Utah_Jazz-Vintage-VTGCD001-2010-sour
NFO
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: : release no ( 10631 ) \ rating |
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: : artist (Utah Jazz ) | .---. |
: : title (Vintage ) | 0 | | |
: : record label (Vintage (VTGCD001) ) | 9 | | |
: : genre (Drum & Bass ) | 8 |%%%| |
: : release date (2010/08/28) | 7 |%%%| |
: : street date (2010/06/30) | 6 |%%%| |
: : | 5 |%%%| |
: : media type vinyl ( ) tape ( ) cd (x) radio ( ) | 4 |%%%| |
: : cover sfv m3u cover (x) sfv (x) m3u (x) cue ( ) | 3 |%%%| |
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: : :.: (14 tracks) (1:07:06 h) ( 80,4 mb) | `---' |
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nr times track titles
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| 01 6:50 Utah Jazz - Comfort Zone |
| 02 5:58 Utah Jazz - Bring Back The Love (feat. Version) |
| 03 2:58 Utah Jazz - Could You Handle It (feat. DRS) |
| 04 6:26 Utah Jazz - Take No More |
| 05 4:13 Utah Jazz - Bunny Boiler |
| 06 6:05 Utah Jazz - Avoiding Puddles (feat. Chelonis R Jones) |
| 07 2:18 Utah Jazz - Relaxation Interlude |
| 08 4:09 Utah Jazz - Skyward Bound |
| 09 5:27 Utah Jazz - Dreaming Remix (feat. Jonny L) |
| 10 5:01 Utah Jazz - Enter The Jungle (feat. Ragga Twins) |
| 11 2:19 Utah Jazz - Angels Interlude |
| 12 4:59 Utah Jazz - NRG '93 (feat. BMK) |
| 13 5:26 Utah Jazz - Burnt Out |
| 14 4:57 Utah Jazz - Existence |
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| | Two years since his mesmerising debut LP "Its | |
| | a Jazz Thing" transported d&b dancefloors | |
| | across the world back to the halcyon days of | |
| | early-noughties liquid-funk bliss, the | |
| | unabashed ambassador of vintage d&b is back | |
| | doing exactly that: vintage d&b. The template | |
| | is the same lavish melodies, spring-fresh | |
| | beats and unfathomably orginal soul samples | |
| | but this history lesson just grew some meaty | |
| | balls: "NRG '93" channels the spirit of old- | |
| | skool hardcore; "Skyward Bound" threads | |
| | classic Amen clatter and heavy low-end | |
| | through sublime 70s guitar loops; and the | |
| | wrinkle-tastic Ragga Twins jet in to holler | |
| | magificently over rollicking experimental | |
| | stepper "Enter The Jungle". Experimental | |
| | steppers? Utah Jazz? Believe it true to form, | |
| | the renowned party-rocking DJ is quite happy | |
| | bucking all preconceptions as well as | |
| | ignoring musical trends, and the results are | |
| | his best work yet. | |
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| |
| This release may contain copyrighted material, however SOUR guarantees |
| that this material was at least available to one person "on the street" |
| and that the possession of this material is in no way privileged. |
| |
| SOUR has been releasing good quality drum'n'bass, jungle & oldskool rips to |
| the internet drum'n'bass public since summer 1999. Originally a small |
| operation, we have now reached levels of international acclaim. |
| |
| SOUR is dedicated to both the availability and promotion of music to the |
| public, and our rips are intended to reflect these ideals. Specifically: |
| |
| . SOUR is dedicated to the promotion of new music that is currently |
| available to buy. If you like something you hear, you are obliged to |
| attempt to purchase an original copy. |
| |
| . SOUR is dedicated to the promotion of old music that may no longer be |
| available to buy. |
| |
| . SOUR is dedicated to the expansion and infiltration of drum'n'bass |
| worldwide! We provide a service where none is available, specifically in |
| many remote countries where traditional distributors can not afford to |
| target. Also, the availability of drum'n'bass in an easily accessible |
| form expands the potential for real world sales to people who may not |
| otherwise have considered buying drum'n'bass. |
| |
| . SOUR is dedicated to the expansion of the online and offline real world |
| scenes. With more listeners enjoying what they hear, clubs and venues can |
| only expect MORE people to attend events; DJ's can only expect MORE |
| people to pay to see THEM. |
| |
| By accident of today's current real world distribution arrangements, many |
| artists will find that SOUR releases IMPROVE their real world sales; |
| especially for items only on vinyl. This is the basis upon which SOUR |
| operates. |
| |
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[ sour productions(c) 1999-2010 ]
Files
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