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Artist..........: The Kussum Beat ▒▀
Album...........: Sweet Talks ▒
Genre...........: Funk
Label...........: Soundway
Catnr...........: SNDWCD014
Source..........: CDDA
Rip.Date........: 22-09-2010
Street.Date.....: 23-04-2010
Quality.........: VBR/44.1kHz/Joint Stereo
Url.............: http://www.amazon.fr/Kusum-Beat-Sweet-Talks/dp/B003BL0B9K
Size............: 39.39MB
Song.Title :
01. Akampanye 4:27
02. Mapam Sukuruwe 4:11
03. Eyi Su Ngaangaa 4:31
04. Oburumankoma 4:22
05. Sasa Abonsam 4:55
06. Kyekye Pe Aware 4:56
Runtime: 27:22 min
Release.Info :
Sweet Talks were amongst the top five most popular bands in Ghana during the
1970s having recorded a string of hit albums. æThe Kusum BeatÆ was originally
released in 1974 and became a household favourite with heavy emphasis on the
æAfroÆ through its traditional rhythms and motifs, blended together into a
modern mix that combined highlife, funk and Afrobeat.
Like a small handful of seminal Ghanaian albums, The Kusum Beat has stood the
test of time and sounds as original and unique today as it did back in 1974.
Original pressings are in high demand and can be found on record exchanges for
significant prices. This was the second album from the band formerly known as
æEl DoradosÆ, later to change their name to æMedican LantcisÆ before settling
on æSweet TalksÆ û they were live residents at the legendary æTalk of the TownÆ
nightclub in the port town of Tema near Accra. It is here they established a
name for themselves as one of the most exciting young bands in the country.
Due to the popularity and commercial success of their first three albums û Adam
& Eve, Kusum Beat and Spiritual Ghana û the band began touring on a regular
basis and made it as far as Los Angeles. They went on to record what was to be
their biggest selling record, the Hollywood Highlife Party LP, as well as some
straight disco recordings aimed squarely at the burgeoning American market.
The Kusum Beat is far from typical of their trademark sound but shows just how
versatile an outfit they were û able to turn their hands to any one of a number
of styles. ItÆs a great reminder of how open-minded, experimental and curious
the music scene in Ghana was in the first half of the 1970s.
Contact : crossfader(at)hush.ai
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