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:':::. .::::::|
! :::::.. ......::::::::|
: :::::::::::..... :::::::::::::::::!
: '::::::::::::::::.::::::::::::::::' | .
____! ___ ____'::::::::::::::::' __ | ___/
________/ / ./ /__/ /____'::'_____ __(_/__ | ./ /__
__\ _ . \___/|_|__ \ \ \__/ /___\_ /_|_ ____|__ \ __
\// // / / / ___/________/ . \ / _/ / /_\_ / ___//_/
\______/ /______/ \ \\ \__/ ___/ / /_____/
\____\ Disc0LjUS \______/ \____/ \_______/
_____________________________________
| |
| * purchased > process3d > enc0ded |
| released |
|_____________________________________|
____________________________________________________
::::::::::::::::::::::::::::::::::::::::::::::::::::
> Bedouin Ascent - Music For Particles (RSN CD37) <
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| |
| + |
| [#] _________ ______ _ _ ______|MEDIUM.NFORMATION|. . |
| |
| [>] source....... CDDA > Album . ...: |
| [>] effect....... Electronic :: |
| [>] style........ IDM / Ambient .: |
| :: |
| [>] label........ Rising High Records :: |
| [>] catalog.no... RSN CD37 : |
| [>] year......... 1995 . |
| [+] street.date.. 000.00.1995 |
| [+] release.date. Jul.03.2010 |
| |
| [#] _ _ _ _______ ____________________|TIME&SPACE|. |
| |
| [>] drug.plateu.. 79:29 min |
| [>] drug.solution 110,7 mb per ml |
| [>] bulk.size.... 01 injections |
| |
| |
| [#] ___________________ __ ____ _|QUALITY.CONTROL|. |
| |
| [╗] encoder...... LAME 3.97 V2 --Vbr-New -V 2* |
| [╗] quality...... avg/44,1kHz/Joint-Stereo or |
| |
| * Internals@320Kbit CBR, WEB@Shop Dependent |
|__._ _ _|__|
|::| |::|
| _____ _ _______ + REVIEW/INFOS + |::|
|_\_ \_____ __///__ / __ ____ ______| __
_/ / / / ____\_ / /_(_// / ___ ______ / _//_/
__\ \ \__ // / / / / // /_ // /:|
\_\\___\ \_\________\______/____/\__________/ /\ _ /::|
|::|:\_____\::::::::::::::::::::::::::::::/_____/_// /:::|
|::|:::::::::::::::::::::::::::::::::::::::::::/____/::::|
|::| |::|
|::| |::|
|::| Bedouin Ascent first materialised in about 1989 |::|
|::| as a development of earlier solo and |::|
|::| collaborative projects of Kingsuk Biswas. It had |::|
|::| its roots in the industrial, experimental music |::|
|::| of the late 70Æs by way of dub, jazz, punk, funk |::|
|::| and the newly emerging acid club scene. By 2001 |::|
|::| he had amassed a large catalogue of published |::|
|::| material, and an even larger one of unreleased |::|
|::| stuff. His newly-formed label, æno immortalÆ |::|
|::| will attempt to dip into some of this, as well |::|
|::| as journey elsewhere. |::|
|::| |::|
|::| "I seek a mindful and intuitive approach to |::|
|::| sound rather than one which is overtly |::|
|::| intellectual". Whilst still acknowledging the |::|
|::| need for analysis, his work maintains a natural |::|
|::| fluidity at its core - an attempt to reconcile |::|
|::| the polar opposites of head, heart and hips. The |::|
|::| ideas of language deconstruction, tao, and |::|
|::| natural systems theory have been some of the |::|
|::| signposts and maps to this terrain. |::|
|::| The original motivation behind his activity was |::|
|::| that the use of primitive music/noise and the |::|
|::| process of improvisation and performance could |::|
|::| reveal an ultimate condition existing somewhere |::|
|::| between musician, music + listener. |::|
|::| |::|
|::| He also felt that the implicit spirituality of |::|
|::| modern urban experience could be explored and |::|
|::| communicated to those, like himself, living |::|
|::| increasingly in towns and cities, using the |::|
|::| familiar technology and tools of that |::|
|::| environment. The music of the time that |::|
|::| masqueraded as 'contemplative' simply pandered |::|
|::| to tired clichΘs of idyllic fantasy or escapism |::|
|::| and didnÆt resonate, at all, with Biswas' |::|
|::| concrete, suburban background. To this end the |::|
|::| music he made was to become an union of the |::|
|::| organic and the electronic at a more |::|
|::| fundamental, structural and linguistic level. |::|
|::| The motive was to challenge and deconstruct the |::|
|::| creative assumptions which prevent a more |::|
|::| powerful and lucid form of expression. |::|
|::| |::|
|::| "Looking forward, itÆs my intention to work with |::|
|::| musicians and artists of all kinds of |::|
|::| background. I hope to be able to understand as |::|
|::| much as possible about the relationship between |::|
|::| sounds and to integrate all these different |::|
|::| ideas and structures with my particular approach |::|
|::| to technology. To develop new shapes and forms." |::|
|::| |. |
| .| |::|
|::| | .|
|. |. |::|
| | \ > mo'nfo www.discogs.com/release/11718 |::|
______|_____\__ |::|
( (.-----. __ )___í__ _ _ __:________.::|
\\\\\____í((_)/ | ! |::|
\__\________/ | TURN ON, TUNE IN, DROP OUT | |::|
`' `|::: `' | | |::|
_ _í_________|_ _ _ _|________:_ _
! |
| Bedouin Ascent - Music For Particles |
| |
| 01 Bedouin Ascent - Fearful Symmetry |
| 02 Bedouin Ascent - Swarm |
| 03 Bedouin Ascent - Gait Of Power |
| 04 Bedouin Ascent - Trace╣ |
| 05 Bedouin Ascent - Living Stream |
| 06 Bedouin Ascent - Music For |
| Particles |
| 07 Bedouin Ascent - Trace▓ |
| 08 Bedouin Ascent - Crouched On Broken |
| Glass |
| 09 Bedouin Ascent - Clusters |
| 10 Bedouin Ascent - Close |
| 11 Bedouin Ascent - Waves Of What? |
| 12 Bedouin Ascent - Falling |
| |
|__________________________________________________|
__________________________________________________
| |
| ... |
| :: #> pssst. |
| :: . |
| :: * for your consideration only * . |
| : ! not for p2p or public broadcast ! .: |
| > find the original - save the world < :: |
| . .::: |
|_____________________________________ _ ______ ___|
| ___ _____ _______ / /____:__
| Disc0LjUS_/ \___/ / _____\_ // / \ _/
: NEWS \ _ \ // / /\ _ / __\ \
:_____ ___ /___/ \__________/_____/_// / // . \
| \______/ /____//_______:_/
| |
| |
| dedicated adult electronic musicastronauts and |
| ops of stable deathstar sized archives are |
| welcome to get in touch <3 |
| |
|__________________________________________________|
__________________________________________________
| _. |
: X ' ___ | .
. .._____ x , , . . / _/______ !
. ░o (_____) ___x_______/_/ / ______ . ____
: ╖ _______\ _ /_/_____// __ / x /.o .
: ___\___ \ \ _ _// / /__ / _////__ // ╖
_ __.__\ __ \ \_\ \ \\_ // / / / /_ /// /______ _
\\\_\ \ \\\\ \ \_\ \ \\\ / / / /// _ / / /_///
:\_\/\____\/__\ \ / /__/ / // /\/__/
: \__\ __ /_/ \/_________/o _ o
: \__\_\__/ _o/_ _://_ :
: :
: :
: love to those who treats us with mind expansion :
: :
: :
: last update 2010.05.03 [%] space is the place :
: [⌐Mt&t^]
:..................................................:
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ACID IS GOOD FOR YOU!
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