█ █▓█ tone, and everything immediately slots into place: the █▓█ █
█ █▓█ Einsturzende Neubauten frontman (and sometime Nick Cave █▓█ █
█ █▓█ sideman) Bargeld gives a commandingly expressive vocal █▓█ █
█ █▓█ performance that functions perfectly in counterpoint to █▓█ █
█ █▓█ the clinical precision of the pinpoint backdrop. While █▓█ █
█ █▓█ familiar Alva Noto hallmarks are in place, there's █▓█ █
█ █▓█ actually very little about the track that could be █▓█ █
█ █▓█ branded 'minimal', and the production soon reveals █▓█ █
█ █▓█ itself to be a multi-layered and robust affair. █▓█ █
█ █▓█ Possibly the biggest curveball on the EP, arriving next █▓█ █
█ █▓█ is a cover of Harry Nilsson's 'One' (from 1968's Aerial █▓█ █
█ █▓█ Ballet album, later popularised all over again by Aimee █▓█ █
█ █▓█ Mann on the Magnolia soundtrack). While it's mildly █▓█ █
█ █▓█ peculiar to hear Bargeld emotively intoning his way █▓█ █
█ █▓█ through the song, it's flat out bizarre to think that █▓█ █
█ █▓█ this is in any way the handiwork of Noto, an artist █▓█ █
█ █▓█ responsible for countless high-concept sound █▓█ █
█ █▓█ installations and uncompromising glitch landmarks like █▓█ █
█ █▓█ 'Transform'. Yet it's the terse digital arrangement █▓█ █
█ █▓█ that makes the piece so compelling - the solitary theme █▓█ █
█ █▓█ being underlined by the lonesome, metronomic blip █▓█ █
█ █▓█ running throughout the track. Subtle waves of noise and █▓█ █
█ █▓█ Xerrox-like quasi-orchestral timbres frame hints of █▓█ █
█ █▓█ piano, completing a logic-defyingly great rendition. A █▓█ █
█ █▓█ considerably more abstract affair, 'Electricity Is █▓█ █
█ █▓█ Fiction' introduces the B-side, laying down a rhythmic █▓█ █
█ █▓█ barrage while Bargeld's digitised voice floods every █▓█ █
█ █▓█ corner of the mix - even providing a vintage electro- █▓█ █
█ █▓█ style ascending/descending bassline. Switching tone █▓█ █
█ █▓█ again, 'Bersteinzimer' channels a richly elegiac tone █▓█ █
█ █▓█ that calls upon a string ensemble, a few loose high █▓█ █
█ █▓█ frequency drones and a palpable sense of drama. █▓█ █
█ █▓█ Bargeld's clearly in his element here, delivering a █▓█ █
█ █▓█ central performance that's devoid of production tricks █▓█ █
█ █▓█ or manipulations. Another cover completes the EP: 'I █▓█ █
█ █▓█ Wish I Was A Mole In The Ground' is a traditional █▓█ █
█ █▓█ American folk song that's been boldly rearranged by the █▓█ █
█ █▓█ two Berliners. Nicolai is at his most restrained, █▓█ █
█ █▓█ supplying only the leanest backdrop of bass-heavy, █▓█ █
█ █▓█ panning electricity surges and snare-like percussive █▓█ █
█ █▓█ noise while Bargeld puts in an engagingly natural and █▓█ █
█ █▓█ forthright vocal. Exciting stuff from these two avant- █▓█ █
█ █▓█ garde greats; let's hope the album isn't too far █▓█ █
█ █▓█ behind. █▓█ █
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Files
| Path | Size |
|---|
| 01-anbb_(alva_noto_and_blixa_bargeld)-ret_marut_handshake.mp3 | 8,51 MB |
| 02-anbb_(alva_noto_and_blixa_bargeld)-one.mp3 | 3,68 MB |
| 03-anbb_(alva_noto_and_blixa_bargeld)-electricity_is_fiction.mp3 | 6,45 MB |
| 04-anbb_(alva_noto_and_blixa_bargeld)-bernsteinzimmer.mp3 | 4,36 MB |
| 05-anbb_(alva_noto_and_blixa_bargeld)-i_wish_i_was_a_mole_in_the_groun | 2,40 MB |