█▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀█
█ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ █
█ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ █
█ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ █
█ d i g a p h o b i a ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ █
█ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ ▀ █
█ p r e s e n t s f o r y o u r e a r s █
█ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ █
█ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█
Radio Massacre International - The God of Electricity
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
r i p p i n g n o t e s . . . . . . . ▀
date Oct-16-2003
style Electronic
label Centaur
cat.no. CENCD 028
source CDDA
type Album
quality 192kbps 44,1hz Joint-Stereo
size 81,9 MB
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
r e l e a s e n o t e s . . . . . . . ▀
"Good to see the boys back, and in fine form too. TGOE has been "in
the can" for many years, the results of sessions recorded during
1994. Unusually the sessions, rather than hitting the CD platter in
their virgin state, have been subject to a certain amount of post
production work which has resulted in this uninterrupted hour long
masterpiece. In traditional style the set is split into distinctive
parts, 7 in all, and here I'll take you on a brief tour.
Part 1 opens with screeching effects producing an uncompromising edge
which is prevalent at many stages throughout the album. This subsides
to leave subtle effects, beautifully recorded and the dimensions of
the soundstage are immense. The effects are marshalled into a
discordant sequence which gathers pace and stretches into a trademark
sequence run as Part 2 takes over. Enter Mellotron choir and the
classic RMI sound is there in all its glory, the sort of sound-bite
opulence which draws so many admirers.
The track ebbs into Part 3, a resonating cascade of choirs, synthesis
and effects which takes the phrase "multilayered" to he extreme. Part
4 and we return to sequence heaven, a bass laden rhythm decorated by
all manner of high register detail. Guitar riffs vie sublimely with
mellotron timbres to form a gripping 13 minutes. Part 5 is the most
extreme section so far, an incessant wall of electronic noise through
which lighter tones attempt to emerge but never quite succeed until
the guitar riffs of part 6 take over. Part 6 is perhaps the most
striking section, an immensely infectious Floydian guitar piece which
proves this band has melodic as well as atmospheric depths. Part 7
ends with appropriately stylistic effects. This is classic RMI, and
though the sleevenotes suggest this is a more experimental tome it
actually sounds fairly contemporary with their other albums. If you
want experimental, try 'Zabriskie...'." (GG)
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
p l a y l i s t . . . . . . . . . . . ▀
01 part 1 05:59
02 part 2 10:11
03 part 3 13:13
04 part 4 13:05
05 part 5 04:35
06 part 6 04:25
07 part 7 08:09
. .
59:37 min
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
t h e p u r p o s e o f i t a l l . . ▀
digaphobia public sound specializes in releasing so-called
'intelligent dance music', experimental electronic music, dark
ambient, drone/noise, beat-laden indie, and a spot of techno.
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
t h e h e a d s . . . . . . . . . . . ▀
peace to music lovers everywhere
1real agw amok chr cmg cms diss fuffens hit2k its just kw mgc
ms nuhs om pulsar pyt rac radial sb sfe sour tr tronik ube wos
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
j o i n t h e a r m y . . . . . . . . ▀
looking for MD/DAT recordings of electronic music shows
track us down on IRC if you'd like to help
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
a l w a y s r e m e m b e r . . . . . ▀
go to the show. buy the t-shirt. order the vinyl.
▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄
█ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ █
█ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ █
█ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ ▄ █
█▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄█