Rothko-Blk.W-Bear--Wish.For.A.World.Without.Hurt-(2003)-diss

Section
MP3/FLAC
Group
diss
Size
70,56 MB
Files
9
Date
2003-10-25

NFO

                        ___           _     __           __
                    ___/ (_)_________(_)___/ /__  ____  / /_
                  / __  / / ___/ ___/ / __  / _ \/ __ \/ __/
                 / /_/ / (__  |__  ) / /_/ /  __/ / / / /_
                 \__,_/_/____/____/_/\__,_/\___/_/ /_/\__/


                         d  i  s  s  i  d  e  n  t

   _______________________________________________________________________

      a r t i s t : Rothko-Blk w/Bear
        t i t l e : Wish For A World Without Hurt
          d a t e : 2003
        l a b e l : Trace Recordings
        g e n r e : Ambient
  r l s.  d a t e : Oct-2003
      t r a c k s : 08
    b i t r a t e : 192kbps
          s i z e : 70,6 MB

   _______________________________________________________________________

     Gorgeous and mournful, this is a recording (as the title
     promises) that encourages contemplation of the human condition.
     Rothko, which was previously a dark ambient group comprised of
     three electric bassists and assorted guests, has now apparently
     been distilled into Mark Beazley alone, who seems to be playing
     electric guitar more than bass -- and quite possibly a treated
     piano or other keyboard. The "quite possibly" is advised,
     because Rothko's collaborator on this recording, BLK w/ BEAR
     (aka J.S., Adams) is a visual artist and self-confessed
     purveyor of "failed communication and decomposed transmission"
     who could, in fact, be playing (or sampling) almost anything at
     all.

     The extraordinary title track begins with a melancholy, watery
     keyboard figure that carries the suggestion of tolling church
     bells or channel buoys in thick fog. Harold Budd (who has
     previously worked with Rothko) would be proud. Adams' arresting
     contribution comes twenty-five seconds into the piece, in the
     form of distant, muted sounds of a huge, cataclysmic crash,
     which are subsequently varied in duration and intensity as they
     occasionally re-emerge throughout the piece. The two musicians
     have previously stated that their collaboration is intended as
     a remembrance of 9/11, but this sound is symbolic as much as
     literal, and it conveys a feeling of unease and foreboding as
     much as one of disaster.

     Next up is "I feel lost without you," which features Adams'
     turntable manipulations. It stutters and stammers its way into
     a gray, minor-key oblivion, and its communication of personal
     dislocation is haunting and emotionally charged. Then on
     "Declaration of loss," Beazley's guitar makes its first
     appearance, after a nice opening of trance minimalist keyboard
     drones. The guitar is much more prominent than the keyboards in
     most of the remaining six tracks, including this one, and it's
     the kind of guitar you'd perhaps expect from an accomplished
     bassist - clean, clear and understated. Riffs are repeated
     slowly and thoughtfully, with subtle variations in duration and
     interval, while Adams adds contributions from his discrete
     palette of rumbles, clicks and wheezy drone harmonies. The
     guitar is double-tracked on "Treasure of memories," and as the
     title attests, the sound of Beazley's guitar generally leans
     more toward dream-like reverie than to the heart-rending sorrow
     of the opening track, even though virtually everything on the
     CD, including the guitar work, is downtempo and in minor keys.

     "Dropped from clouds" serves as a kind of showcase for Adams;
     his ghostly, shrouded treatments are on equal footing here with
     Beazley's almost subliminal guitar musings. "Lowering with
     wolves" also allows Adams to work his magic with a variety of
     quietly unsettling sounds that seem to emerge directly from the
     subconscious. The dirge-like "Like nails in the rain," which is
     the other prime cut of restrained suffering (along with the
     title track), features the plaintive, neo-primitive violin work
     of Frances Morgan, backed as usual by Adams' gently ambiguous
     textures. Comparisons can be invidious, but more than anything
     else this recording harkens back to vintage Brian Eno and
     Harold Budd. It invites you to sink just as deeply into it as
     you wish, and can function either as pleasant but rather
     pensive background music or as a powerful stimulus to serious
     reflection.

     (http://sonomu.net)


     artist's site:

     (http://www.rothkomusic.co.uk)



   _______________________________________________________________________

      01-Wish for a world without hurt                          [06:20]
      02-I feel lost without you                                [07:23]
      03-Declaration of loss                                    [07:06]
      04-Dropped from clouds                                    [07:04]
      05-Dream for an end to sorrow                             [04:57]
      06-Like nails in the rain                                 [05:55]
      07-Treasure of memories                                   [06:16]
      08-Lowering with wolves                                   [06:17]
                                                                -------
                                                                 51:18 min
   _______________________________________________________________________

                 inventas vitam iuvat excoluisse per artes

Files

PathSize
01-rothko-blk_w-bear--wish_for_a_world_without_hurt.mp38,72 MB
02-rothko-blk_w-bear--i_feel_lost_without_you.mp310,15 MB
03-rothko-blk_w-bear--declaration_of_loss.mp39,76 MB
04-rothko-blk_w-bear--dropped_from_clouds.mp39,71 MB
05-rothko-blk_w-bear--dream_for_an_end_to_sorrow.mp36,81 MB
06-rothko-blk_w-bear--like_nails_in_the_rain.mp38,15 MB
07-rothko-blk_w-bear--treasure_of_memories.mp38,62 MB
08-rothko-blk_w-bear--lowering_with_wolves.mp38,64 MB
rothko-blk_w-bear--wish_for_a_world_without_hurt-(2003)-diss.jpg7,75 KB