░ ▄▌ ▐▄ ░
░ ▄▄▓██▀ ▀██▓▄▄ ░
░ ▄▄▓████▀ ▀████▓▄▄ ░
░ ▐██████▀ ░ ░ ▀██████▌ ░
▒ ▒ █████▀ ░ ░ ░ ░ ▀█████ ▒ ▒
░░ ░ ▐██▀░ ░▀██▌ ░ ░░
░ ▒ ░ ██▌░ ▄▄▄ ░▐██ ░ ▒ ░
░▄░ ▒▓█▒█▓▒▒░░ ▄█▀▀▀█▄▄ ░░▒▒▓█▒█▓▒ ░▄░
▒ ▄█░▓█▄░▐░▓ ▄▄█████▄█████████ ▄█▄ ▀███████▄███████████▄▄ ▓░▌░▄█▓░█▄ ▒
██ █░██▐█▀▀ ▄▄▄▄░█░▄▄ ▀ ▄ ▌▐███▌ ░▄▄ ▄ ▀ ▄▄ ░▄▄▄▄▄ ▀▀█▌██░█ ██
▐▓▌ ▐█▓██ ▄██████▌░▐████▓█▌░█████░▐██▌▐██████▌▐███████▄ ██▓█▌ ▐▓▌
▐██▒ █▒▐▌▐█▓██████ ████▓█▓▌ ▐███▌ ███ ▓█▓█████░██████▓█▌▐▌▒█ ▒██▌
▓█▄ ▐██▌█▓█▓▀ ███░██▌▀█▓██░ ▄▄▄ ██▌░█▓██▀▐██ ███ ▀▓█▓█ ██▌ ▄█▓
░░▀██░▒▓███▓██▓░ ▐██▌▐██ ▐███▄█▀▀▀█▄▄█░ ███▌ ██▌▐██▌ █▓██▓██▓█▒░█░▀░░░
░▒▓███████████▌▐██▄▄█████▄█████████ ▄█▄ ▀███████▄███████████▄▄█▌▐███████████▓▒░
░ ░ ░ ░ ░ ░ ░▐█▀▀░▄▄▄▄ █ ▄▄ ▀ ▄ ▌▐███▌ ░▄▄ ▄ ▀ ▄▄ ▄▄▄▄▄ ▀▀█▌ ░ ░ ░░ ░ ░
░ ░ ░ ░ ░ ░ █ ▄██████▌ ▐████▓█▌ █████░▐██▌▐██████▌▐█▓█████▄░█░ ░░ ░ ░░ ░
░ ░ ░ ░ ░ ░ ▐▌▐████████ ████▓█▓▌░▐███▌ ███░▐███████ ▓█▓█████▌▐▌░ ░ ░
░ ░ ░ ░ █▌████▀░███ ██▌▀█▓██ ░▀█▀ ░██▌ ████▀▐██ █▓█ ▀████ █ ░ ░
░ ░ ░░▒▓███ ███▌░▐██▌▐██░ ▐███░ ▄ ▄▌▐██ ░███▌ ░██▌▐██▌ ▐███ ██▓█▒░
░▒▓███████████▌▐█▓█░ ███▌▐██ ░ ███▌░███▌▐██ ▐███ ░ ██▌▐███░ ███▌▐███████████▓▒░
░ ░ ░ ░ ░ ░█▓█▓▌░███ ▐██░ ▄█▓██ ███ ▐██░██▓█▄ ░██▌ ███ ▐██▓█ ░ ░ ░
░ ░ ░ ░ ░▐██▓██ ███ ██▌ ██▓█▓█▌███ ███▐█▓█▓██ ▐██ ███░██▓█▓▌ ░ ░
░ ░ ░ ██████▌▐██ ██▌▐███▓███▐██ ██▌███▓███▌▐██ ██▌▐███▓██░ ░ ░ ░
░ ░ ░ ▐█▀▀░▀██▐██▌██▌██▀▀ ▀██▐██▌██▌█▀▀░▀▀██▐██▐██▌█▀▀░▀▀█▌░ ░ ░░
░ ░ ▀░ ░ ░ ▀ █████ ▀ ░ ░ ░▀░██▓██ ░ ░ ░ ▀ ██▓██ ░ ░ ▀ ░ ░
▓▒▓▓█▓█▓░▒▓██████████ ██▓██░ ░ ░ ░ ░ █▓█▓█░ ░ ░ █▓█▓█ ██████████▓▒░█▓█░▓▒▓
▒▓█░▒▓█▒▀▀▀ ░▒▓██▌▐▓█▓▌ ░ ░ ▐█▓█▌ ░ ░ ░▐█▓█▌▐█▓█▒░ ▀▀▀▒█▓▒█▒▓▒
▓██▓██▀░ █▓█ · MiM · ▀█▀ ░ · MiM · ░▀█▀ ▀██▓██▓
█▓██▀ ░ ░ ░ ░ Presents.. ░ ░ ░ ▀██▓█
█▓██▀ ░ Chemical Brothers - Soundsystem XL 09-27-2003 ▀██▓█
███▌ ░ ░▒▓█████████████████████▓▒░ ▐███
███░░ ░ ░ ░▒▓██▓██▓▒░ ░ ░ ░███
▓▓▌ ░ ░░ ░ ░▓░ ░ ▐▓▓
░▒ ░ ░ ░ ▒ ░ ░ ▒░
▓▓░ ░ ░▓▓
█▓░ ░ ░ ░▓█
▓█ ░ ░ █▓
▒▓░ ░ ░ ░ ░ ░▓▒
▓▒ ░ ░ ░ ░ ▒▓
██ ░ [Station] : WFNX [Event] ....: Soundsystem XL ░ ██
██ ░ [Ripper] .: Team MiM [Encoder] ..: Lame v3.92 ░ ██
██ ░ [Genre] ..: Breaks [Source] ...: Live Session ░ ██
██ ░ [Year] ...: 2003 [Quality] ..: 192k/Full Stereo ░ ██
██ ░ [Date] ...: Nov/10/2003 [Tracks] ...: 01 ░ ██
██░ ██
█▓░ ░ ░ ░▓█
▓█ ░ ░ █▓
▒▓░ ░ ░ ░ ░ ░▓▒
▓▒ ░ ░ ░ ░ ▒▓
▒▓░ ░ ░ [Tracklist] ░ ░ ░ ░░▒█░▓█▒█░█░▒█▓██▓█▓█▒░██▓▒█▓█▓▒░██░▓█▒░█▓▒███▒▓█
▒▓░ ░ ░ ░░ ▓█
▓█ ░ ░ ░▒▓
█▓░ ░ ░░ ▓▒
▓▒ ░ ░ ░█▓
▒▓░ ░ ░ ░ ░ ░▓▒
▓█ ░ ░ █▓
█▓ 01. Soundsystem XL 09-27-2003 70:39 ▓█
▒▓░ ░ ░ ░░ ▓█
▓█ ░ ░ ░▒▓
█▓░ ░ [Total Playing Time] .............................: 70:39 ░░ ▓▒
▓▒ ░ ░ [Total Size] .....................................: 97,0 MB ░█▓
▒▓░ ░ ░ ░░ ▓█
▓█ ░ ░ ░▒▓
█▓░ ░ ░░ ▓▒
▓▒ ░ ░ ░█▓
▒▓░ ░ ░ ░ ░ ░▓▒
▓█ ░ ░ █▓
██░ ░ ▄▌ ░ ██
▓▓ ░ ░ ▄▄▓██▀ ░▓▓
░▒░ ░ ▄▄▓████▀ ░ ▒░
▓▓▌░ ░ ▐██████▀ ░ ▐▓▓
███ ▒ ▒ █████▀ ░ ░ ░███
███▌ ░░ ░ ▐██▀░ ▐███
█▓██▄ ░ ▒ ░ ██▌░ ▄██▓█
▓██▓██▄ ░▄░ ▒▓█▒█▓▒▒░░▄██▓██▓
▒▓█░▒▓█▒▄▄▄ ▒ ▄█░▓█▄░▐░▓ ▄▄▄▒█▓▒░█▓▒
▓▒▓▓█▓█▓░▒▓████░▒█▓█▓█▓██▒░█░█▒█▓░█▒░░ ░ ░ ░ [Notes] ██ █░████▓▒░▓█▓█▓▓▒▓
▒▓█░▒▓█▒▀▀▀ ▐▓▌ ▐█▓█▓ ▀▀▀▒█▓▒░█▓▒
▓██▓██▀ ▐██▒ █▒▓▓ ▀██▓██▓
█▓██▀ ▓█▄ ▐██ ▀██▓█
███▌ ░░▀██▄▄██▀█▓▒▒ ░ ░▐███
███ ░ ▀▀▀▀ ▓ ███
▓▓▌░ ░▐▓▓
░▒░ ░▒░
▓▓ ░ ░ ▓▓
██ Live session from Mike Traylor's Soundsystem XL radio ██
██ show on WFNX, Boston, Massachusetts, USA. Enjoy! ██
██ ██
██ --Soundsystem XL-- ██
██ w/ DJ MIKE TRAYLOR Fridays Midnight to 3 AM EST ██
██ ██
██ Experience the cutting edge in electronic music on FNX ██
██ with Soundsystem XL every Friday night at midnight ██
██ with DJ Mike Traylor. Its a 2-hour mind-expanding ██
██ journey through the newest in breakbeat, tech-house, ██
██ and techno. Though from several genres, Traylor's ██
██ selections are unified in their heavy bass-driven ██
██ sound, uncompromising quality, and rough edge that ██
██ will push your unsuspecting to their limit. Hear the ██
██ freshest robotic grooves and future music on your ██
██ radio every week! Also, check out the exclusive guest ██
██ dj's in the mix at 1:00am. ██
██ ██
██ http://www.wfnx.com/1/jocksshows/jock.asp?id=22 ██
██ ██
██ ██
██ ------------------------------------------------------ ██
██ TRACKLIST ██
██ ------------------------------------------------------ ██
██ ██
██ Automat - Rise ██
██ Las Ninos del Parque - Liasons Dangereus ██
██ Shriekback - My Spine is the Bassline ██
██ Chemical Brothers - Get Yourself High ██
██ David Bowie - Fashion ██
██ Metro Area - Miura ██
██ Outhud - unknown ██
██ Mathew Johnson - Typerope ██
██ DK - The Difference ██
██ Angola - Angola (Carl Craig) ██
██ Chemical Brothers - Golden Path ██
██ Charles Pazinets - Delta FX ██
██ Melo da Quica - Azimuth ██
██ Cardinal Official - Belly Dancer ██
██ The Deadly Avenger - Day One (FSOL) ██
██ MAW - Electronic (Todd Terry) ██
██ Arpadys - Stone Roller ██
██ Beige GT - Knights of the Jaguar ██
██ Chemical Brothers - Nude Night ██
██ Sender - Loops ██
██ Conic Cylinder - 99.9 ██
██ Ernst Vibeg - Night Life ██
██ DJ Shorty - Lawnmower ██
██ Chemical Brothers - Under the Influence mix 2 ██
██ Jimi Hendrix - Peace in the Mississippi ██
██ Curtis Mayfield - Move on Up ██
██ ██
██ ------------------------------------------------------ ██
██ THIS WEEK'S GUEST DJ ██
██ ------------------------------------------------------ ██
██ ██
██ Chemical Brothers ██
██ www.thechemicalbrothers.com ██
██ ██
██ ██
██ The act with the first arena-sized sound in the ██
██ electronica movement, the Chemical Brothers united ██
██ such varying influences as Public Enemy, Cabaret ██
██ Voltaire and My Bloody Valentine to create a ██
██ dance-rock-rap fusion which rivalled the best ██
██ old-school DJs on their own terms -- keeping a crowd ██
██ of people on the floor by working through any number ██
██ of groove-oriented styles featuring unmissable ██
██ samples, from familiar guitar riffs to vocal tags to ██
██ various sound effects. And when the duo (Tom Rowlands ██
██ and Ed Simons) decided to supplement their DJ careers ██
██ by turning their bedrooms into recording studios, they ██
██ pioneered a style of music (later termed big beat) ██
██ remarkable for its lack of energy-loss from the ██
██ dancefloor to the radio. Chemical Brothers albums were ██
██ less collections of songs and more hour-long journeys, ██
██ chock full of deep bomb-studded beats, percussive ██
██ breakdowns and effects borrowed from a host of ██
██ sources. All in all, the duo proved one of the few ██
██ exceptions to the rule that intelligent dance music ██
██ could never be bombastic or truly satisying to the ██
██ seasoned rock fan; it's hardly surprising that they ██
██ were one of the few dance acts to enjoy simultaneous ██
██ success in the British/American mainstream and in ██
██ critical quarters. ██
██ ██
██ While growing up, both Rowlands and Simons grooved to ██
██ an eccentric musical diet, ranging from the Smiths and ██
██ Jesus & Mary Chain to Kraftwerk and Public Enemy. They ██
██ met while taking the same history course at Manchester ██
██ University, though neither were native Mancunians -- ██
██ Rowlands enrolled because of the legendary Haτienda ██
██ nightclub nearby, while Simons acknowledged the city ██
██ as birthplace to the Smiths and New Order. The pair ██
██ began sampling Madchester's vibrant nightclub scene ██
██ together during 1989 and 1990, just at the peak of ██
██ Britain's fascination with a DJing style named ██
██ Balearic. Pioneered at the island hotspot of Ibiza ██
██ during the mid-'80s, Balearic relied on a blend of ██
██ early house music, Italian disco, rare-groove jazz and ██
██ funk, Northern soul, hip-hop and alternative dance. ██
██ Original Balearic DJs like Trevor Fung, Paul Oakenfold ██
██ and Mike Pickering brought the sound back to ██
██ indie-clubs in London and Manchester, and the style ██
██ proved very attractive to musical eclectics like ██
██ Rowlands and Simons. ██
██ ██
██ Though Rowlands was already performing in the ██
██ alternative-dance group Ariel, the pair began DJing ██
██ together at the Manchester club Naked Under Leather in ██
██ 1991. Hardly believing that their weekend project ██
██ would progress, they took the semi-serious handle Dust ██
██ Brothers (a tribute to the American production team ██
██ responsible for one of their favorite albums, the ██
██ Beastie Boys' Paul's Boutique). Despite their doubts, ██
██ Rowlands and Simons' club night did grow more popular, ██
██ thanks to the duo's Balearic mix of rare house tracks ██
██ flavored with hip-hop breakdowns, independent-dance ██
██ fusions and ancient second-hand discards. After ██
██ deciding to try and re-create their unique sound in ██
██ their tiny bedroom studio, the Dust Brothers emerged ██
██ with "Song to the Siren," an intriguing example of the ██
██ new alternative dance scene including sample-victims ██
██ Meat Beat Manifesto and This Mortal Coil. ██
██ ██
██ After the single was pressed up on a limited release ██
██ of 500 copies, it began getting attention from ██
██ Britain's top DJs, initially including an old friend ██
██ named Justin Robertson but later including Andrew ██
██ Weatherall and Darren Emerson. Weatherall licensed the ██
██ single to Junior Boy's Own Records, and after the pair ██
██ had finished university, they moved back to London to ██
██ work on another EP (14th Century Sky) and a residency ██
██ at another club. After their third release, "My ██
██ Mercury Mouth," the duo began to get more high-profile ██
██ clients for remixing: besides Justin Roberston's ██
██ Lionrock collective, Primal Scream, Prodigy and the ██
██ Charlatans all received treatments. ██
██ ██
██ When lawyers for the original Dust Brothers came ██
██ calling in 1995, though, Rowlands and Simons were ██
██ forced to change to change their name to the Chemical ██
██ Brothers (the proposed Dust Brothers UK was turned ██
██ down). Word on the street and nightclub scene was so ██
██ good that it hardly mattered; their new residency at ██
██ the Heavenly Sunday Social quickly became one of the ██
██ hottest clubs in London -- documented on the mix disc ██
██ Live at the Social, Vol. 1 -- and their debut album ██
██ Exit Planet Dust was heavily praised by critics. ██
██ Another fan of the record, Oasis frontman Noel ██
██ Gallagher, agreed to lend his vocals to a future ██
██ single named "Setting Sun," the Chemicals' tribute to ██
██ one of their own favorites, the Beatles' "Tomorrow ██
██ Never Knows." The single went to number one in late ██
██ 1996, and the Chemical Brothers opened up for the ██
██ giant Oasis concert at Knebworth besides headlining ██
██ their own shows all over the world. Second album Dig ██
██ Your Own Hole took charge of the top spot on the album ██
██ charts upon its release in April 1997, and on the ██
██ wings of America's growing electronica push, the album ██
██ sailed to number 14 stateside and went gold. The ██
██ Chemical Brothers released a mix album in 1998, ██
██ Brothers Gonna Work It Out, and followed with their ██
██ third studio LP, Surrender, in 1999. Rather lackluster ██
██ expectations sparked a return to the underground with ██
██ the white-label-only single "It Began in Afrika," and ██
██ the duo's fourth album, Come with Us. ~ John Bush, All ██
██ Music Guide ██
██ ░ ░ ██
██ ██
▓█ ░ ░ █▓
▒▓░ ░ ░ ░ ░ ░▓▒
▓▒ ░ ░ .................... ░█▓
█▓░ ░ ░░ ▓▒
▓█ ░ ░ ░▒▓
▓▒ ░ ░ ░█▓
█▓ ▓█
▓█ ░ ░ ░▒▓
▒▓░ ░ ░ ░░ ▓█
▓▒ ░ ░ ▄▄▄ ░█▓
█▓░ ░ ▄█▀▀▀█▄▄ ░░ ▓▒
▓█ ░ ▄▄█████▄█████████ ▄█▄ ▀███████▄███████████▄▄ ░ ░▒▓
▒▓░ ░ ░ ▐█▀▀ ▄▄▄▄░█░▄▄ ▀ ▄ ▌▐███▌ ░▄▄ ▄ ▀ ▄▄ ░▄▄▄▄▄ ▀▀█▌ ░░ ▓█
▓▒ ░ ░ █ ▄██████▌░▐████▓█▌░█████░▐██▌▐██████▌▐███████▄ █ ░█▓
█▓░ ░ ▐▌▐█▓██████ ████▓█▓▌ ▐███▌ ███ ▓█▓█████░██████▓█▌▐▌ ░ ░░ ▓▒
▓█ ░ █▌█▓█▓▀ ███░██▌▀█▓██░ ▄▄▄ ██▌░█▓██▀▐██ ███ ▀▓█▓█ █ ░ ░▒▓
▒▓░ ░ ░ ░▒▓███ ██▓░ ▐██▌▐██ ▐███▄█▀▀▀█▄▄█░ ███▌ ██▌▐██▌ █▓██ ██▓█▒░ ░ ░ ▒▓█
░▒▓███████████▌▐██▄▄█████▄█████████ ▄█▄ ▀███████▄███████████▄▄█▌▐███████████▓▒░
░ ░ ░ ░ ░ ░ ░▐█▀▀░▄▄▄▄ █ ▄▄ ▀ ▄ ▌▐███▌ ░▄▄ ▄ ▀ ▄▄ ▄▄▄▄▄ ▀▀█▌ ░ ░ ░░ ░ ░
░ ░ ░ ░ ░ ░ █ ▄██████▌ ▐████▓█▌ █████░▐██▌▐██████▌▐█▓█████▄░█░ ░░ ░ ░░ ░
░ ░ ░ ░ ░ ░ ▐▌▐████████ ████▓█▓▌░▐███▌ ███░▐███████ ▓█▓█████▌▐▌░ ░ ░
░ ░ ░ ░ █▌████▀░███ ██▌▀█▓██ ░▀█▀ ░██▌ ████▀▐██ █▓█ ▀████ █ ░ ░
░ ░ ░░▒▓███ ███▌░▐██▌▐██░ ▐███░ ▄ ▄▌▐██ ░███▌ ░██▌▐██▌ ▐███ ██▓█▒░
░▒▓███████████▌▐█▓█░ ███▌▐██ ░ ███▌░███▌▐██ ▐███ ░ ██▌▐███░ ███▌▐███████████▓▒░
░ ░ ░ ░ ░ ░█▓█▓▌░███ ▐██░ ▄█▓██ ███ ▐██░██▓█▄ ░██▌ ███ ▐██▓█ ░ ░ ░
░ ░ ░ ░ ░▐██▓██ ███ ██▌ ██▓█▓█▌███ ███▐█▓█▓██ ▐██ ███░██▓█▓▌ ░ ░
░ ░ ░ ██████▌▐██ ██▌▐███▓███▐██ ██▌███▓███▌▐██ ██▌▐███▓██░ ░ ░
░ ░ ▐█▀▀░▀██▐██▌██▌██▀▀ ▀██▐██▌██▌█▀▀░▀▀██▐██▐██▌█▀▀░▀▀█▌░ ░
▀░ ░ ░ ▀ █████ ▀ ░ ░ ░▀░██▓██ ░ ░ ░ ▀ ██▓██ ░ ░ ▀
▓▒▓▓█▓█▓░▒▓██████████ ██▓██░ ░ ░ ░ ░ █▓█▓█░ ░ ░ █▓█▓█ ██████████▓▒░█▓█░▓▒▓
▒▓█░▒▓█▒▀▀▀ ░▒▓██▌▐▓█▓▌ ░ ░ ▐█▓█▌ ░ ░ ░▐█▓█▌▐█▓█▒░ ▀▀▀▒█▓▒█▒▓▒
▓██▓██▀ █▓█ · MiM · ▀█▀ ░ · MiM · ░▀█▀ ▀██▓██▓
█▓██▀ ░ ░ ░ ░ ░ ░ ▀██▓█
███▌ ░▒▓█████████████████████▓▒░ ▐███
███░ ░ ░ ░▒▓██▓██▓▒░ ░ ░ ░███
▓▓▌ ░ ░░ ░ ░▓░ ░ ▐▓▓
░▒ ░ ░ ░ ▒ ░ ░ ▒░
▓▓░ ░ ▓▓
▓█ ░ ░ ░▒▓
█▓░ ░ ░░ ▓▒
▓▒ ░ ░ ░█▓
▒▓░ ░ ░ ░░ ▓█
▓█ ░ ░ ░▒▓
█▓░ ░ ░░ ▓▒
▓▒ ░ ░ MiND iN MOTiON 2003 ░█▓
▒▓░ ░ ░ ░ ░ ░▓▒
▓█ ░ ░ █▓
█▓░ ░ ░ ░▓█
██ ░ ██
██░ ░██
▓▓ ░ ░ ▄▌ ░ ▓▓
░▒░ ░ ▄▄▓██▀ ░▒░
▓▓▌░ ░ ▄▄▓████▀ ░▐▓▓
███ ░ ▐██████▀ ░ ███
▓▒▓▓█▓█▓░▒▓████░▒█▓█▓█▓██▓█▓█▒░█░█▒█░ ░██░█░░▒█░▓█▒█░█░▒█▓██▒░████▓▒░▓█▓█▓▓▒▓
█▓██▄ ░░ ░ ▐██▀░ ▄██▓█
▓██▓██▄ [ ascii done by ·mRmiSta· [ASCiiANCE] - 24th Feb 2kThree ] ▄██▓██▓
▒▓█░▒▓█▒▄▄▄ ░▄░ ▒▓█▒█▓▒▒░░ ▄▄▄▒█▓▒░█▓▒
▓▒▓▓█▓█▓░▒▓████░▒█▓█▓█▓██▓█▓█▒░█░█▒█░▓█░░▐░▓░░▒█░▓█▒█░█░▒█▓██▒░████▓▒░▓█▓█▓▓▒▓
██ █░███
▐▓▌ ▐█▓█▓
▐██▒ █▒▓▓
▓█▄ ▐██
░░▀██▄▄██▀█▓▒▒ ░
▀▀▀▀ ▓