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▐▓▌▐█▌ Artist : Sweet Sybil ▐█▌▐▓▌
▐▀▄██ Album : Sweet Sybil ██▄▀▌
▄███▌ Label : E÷nian Records ▐███▄
▀███▌ Genre : Metal ▐███▀
▐▄▀██ Street date : 2010-07-03 ██▀▄▌
▐▓▌▐█▌ Quality : 217 kbps / 44.1kHz / Joint Stereo ▐█▌▐▓▌
▓█▄▀▀ Encoder : Lame 3.97 -V2 --vbr-new ▀▀▄█▓
▓███ Size : 65.15 MB ███▓
▀ ▀█▌ Time : 39:32 min ▐█▀ ▀
▓▄███ Url : http://www.eonianrecords.com/b-sweetsybil/sweetsy ███▄▓
▐▓████▌ bil.html ▐████▓▌
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█▓▌ 1. Remember When 3:59 ▐▓█
█▓▌ 2. #69 3:19 ▐▓█
█▓▌ 3. Downtown Suicide 4:43 ▐▓█
█▓▌ 4. Walkin Talkin 5:53 ▐▓█
█▓▌ 5. Someone In Your Eyes 4:29 ▐▓█
█▓▌ 6. Jump Back 4:54 ▐▓█
█▓▌ 7. Burning House 4:25 ▐▓█
█▓▌ 8. Alone With You 4:08 ▐▓█
█▓▌ 9. You and I 3:42 ▐▓█
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▐▓▌▐█▌ Sami S. - Lead Vocals ▐█▌▐▓▌
▐▓▌▐█▌ Mike Parker - Lead & Rhythm Guitars & Back-up Vocals ▐█▌▐▓▌
▐▓▌▐█▌ Brian Unger - Lead & Rhythm Guitars & Back-up Vocals ▐█▌▐▓▌
▐▓▌▐█▌ Jeff Malas - Bass Guitar & Back-up Vocals ▐█▌▐▓▌
▐▓▌▐█▌ Randy Matthiensen - Drums & Back-up Vocals ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ In September of 1988 founding members, guitarist Michael ▐█▌▐▓▌
▐▓▌▐█▌ Parker and vocalist Sam Carava, recruited bassist Jimmi Nolan ▐█▌▐▓▌
▐▓▌▐█▌ and brother Shawn Nolan on drums, for their new project ▐█▌▐▓▌
▐▓▌▐█▌ entitled Fontalis. WithinÆ a month the newly formed band had ▐█▌▐▓▌
▐▓▌▐█▌ written over 10 songs, including "#69" and "Sweet Sybil," ▐█▌▐▓▌
▐▓▌▐█▌ both of which would prove to be significant and prophetic to ▐█▌▐▓▌
▐▓▌▐█▌ their future. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ As a favor to a local promoter, the group entered a Battle of ▐█▌▐▓▌
▐▓▌▐█▌ the Bands contest. The announcer was given a set list and ▐█▌▐▓▌
▐▓▌▐█▌ mistakenly announced the band as Sweet Sybil, the first song ▐█▌▐▓▌
▐▓▌▐█▌ on the list. The band won and the erroneous name change ▐█▌▐▓▌
▐▓▌▐█▌ stuck. They used their prize, 12 hours of studio time at DKP ▐█▌▐▓▌
▐▓▌▐█▌ Studios in Chicago, to record their first four-song demo with ▐█▌▐▓▌
▐▓▌▐█▌ Producer & Engineer Bob Pucci. The demo hit the airwaves of ▐█▌▐▓▌
▐▓▌▐█▌ local radio and was met with instant popularity, receiving ▐█▌▐▓▌
▐▓▌▐█▌ massive call-in support from a large and growing legion of ▐█▌▐▓▌
▐▓▌▐█▌ devout fans hooked on the raw, fun & sleazy rock these dirty ▐█▌▐▓▌
▐▓▌▐█▌ boys were serving up in the midst of all the primped and ▐█▌▐▓▌
▐▓▌▐█▌ pretty acts of their day. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ While the demo continued to spin on the Chicago airwaves, ▐█▌▐▓▌
▐▓▌▐█▌ Sweet Sybil took their new found notoriety on the road and ▐█▌▐▓▌
▐▓▌▐█▌ began playing shows all over the Midwest. Back home, they ▐█▌▐▓▌
▐▓▌▐█▌ became the first rock band ever to play at the Gateway ▐█▌▐▓▌
▐▓▌▐█▌ Theater and were voted "Best New Band" by readers of The ▐█▌▐▓▌
▐▓▌▐█▌ Chicago Rocker, accepting the award at the magazine's annual ▐█▌▐▓▌
▐▓▌▐█▌ awards show at that same venue. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ The summer of 1989 would bring many changes for Sweet Sybil. ▐█▌▐▓▌
▐▓▌▐█▌ The band parted ways with Jimmi and Shawn, welcoming new ▐█▌▐▓▌
▐▓▌▐█▌ bassist Wayne Carlson and local legend drummer Randy ▐█▌▐▓▌
▐▓▌▐█▌ Matthiessen to the lineup, gaining them an even funkier edge ▐█▌▐▓▌
▐▓▌▐█▌ and more playful vibe to Sweet Sybil's persona. They also ▐█▌▐▓▌
▐▓▌▐█▌ took on management, signing with Northstar Productions, known ▐█▌▐▓▌
▐▓▌▐█▌ more at that time for publishing comic books and having ▐█▌▐▓▌
▐▓▌▐█▌ produced B movies. It was a winning combination all around ▐█▌▐▓▌
▐▓▌▐█▌ and the band flourished with the new additions, utilizing the ▐█▌▐▓▌
▐▓▌▐█▌ artists provided by Northstar to create a new logo, backdrops ▐█▌▐▓▌
▐▓▌▐█▌ and other visuals which greatly added to the band's promotion ▐█▌▐▓▌
▐▓▌▐█▌ and already infamous live show. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ They went two steps further, and the Sweet Sybil entourage ▐█▌▐▓▌
▐▓▌▐█▌ grew to include a professional stage crew, led by stage ▐█▌▐▓▌
▐▓▌▐█▌ manager (and sixth member) Mark Messner, and Monte, a lovable ▐█▌▐▓▌
▐▓▌▐█▌ local personality who, in addition to announcing the band, ▐█▌▐▓▌
▐▓▌▐█▌ was given free rein to entertain the crowd during live ▐█▌▐▓▌
▐▓▌▐█▌ performances. The band strongly believed, and strove to make, ▐█▌▐▓▌
▐▓▌▐█▌ each Sweet Sybil show an event to remember, and memorable ▐█▌▐▓▌
▐▓▌▐█▌ they were. No two were the same, bond money was always a ▐█▌▐▓▌
▐▓▌▐█▌ possible need, and to have seen it was to have born witness ▐█▌▐▓▌
▐▓▌▐█▌ to something special. The witnesses talked, spreading the ▐█▌▐▓▌
▐▓▌▐█▌ word and peaking curiosities as the stories of this band ▐█▌▐▓▌
▐▓▌▐█▌ (both onstage & off) circulated and filled the columns of ▐█▌▐▓▌
▐▓▌▐█▌ local rock magazines month after month, 20 years later ▐█▌▐▓▌
▐▓▌▐█▌ continuing to be the stuff of legends. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Both the creative and cosmetic changes went over well with ▐█▌▐▓▌
▐▓▌▐█▌ the fans and Sweet Sybil began a string of mini-tours, ▐█▌▐▓▌
▐▓▌▐█▌ opening for such acts as Extreme, Alice in Chains, Enuff ▐█▌▐▓▌
▐▓▌▐█▌ Z'Nuff, Dirty Looks, and King's X and headlining at famous ▐█▌▐▓▌
▐▓▌▐█▌ Chicago haunts like The Thirsty Whale and Avalon and many ▐█▌▐▓▌
▐▓▌▐█▌ others. Their surge in popularity brought with it a heavy ▐█▌▐▓▌
▐▓▌▐█▌ demand for new music, but the band wasn't done tweaking and ▐█▌▐▓▌
▐▓▌▐█▌ underwent another lineup change in the fall of 1990 with the ▐█▌▐▓▌
▐▓▌▐█▌ replacement of Wayne Carlson with bassist Jeff Malas, a ▐█▌▐▓▌
▐▓▌▐█▌ deep-thinking stage veteran whose time in the band saw him ▐█▌▐▓▌
▐▓▌▐█▌ breathe fire, roar like a panther and even a brief stint as a ▐█▌▐▓▌
▐▓▌▐█▌ male stripper. They also decided to add a second guitarist, ▐█▌▐▓▌
▐▓▌▐█▌ choosing guitar virtuoso and Berkley student Brian Unger ▐█▌▐▓▌
▐▓▌▐█▌ after auditioning several players. The changes meant a new ▐█▌▐▓▌
▐▓▌▐█▌ personal dynamic in the band and for the fan, a fuller sound ▐█▌▐▓▌
▐▓▌▐█▌ wrapped around the same raw sexuality and sleaze that was ▐█▌▐▓▌
▐▓▌▐█▌ Sweet Sybil's calling-card. This would be the lineup most ▐█▌▐▓▌
▐▓▌▐█▌ associated with the name Sweet Sybil. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ It was Sweet Sybil's last and final face that entered River ▐█▌▐▓▌
▐▓▌▐█▌ North Studios with producer Roy Vombrach and began work on a ▐█▌▐▓▌
▐▓▌▐█▌ six-song EP, which would include "Remember When" and ▐█▌▐▓▌
▐▓▌▐█▌ "Downtown Suicide," songs that would later be two of their ▐█▌▐▓▌
▐▓▌▐█▌ biggest hits. The highly anticipated EP's release, held at ▐█▌▐▓▌
▐▓▌▐█▌ local record store "Beyond the Limit," was met with an ▐█▌▐▓▌
▐▓▌▐█▌ amazing trove of eager fans and was tracked there as the ▐█▌▐▓▌
▐▓▌▐█▌ highest selling local release ever. The recording also ▐█▌▐▓▌
▐▓▌▐█▌ received international success when it was released as an ▐█▌▐▓▌
▐▓▌▐█▌ album in Europe, reaching #1 on the rock/metal charts in the ▐█▌▐▓▌
▐▓▌▐█▌ Netherlands. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ With a strong EP in stores and radio airplay on two ▐█▌▐▓▌
▐▓▌▐█▌ continents, multiple magazine/fanzine features which included ▐█▌▐▓▌
▐▓▌▐█▌ back-to-back months on covers of The Chicago Rocker and Windy ▐█▌▐▓▌
▐▓▌▐█▌ City Rocks, and one of the strongest followings to be born of ▐█▌▐▓▌
▐▓▌▐█▌ the Chicago rock scene, Sweet Sybil was gaining national ▐█▌▐▓▌
▐▓▌▐█▌ attention. Negotiations with entertainment lawyer Owen Sloan ▐█▌▐▓▌
▐▓▌▐█▌ (Warrant, Kenny Rogers) and several major labels, however, ▐█▌▐▓▌
▐▓▌▐█▌ fell apart and the band parted ways with Northstar ▐█▌▐▓▌
▐▓▌▐█▌ Productions. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ Independent again, Mike and Sam resumed the management of ▐█▌▐▓▌
▐▓▌▐█▌ Sweet Sybil, and the band entered the studio for the last ▐█▌▐▓▌
▐▓▌▐█▌ time, with producer/engineer Johnny K. (Disturbed, Avenged, ▐█▌▐▓▌
▐▓▌▐█▌ and Sevenfold) to begin work on another 3 song demo. Faced ▐█▌▐▓▌
▐▓▌▐█▌ with the harsh reality of the record companies' overall ▐█▌▐▓▌
▐▓▌▐█▌ reluctance to deal with self-managed bands, the market's ▐█▌▐▓▌
▐▓▌▐█▌ sudden shift toward Seattle's rising 'Grunge-Scene,' and ▐█▌▐▓▌
▐▓▌▐█▌ internal conflict, Sweet Sybil permanently disbanded in late ▐█▌▐▓▌
▐▓▌▐█▌ 1992. ▐█▌▐▓▌
▐▓▌▐█▌ ▐█▌▐▓▌
▐▓▌▐█▌ In October of 1993, in a tragic mishap, Sweet Sybil forever ▐█▌▐▓▌
▐▓▌▐█▌ lost its brother and most beloved member Randy Matthiessen. ▐█▌▐▓▌
▐▓▌▐█▌ This album is dedicated with love and celebration to his ▐█▌▐▓▌
▐▓▌▐█▌ memory, his family, his friends, & his fans. Those that knew ▐█▌▐▓▌
▐▓▌▐█▌ him will never forget him and always know that he lives on in ▐█▌▐▓▌
▐▓▌▐█▌ his music and his spirit. ▐█▌▐▓▌
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