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░ ▓█████████▓▓█▀ [ J U S T F U N . P R E S E N T S ] ▐█▄██▓▀
▐███▓██▀▀▓▀░ ██▓▓█▀▀
░ ▓████▓▌ ░ Artist.......: Count Basie ▐▓▀▀
▓ ▐█████▓█ Album........: Live in Antibes (1968) ▀ ░
▀█▄▓████▓▓▄█▀ Genre........: Jazz ░▓ ▌
▄▀██▓██▓▓▀ Language.....: English ░▓░▐▓
▓▓▄▀█▓▓▓▀ Label........: n/a ░▓░ █▓▌
▐█▓▓ ▀▓ Catnr........: n/a ░▓▓▓ ▐█▓▓
▓█▓▌ URL..........: n/a ▓░ ███▓▓[z0o]░
▐██░ ░ ░ ▄ ░▄▄▄▄▓▄▄▓████▓▓▄▄▄▄▓▄▄
▀▓█░▄ ▌ ░▓░ [ R E L E A S E . I N F O ] ▓░ ▓▀▓█████████████▓▓▓▀
░ ▀▀▓█▄▐▓ ░▓▓▓░ ░▓▓▓░ ░ ▀▓██████▓██▓▓▀ ░
░ ░ █▓▌▄▄▄ ▄▓ ░▓▓▓░ source......: CDDA ░▓▓▓▓▓▓░ ▀▓█████▓▓▓
░▓▓░ ▐█▓▓ ░ ░▓▓░ playtime....: 71:54 min ░▓▓ ▐███████▓▓▌ ░
░░ ███▓▓ ▓▓░▓░ rip.date....: oct.-13-2003 ░▓▓░ ▓███▀ ▀▓█▓▓ ░
▄▄▄▄▄▓▄▄▓████▓▓▄▄▄▄░▄▄ str.date....: 000-00-1988 ▓ ▐█▓▀ ░ ░▀█▓▌
▀▓█████████████▓▓▓▀ ripper......: JUST RiP iT ░▓░ █▀ ░░▓▓▓ ▀▓
░ ▀▓██████▓██▓▓▀ ▓░ grabber.....: EAC V0.95 prebeta 3 ▓▓ ▀░ ░ ░ ░▓░ ░▀
▀▓█████▓▓▓ ░░▓ encoder.....: LAME v.3.93.1 ░▓▓░▓▓▓▓ ▓▓▓░
░ ▐███████▓▓▌░▓▓▓░ size........: 98,10 MB ░▓▓▓▓▓ ▓░▓▓░░ ░
▓███▀ ▀▓█▓▓ ▓░░ quality.....: 192kbps/44,1Hz/Full Stereo▒░ ░▓░ ░
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░ ▄█▒████████▓▓▀ ▀▓██▓███▓▄
▄▓██░██████▓▓█▀ [ T R A C K . L I S T I N G ] ▀▀▀▓██▓▌
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▐███▓██▀▀▓▀░ ██▓▓█▀▀
▓████▓▌ ░ track title time ▐▓▀▀
▓████▓▌ ▀ ░▌
▓████▓▌ 01. vine street rumble 03:35 ▓▌
▓████▓▌ 02. pleasingly plump 04:00 ▓▌
▓████▓▌ 03. cherokee 03:12 ▓▌
▓████▓▌ 04. good times blues 06:46 ▓▌
▓████▓▌ 05. lonely street 02:55 ▓▌
▓████▓▌ 06. night in tunisia 04:34 ▓▌
▓████▓▌ 07. going to chicago blues 06:32 ▓▌
▓████▓▌ 08. i ve got rhythm 03:27 ▓▌
▓████▓▌ 09. in a mellowtone 05:35 ▓▌
▓████▓▌ 10. basie s 04:34 ▓▌
▓████▓▌ 11. lil darlin 04:25 ▓▌
▓████▓▌ 12. blues in hoss s flat 05:12 ▓▌
▓████▓▌ 13. every day i have the blues 03:23 ▓▌
▓████▓▌ 14. wee baby blues 03:14 ▓▌
▓████▓▌ 15. stormy monday blues 03:50 ▓▌
▓████▓▌ 16. magic flee 04:21 ▓▌
▓████▓▌ 17. jumping at the woodside 02:19 ▓▌
▓████▓▌ ▓▌
▓████▓▌ [ A B O U T . T H i S . R E L E A S E ] ▓▌
▓████▓▌ ▓▌
▓████▓▌ The late-'60s Count Basie Band, featuring the ▓▌
▓████▓▌ frenetic, surging tenor sax of Eddie "Lockjaw" ▓▌
▓████▓▌ Davis, was spotlighted on this 17-cut CD reissue, ▓▌
▓████▓▌ part of a series issued by the French Esoldun label ▓▌
▓████▓▌ and available as an import. The band stuck to its ▓▌
▓████▓▌ predictable pattern of alternating mid-tempo and ▓▌
▓████▓▌ fast-paced numbers, blues and vocal change-of-pace ▓▌
▓████▓▌ items, plus slower treatments, all done in a ▓▌
▓████▓▌ relaxed, highly professional fashion. The menu ▓▌
▓████▓▌ included "Going to Chicago Blues," "In a Mellow ▓▌
▓████▓▌ Tone," "Lil' Darlin," "Stormy Monday Blues" and ▓▌
▓████▓▌ "Cherokee," as well as the expected closer "Jumping ▓▌
▓████▓▌ At the Woodside." The arrangements, ensemble ▓▌
▓████▓▌ interaction and general performances were good, if ▓▌
▓████▓▌ not exceptional, and Basie's customary sparse piano ▓▌
▓████▓▌ licks were timely and right in the groove. ▓▌
▓████▓▌ ▓▌
▓████▓▌ *************************************************** ▓▌
▓████▓▌ ▓▌
▓████▓▌ Count Basie was among the most important ▓▌
▓████▓▌ bandleaders of the swing era. With the exception of ▓▌
▓████▓▌ a brief period in the early '50s, he led a big band ▓▌
▓████▓▌ from 1935 until his death almost 50 years later, ▓▌
▓████▓▌ and the band continued to perform after he died. ▓▌
▓████▓▌ Basie's orchestra was characterized by a light, ▓▌
▓████▓▌ swinging rhythm section that he led from the piano, ▓▌
▓████▓▌ lively ensemble work, and generous soloing. Basie ▓▌
▓████▓▌ was not a composer like Duke Ellington or an ▓▌
▓████▓▌ important soloist like Benny Goodman. His ▓▌
▓████▓▌ instrument was his band, which was considered the ▓▌
▓████▓▌ epitome of swing and became broadly influential on ▓▌
▓████▓▌ jazz. ▓▌
▓████▓▌ Both of Basie's parents were musicians; his father, ▓▌
▓████▓▌ Harvie Basie, played the mellophone, and his ▓▌
▓████▓▌ mother, Lillian (Childs) Basie, was a pianist who ▓▌
▓████▓▌ gave her son his earliest lessons. Basie also ▓▌
▓████▓▌ learned from Harlem stride pianists, particularly ▓▌
▓████▓▌ Fats Waller. His first professional work came ▓▌
▓████▓▌ accompanying vaudeville performers, and he was part ▓▌
▓████▓▌ of a troupe that broke up in Kansas City in 1927, ▓▌
▓████▓▌ leaving him stranded there. He stayed in the ▓▌
▓████▓▌ Midwestern city, at first working in a silent movie ▓▌
▓████▓▌ house and then joining Walter Page's Blue Devils in ▓▌
▓████▓▌ July 1928. The band's vocalist was Jimmy Rushing. ▓▌
▓████▓▌ Basie left in early 1929 to play with other bands, ▓▌
▓████▓▌ eventually settling into one led by Bennie Moten. ▓▌
▓████▓▌ Upon Moten's untimely death on April 2, 1935, Basie ▓▌
▓████▓▌ worked as a soloist before leading a band initially ▓▌
▓████▓▌ called the Barons of Rhythm. Many former members of ▓▌
▓████▓▌ the Moten band joined this nine-piece outfit, among ▓▌
▓████▓▌ them Walter Page (bass), Freddie Green (guitar), Jo ▓▌
▓████▓▌ Jones (drums), and Lester Young (tenor saxophone). ▓▌
▓████▓▌ Jimmy Rushing became the singer. The band gained a ▓▌
▓████▓▌ residency at the Reno Club in Kansas City and began ▓▌
▓████▓▌ broadcasting on the radio, an announcer dubbing the ▓▌
▓████▓▌ pianist "Count" Basie. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Basie got his big break when one of his broadcasts ▓▌
▓████▓▌ was heard by journalist and record producer John ▓▌
▓████▓▌ Hammond, who touted him to agents and record ▓▌
▓████▓▌ companies. As a result, the band was able to leave ▓▌
▓████▓▌ Kansas City in the fall of 1936 and take up an ▓▌
▓████▓▌ engagement at the Grand Terrace in Chicago, ▓▌
▓████▓▌ followed by a date in Buffalo, NY, before coming ▓▌
▓████▓▌ into Roseland in New York City in December. It made ▓▌
▓████▓▌ its recording debut on Decca Records in January ▓▌
▓████▓▌ 1937. Undergoing expansion and personnel changes, ▓▌
▓████▓▌ it returned to Chicago, then to the Ritz Carlton ▓▌
▓████▓▌ Hotel in Boston. Meanwhile, its recording of "One ▓▌
▓████▓▌ O'Clock Jump" became its first chart entry in ▓▌
▓████▓▌ September 1937. The tune became the band's theme ▓▌
▓████▓▌ song and it was later inducted into the Grammy Hall ▓▌
▓████▓▌ of Fame. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Basie returned to New York for an extended ▓▌
▓████▓▌ engagement at the small club the Famous Door in ▓▌
▓████▓▌ 1938 that really established the band as a success. ▓▌
▓████▓▌ "Stop Beatin' Round the Mulberry Bush," with ▓▌
▓████▓▌ Rushing on vocals, became a Top Ten hit in the fall ▓▌
▓████▓▌ of 1938. Basie spent the first half of 1939 in ▓▌
▓████▓▌ Chicago, meanwhile switching from Decca to Columbia ▓▌
▓████▓▌ Records, then went to the West Coast in the fall. ▓▌
▓████▓▌ He spent the early '40s touring extensively, but ▓▌
▓████▓▌ after the U.S. entry into World War II in December ▓▌
▓████▓▌ 1941 and the onset of the recording ban in August ▓▌
▓████▓▌ 1942, His travel was restricted. While on the West ▓▌
▓████▓▌ Coast, he and the band appeared in five films, all ▓▌
▓████▓▌ released within a matter of months in 1943: Hit ▓▌
▓████▓▌ Parade of 1943, Reveille with Beverly, Stage Door ▓▌
▓████▓▌ Canteen, Top Man, and Crazy House. He also scored a ▓▌
▓████▓▌ series of Top Ten hits on the pop and R&B charts, ▓▌
▓████▓▌ including "I Didn't Know About You" (pop, winter ▓▌
▓████▓▌ 1945); "Red Bank Blues" (R&B, winter 1945); "Rusty ▓▌
▓████▓▌ Dusty Blues" (R&B, spring 1945); "Jimmy's Blues" ▓▌
▓████▓▌ (pop and R&B, summer/fall 1945); and "Blue Skies" ▓▌
▓████▓▌ (pop, summer 1946). Switching to RCA Victor ▓▌
▓████▓▌ Records, he topped the charts in February 1947 with ▓▌
▓████▓▌ "Open the Door, Richard!," followed by three more ▓▌
▓████▓▌ Top Ten pop hits in 1947: "Free Eats," "One O'Clock ▓▌
▓████▓▌ Boogie," and "I Ain't Mad at You (You Ain't Mad at ▓▌
▓████▓▌ Me)." ▓▌
▓████▓▌ ▓▌
▓████▓▌ The big bands' decline in popularity in the late ▓▌
▓████▓▌ '40s hit Basie as it did his peers, and he broke up ▓▌
▓████▓▌ his orchestra at the end of the decade, opting to ▓▌
▓████▓▌ lead smaller units for the next couple of years. ▓▌
▓████▓▌ But he was able to reform the big band in 1952, ▓▌
▓████▓▌ responding to increased opportunities for touring. ▓▌
▓████▓▌ For example, he went overseas for the first time to ▓▌
▓████▓▌ play in Scandinavia in 1954, and thereafter ▓▌
▓████▓▌ international touring played a large part in his ▓▌
▓████▓▌ schedule. An important addition to the band in late ▓▌
▓████▓▌ 1954 was vocalist Joe Williams. The orchestra was ▓▌
▓████▓▌ re-established commercially by the 1955 album Count ▓▌
▓████▓▌ Basie Swings - Joe Williams Sings (released on Clef ▓▌
▓████▓▌ Records), particularly by the single "Every Day (I ▓▌
▓████▓▌ Have the Blues)," which reached the Top Five of the ▓▌
▓████▓▌ R&B charts and was later inducted into the Grammy ▓▌
▓████▓▌ Hall of Fame. Another key recording of this period ▓▌
▓████▓▌ was an instrumental reading of "April in Paris" ▓▌
▓████▓▌ that made the pop Top 40 and the R&B Top Ten in ▓▌
▓████▓▌ early 1956; it also was enshrined in the Grammy ▓▌
▓████▓▌ Hall of Fame. These hits made what Albert Murray ▓▌
▓████▓▌ (co-author of Basie's autobiography, Good Morning ▓▌
▓████▓▌ Blues) called the "new testament" edition of the ▓▌
▓████▓▌ Basie band a major success. Williams remained with ▓▌
▓████▓▌ Basie until 1960, and even after his departure, the ▓▌
▓████▓▌ band continued to prosper. ▓▌
▓████▓▌ ▓▌
▓████▓▌ At the first Grammy Awards ceremony, Basie won the ▓▌
▓████▓▌ 1958 awards for Best Performance by a Dance Band ▓▌
▓████▓▌ and Best Jazz Performance, Group, for his Roulette ▓▌
▓████▓▌ Records LP Basie. Breakfast Dance and Barbecue was ▓▌
▓████▓▌ nominated in the dance band category for 1959, and ▓▌
▓████▓▌ Basie won in the category in 1960 for Dance with ▓▌
▓████▓▌ Basie, earning nominations the same year for Best ▓▌
▓████▓▌ Performance by an Orchestra and Best Jazz ▓▌
▓████▓▌ Performance, Large Group, for The Count Basie ▓▌
▓████▓▌ Story. There were further nominations for best jazz ▓▌
▓████▓▌ performance for Basie at Birdland in 1961 and The ▓▌
▓████▓▌ Legend in 1962. None of these albums attracted much ▓▌
▓████▓▌ commercial attention, however, and in 1962, Basie ▓▌
▓████▓▌ switched to Frank Sinatra's Reprise Records in a ▓▌
▓████▓▌ bid to sell more records. Sinatra-Basie satisfied ▓▌
▓████▓▌ that desire, reaching the Top Five in early 1963. ▓▌
▓████▓▌ It was followed by This Time by Basie! Hits of the ▓▌
▓████▓▌ 50's and 60's, which reached the Top 20 and won the ▓▌
▓████▓▌ 1963 Grammy Award for Best Performance by an ▓▌
▓████▓▌ Orchestra for Dancing. ▓▌
▓████▓▌ ▓▌
▓████▓▌ This initiated a period largely deplored by jazz ▓▌
▓████▓▌ fans that ran through the rest of the 1960s, when ▓▌
▓████▓▌ Basie teamed with various vocalists for a series of ▓▌
▓████▓▌ chart albums including Ella Fitzgerald (Ella and ▓▌
▓████▓▌ Basie!, 1963); Sinatra again (the Top 20 album It ▓▌
▓████▓▌ Might as Well Be Swing, 1964); Sammy Davis, Jr. ▓▌
▓████▓▌ (Our Shining Hour, 1965); the Mills Brothers (The ▓▌
▓████▓▌ Board of Directors, 1968); and Jackie Wilson ▓▌
▓████▓▌ (Manufacturers of Soul, 1968). He also reached the ▓▌
▓████▓▌ charts with an album of show tunes, Broadway ▓▌
▓████▓▌ Basie's ... Way (1966). ▓▌
▓████▓▌ ▓▌
▓████▓▌ By the end of the 1960s, Basie had returned to more ▓▌
▓████▓▌ of a jazz format. His album Standing Ovation earned ▓▌
▓████▓▌ a 1969 Grammy nomination for Best Instrumental Jazz ▓▌
▓████▓▌ Performance by a Large Group or Soloist with Large ▓▌
▓████▓▌ Group (Eight or More), and in 1970, with Oliver ▓▌
▓████▓▌ Nelson as arranger/conductor, he recorded Afrique, ▓▌
▓████▓▌ an experimental, avant-garde album that earned a ▓▌
▓████▓▌ 1971 Grammy nomination for Best Jazz Performance by ▓▌
▓████▓▌ a Big Band. By this time, the band performed ▓▌
▓████▓▌ largely on the jazz festival circuit and on cruise ▓▌
▓████▓▌ ships. In the early 1970s, after a series of ▓▌
▓████▓▌ short-term affiliations, Basie signed to Pablo ▓▌
▓████▓▌ Records, with which he recorded for the rest of his ▓▌
▓████▓▌ life. Pablo recorded Basie prolifically in a ▓▌
▓████▓▌ variety of settings, resulting in a series of ▓▌
▓████▓▌ well-received albums: Basie Jam earned a 1975 ▓▌
▓████▓▌ Grammy nomination for Best Jazz Performance by a ▓▌
▓████▓▌ Group; Basie and Zoot was nominated in the same ▓▌
▓████▓▌ category in 1976 and won the Grammy for Best Jazz ▓▌
▓████▓▌ Performance by a Soloist; Prime Time won the 1977 ▓▌
▓████▓▌ Grammy for Best Jazz Performance by a Big Band; and ▓▌
▓████▓▌ The Gifted Ones by Basie and Dizzy Gillespie was ▓▌
▓████▓▌ nominated for a 1979 Grammy for Best Jazz ▓▌
▓████▓▌ Instrumental Performance by a Group. Thereafter, ▓▌
▓████▓▌ Basie competed in the category of Best Jazz ▓▌
▓████▓▌ Instrumental Performance by a Big Band, winning the ▓▌
▓████▓▌ Grammy in 1980 for On the Road and in 1982 for Warm ▓▌
▓████▓▌ Breeze, earning a nomination for Farmer's Market ▓▌
▓████▓▌ Barbecue in 1983, and winning a final time, for his ▓▌
▓████▓▌ ninth career Grammy, in 1984 for 88 Basie Street. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Basie's health gradually deteriorated during the ▓▌
▓████▓▌ last eight years of his life. He suffered a heart ▓▌
▓████▓▌ attack in 1976 that put him out of commission for ▓▌
▓████▓▌ several months. He was back in the hospital in ▓▌
▓████▓▌ 1981, and when he returned to action, he was ▓▌
▓████▓▌ driving an electric wheel chair onto the stage. He ▓▌
▓████▓▌ died of cancer at 79. ▓▌
▓████▓▌ ▓▌
▓████▓▌ Count Basie was admired as much by musicians as by ▓▌
▓████▓▌ listeners, and he displayed a remarkable ▓▌
▓████▓▌ consistency in a bandleading career that lasted ▓▌
▓████▓▌ long after swing became an archival style of music. ▓▌
▓████▓▌ After his death, his was one of the livelier ghost ▓▌
▓████▓▌ bands, led in turn by Thad Jones, Frank Foster, and ▓▌
▓████▓▌ Grover Mitchell. His lengthy career resulted in a ▓▌
▓████▓▌ large discography spread across all of the major ▓▌
▓████▓▌ labels and quite a few minor ones as well. ▓▌
▓████▓▌ ▓▌
░ ▓████▓▌ ▓▌
▓ ▐█████▓█ [ A B O U T . U S ] ▓▌
▀█▄▓████▓▓▄█▀ ▓▌
▀██▓██▓▓▀ Our group consists of many rippers who are music enthu- ▓▌
▀█▓▓▓▀ siasts. Justfun is releasing different kind of music like ▓▌
▀▓ indie rock, trip-hop, ethnic, jazz, french, brazilian ▓▌
░ electro and many more ... We will bring you the music ▓▌
░ we like and share it with the rest of the under- ▓▌
░ ground scene. If you have, like us, a passion for ▄ ▓▌
░ music, don't hesitate to contact us ! ▄▄█▌ ▓▌
░ ▄████▓▌ ▓▌
░ GREETinGs : Nuhs . Hit2000 . DGN . KSi . RAC . CHR █████▀▀▀▀ ▓▌
░ Om . rH . Fuffens . Remix . CMG . SB . AMOK ░███ ▓▌
░ Kw . aPC . iTS . i . RNS . aAF . diss . ESC ██▌ ▓▌
pyt . SEVcD ... ▓██ ▓▌
░ and all ppl who share music with us ! ▄▄▄██▌ ▓▌
▐▓ ▐░▓▓▓▓▌ ░ ░▌
▀■░▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▐▓░░░▓▌▄▄█▓█▄▄■▀
▄█▒████████▓▓▀ ▀▀▀▀▀ ▀▓██▓███▓▄
▄▓██▓██████▓▓█▀ [ C O N T A C T ] ▀▀▀▓██▓▌
▓█████████▓▓█▀ ▐█▄██▓▀
▐███▓██▀▀▓▀░ We're currently looking for : ██▓▓█▀▀
▓████▓▌ ░ - music enthusiast ppl buying cds on a regular basis. ▐▓▀▀
▓████▓▌ - ppl who can get promos or advanced rls. ▀ ░▌
░ ▓████▓▌ - Siteop who can provide at least 10mbits and ▓▌
▓ ▐█████▓█ 50gb++ for our archive. ▄ ▓▌
▀█▄▓████▓▓▄█▀ - People with skill and experience ▄▄█▌ ▓▌
▀██▓██▓▓▀ ... and everyone who wants to help in a ▄████▓▌ ▓▌
▀█▓▓▓▀ pleasant atmosphere our Just family. █████▀▀▀▀ ▓▌
▀▓ ░███ ▓▌
░ Share your forces with us ! ██▌ ▓▌
▌ IRC : You know ▓██ ▌ ▓▌
░ ▐▓ Email : jfun@hushmail.com ▄▄▄██▌ ▐▓ ▓▌
▐▓ █▓▌ ▐░▓▓▓▓▌ █▓▌ ░▌
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░ ███▓▓ ▀▀▀▀▀ ███▓▓
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░ ▀▓██████▓██▓▓▀ NFO and Layout proudly made in Quebec ░ ▀▓██████▓██▓▓▀
▀▓█████▓▓▓ by z0oy0rk ▀▓█████▓▓▓
▐███████▓▓▌ ▐███████▓▓▌
▓███▀ ▀▓█▓▓ [ J U S T F U N born in Apr. 2 0 0 0 ] ▓███▀ ▀▓█▓▓
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▀░ ░ ░▀ ▀░ z!░▀