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▀▄ Artist... Harold Budd
░ Title.... La Bella Vista
Label.... Shout Factory
Year..... 2003
Genre.... Ambient
Rip Date. 20.10.2003
Tracks... 10
Grabber.. EAC
Source... CDDA
Encoder.. LAME 3.90.3
Quality.. 192kbps/44.1kHz
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▐█░▌ COMMENTS: ▀▀▀▀░ ▀▓██▓▄ ▄▀ ░
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Press Release:
"Composer/pianist Harold Budd has been called ôthe poet
of the piano. His forthcoming debut for Shout! Factory,
La Bella Vista, was produced by Daniel Lanois, (the
Grammy-winning producer's first production since U2's
All That You Can't Leave Behind) and Adam Samuels. The
album consists of ten original Budd compositions
recorded as solos in his iconic ambient minimalist style
and will be released on October 10th.
Lanois and Samuels recorded the two sessions that
comprise La Bella Vista at impromptu gatherings of
friends at LanoisÆ house. At the first of these session,
the artist was completely unaware that tape was rolling,
affording an entirely spontaneous and ôof the momentö
document. According Budd, the vintage Steinway on which
he extemporized at Lanois' home in the Silver Lake area
of Los Angleles was 'one of the most gorgeous pianos I
have ever played. I played for fifteen people, most of
whom I had met that night for the first time,' he
recalls of the initial session at the house, a 1920's
Italianate villa that lends its name to the album. The
second session came shortly thereafter, again before a
group of guests at Lanois' house. Budd was, this time,
aware of the recording taking place.
Budd's sparse, tonal wash approach was said to have been
inspired by the buzz of telephone wires near his boyhood
home in the Mojave Desert. He has been a respected
minimalist avant-garde composer since the mid-1960's but
his recording career did not begin until he was in his
mid 30's He developed a following within the independent
rock underground, having worked with Brian Eno, Robin
Guthrie of the Cocteau Twins, XTC's Andy Partridge prior
to his current association with Lanois. Budd is,
unquestionably one of the more significant figures of
modern neo-classical music and La Bella Vista, his
twenty-third album is poised to confirm his status."
Biography:
"The American ambient/neo-classical composer who has
most closely allied himself with the increasingly
sympathetic independent-rock underground ù through his
collaborations with the Cocteau Twins' Robin Guthrie ù
Harold Budd is also one of the very few who can very
rightly be called an ambient composer. His music, a
sparse and tonal wash of keyboard treatments, was
inspired by a boyhood spent listening to the buzz of
telephone wires near his home in the Mojave Desert town
of Victorville, California (though he was born in nearby
Los Angeles). Though interested in music from an early
age, Budd was 36, already married and with children of
his own, by the time he graduated from the University of
Southern California with a degree in Musical Composition
in 1966. He became a respected name in the circle of
minimalist and avant-garde composers based in Southern
California during the late '60s, premiering his works
The Candy-Apple Revision and Unspecified D-Flat Major
Chord and Lirio around the area. In 1970, he began a
teaching career at the California Institute of Arts, but
continued to compose while there, writing Madrigals of
the Rose Angel in 1972. After leaving the Institute in
1976, Budd gained a recording contract with the Brian
Eno-affiliated EG Records, and released his debut album
The Pavilion of Dreams in 1978. Two years later, he
collaborated with Eno on one of the landmark albums of
the ambient style, Ambient 2: The Plateaux of Mirrors.
After recording two albums for Cantil in 1981 (The
Serpent [In Quicksilver]) and 1984 (Abandoned Cities),
Harold Budd again worked with Eno on 1984's The Pearl. A
contract with Eno's Opal Records resulted in one of
Budd's most glorious albums, The White Arcades, recorded
in Edinburgh with Robin Guthrie of the Cocteau Twins.
Budd left Opal after 1991's By the Dawn's Early Light,
and recorded two albums for Gyroscope: Music for Three
Pianos (with Ruben Garcia and Daniel Lentz) and the
lauded Through the Hill, a collaboration with Andy
Partridge of XTC. In the mid-'90s, he recorded albums
for New Albion and All Saints before signing to Atlantic
for the release of The Room in mid-2000." - John Bush,
allmusic.com
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01: bell tower - 10:55
02: campanile - 04:05
03: the rose - 02:57
04: stones - 03:19
05: her face - 02:10
06: children's games beyond our reach - 03:29
07: the avenue - 02:56
08: bird charmer - 03:26
09: other flowers - 03:44
10: il leopardo delle nevi - 02:01
-----
T O T A L T I M E - 39:02
T O T A L S I Z E - 53,7 Mb
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░ 1REAL /1-REE-ILL/ n. 1 a group dedicated to bringing you
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It's been a long time since we've updated this part of
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If you feel you have something to contribute, and want to
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