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Artist..........: VA ▒▀
Album...........: Douglas On Blue Note ▒
Genre...........: Jazz
Label...........: Douglas Records
Catnr...........: WNRCD5048
Source..........: CDDA
Rip.Date........: 28-08-2010
Street.Date.....: 22-03-2010
Quality.........: VBR/44.1kHz/Joint Stereo
Url.............: http://musique.fnac.com/a2814864
Size............: 82.75MB
Song.Title :
01. Kenny Dorham - El Matador 5:24
02. Betty Carter - This Is Always 3:12
03. Duke Ellington - Caravan 4:13
04. Oliver Nelson Feat Phil Woods - Rendezvous 2:54
05. Art Blakey & The Jazz Messengers - Three Blind Mice 8:03
06. Billie Holiday - My Man 2:55
07. Billie Holiday - Them There Eyes 1:44
08. Bill Evans & Jim Hall - My Funny Valentine 5:22
09. Herbie Mann - Brazil 4:41
10. John Coltrane - Just Friends 6:17
11. Charles Mingus Jazz Workshop - I Can't Get Started 10:08
12. King Pleasure - I'm In The Mood For Love 3:15
13. Olivier Nelson Feat Lloyd G. Mayers - A Taste Of Honey 3:54
14. Ken McIntyre - Say What 5:09
Runtime: 67:11 min
Release.Info :
During the year or so that Alan Douglas was head honcho of United Artists' jazz
division, he made a significant contribution to its recorded literature. In
retrospect, it seems he came out with a new album every week. In reality, some
of the tracks date from 1954; others from 1957. Some were recorded in studios;
others on location. Some were issued during Douglas' tenure. The vast majority
hails from '62 -- a year The Wire claims Douglas "brokered some of the most
influential recordings of the time." His was a concept of cross-pollination
based on personalities more than styles. A few years later, UA was absorbed by
the Blue Note catalog, eventually giving rise to this eclectic cross-section of
fourteen diverse tracks.
Among the mix 'n' match classics: an aggressive Duke Ellington, backed by
bassist Charles Mingus and drummer Max Roach on "Caravan;" tenorist John
Coltrane with an uncharacteristically subdued Cecil Taylor, piano, playing
"Just Friends;" a driving Bill Evans, piano, supported by guitarist Jim Hall
for a way-up "My Funny Valentine;" Mingus' Jazz Workshop doing "I Can't Get
Started," with two still-fresh-sounding solos by altoist John Handy, and Master
Mingus.
Arranger Oliver Nelson provides a laid-back cushion for altoist Phil Woods on
"Rendezvous;" Art Blakey and The Jazz Messengers set a comfortable groove for
stellar soloists trumpeter Freddie Hubbard, tenorist Wayne Shorter, trombonist
Curtis Fuller and pianist Cedar Walton. But the group that steals the album is
led by Herbie Mann for the propulsive "Brazil," thanks to the frantic tempo set
by bassist Bill Salter, drummer Willie Bobo, and the solo fires lit by vibist
Haygood Hardy and, in particular, flutist Mann.
Vocalists? Oh yes. Two quickies from Billie Holiday sounding so delicious on
the torch epic, "My Man" and "Them There Eyes." Both were from club
appearances, not recordings. Dig the sensitive comping by pianist Carl
Drinkard. Betty Carter and pianist Harold Mabern offer an interesting take on
"This Is Always," meaning Ms Carter sounded better as she aged. One male
singer: King Pleasure, doing (surprise) "Moody's Mood for Love." In all, a
historically fascinating CD, but considering how long the disc has been below
the horizon, it should come as no surprise that there will be tracks you've
never heard before.
Contact : crossfader(at)hush.ai
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