Offkey-Raiden_and_Khanage-OK020-VINYL-2010-sour
NFO
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: : release no ( 10604 ) \ rating |
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: : artist (Raiden and Khanage ) | .---. |
: : title (King Stays King RMX / M82 RMX ) | 0 | | |
: : record label (Offkey (OK020) ) | 9 |%%%| |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2010/07/27) | 7 |%%%| |
: : street date (2010/08/??) | 6 |%%%| |
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: : media type vinyl (x) tape ( ) cd ( ) radio ( ) | 4 |%%%| |
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: : :.: (02 tracks) (10:11 min) ( 15,5 mb) | `---' |
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nr times track titles
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| A 4:29 Raiden and Khanage - King Stays King (Icicle Remix) |
| B 5:42 Raiden - M82 (Spirit Remix) |
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| | | |
| | This is a landmark release for Offkey Music. | |
| | It marks twenty releases in the last five | |
| | years. From singles to EPs to an Album It has | |
| | been tough but equally rewarding experience. | |
| | The label has reached beyond our expectations | |
| | and we wanted to mark it suitably, Thus for | |
| | this release we are proud to bring you two | |
| | remixes from the labels back catalogue, | |
| | courtesy of InneractiveÆs Spirit & Shogun | |
| | AudioÆs Icicle. | |
| | | |
| | Raiden- M82: Spirit Remix: The original track | |
| | was a rolling yet edit heavy drum work out | |
| | from Raiden, big on the bass and rich | |
| | textures as you would expect. M82 signalled a | |
| | new concentration on bass weight from Raiden | |
| | and began to prick the ears of deejays. | |
| | Spirit was one of the first to pick up on the | |
| | track so there was no better choice for the | |
| | rework, Spirit has further stripped back the | |
| | track to its core elements and has in turn | |
| | found another groove to exploit, A great | |
| | rework from a dance music veteran. Pounding | |
| | bass and stepping drums are the order of the | |
| | day! | |
| | | |
| | Raiden & Khanage: King Stays King: Icicles | |
| | Royal Treatment: æKingsÆ is a track that has | |
| | achieved the honour of being the most played | |
| | track in the labels history, the list of | |
| | deejays who played the original reads like a | |
| | whoÆs who of drum n bass. There were few | |
| | choices for remixing the track, Icicle was | |
| | number one the list and to the labels | |
| | pleasure, the coldest producer in the land | |
| | jumped at the chance & delivered everything | |
| | you would expect, juggernaught drums laced | |
| | with only the best bass from the Dutch | |
| | wonder. As soon as the track went public the | |
| | reactions were instantaneous, rounding off a | |
| | landmark release for Offkey Music. Heres to | |
| | the future! | |
| | | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2010 ]
Files
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