███
██████ █░░░█
┌────────────────┐ ████░░░░█ █████ ██ █▓▓▓░▓█
│XTRA LARGE PIMPS├──┐████░░░░░░█ ███░░███ █░▓█ █▓░▓▓▓█
└─────────────▄████ │█████░░░░░██ ███░░░░░███ █▓▓█ █▓▓▓█
▄▄███▓░█ │ █████░░░░░█ ███░░░░░░░██ ██ ███
▄███░░▓▓▓█ │██▓▓▓▓██░░░░█ ███░░░█████▀
███░▓▓░▓▓█│█▓▓▓▓▓▓█░░░░████░░███░▓▓█ <ASCii by akCam>
███▓░▓▓▓██▓▓▓▓▓██░░░░░░███░███░▓▓▓█▄ ███
████▓▓░▓▓█▓▓▓▓████░░░░░██░█████▓░▓▓█ █████
████▓▓▓▓▓▓▓█▀████░░░░░░░░████▓▓▓▓█ █████░░██
▀███▓▓▓▓░▓█───████░░░░░░░░████▓▓▓██──┐ ██████▓▓░░██
███▓▓▓▓▓▓▓▓██ ▀███░░░░░░░░█████▓▓▓█ ██████▓▓▓▓▓▓▓██
███▓▓▓▓██░▓▓░██ ▄██░░░░░░░░░░████▓▓▓█▄██████▓▓▓▓▓▓▓▓▓██
███▓▓▓▓████░▓▓▓▓███░░░░░░░░░░░░████▓▓▓████▓▓▓▓▓▓▓▓▓▓▓▓▓███
███▓▓▓▓▓█ ▀█░▓▓▓▓▓█░░░░░░██░░░░░░███▓▓▓██▓▓▓▓▓▓▓▓▓▓▓▓▓▓█████
████▓▓▓▓▓██ ██▓▓▓▓▓██░░░░████░░░░░░███▓░▓▓▓▓░▓▓▓▓▓▓██████▀
███ ████▓▓▓▓█ ██▓▓▓▓▓██░░█▀▀██░░░░░░███▓▓▓▓▓░▓▓▓▓███▀▀───┐
█░░░█ ██ ▀█████ ████▓▓███░░█▀ ███░░░░░░██▓▓░▓▓▓▓▓███▀ │
░░░▓▓█ █▓▓█ ██ ███████░░░░█▀ ███░░░░░░██░░░░███▀┌────────┴───────┐
▓▓▓▓░█ █▓░█ │ █████░░░░░░░█▀ ███░░█████░░███▀ │XTRA LARGE RIPS │
█▓▓▓█ ██ │ ████░░░░░░░░█▀ ████▀ ▀████▀ └────────────────┘
███ │ ██░░░░░░░░░█▀┌─────────────────█▀──────────────┐
│ ██░░░░░░░█▀ │ L A R G E - I N - C H A R G E │
│ ███░░░░█▀ └─────────────────────────────────┘
│ ▀█░░█▀
│ ██▀
│ ██
┌─────────┴────────┐ ┌────────────────────────────────────────────┐ █▓▓█
│ .:PRESENTS:. ├───┤< Whitney Houston - One Wish >│ █▓▓█
└───────────────┬──┘ └──────────────────────────████──────────────┘ ██
│ █▓▓░▓█
│ █▓▓▓▓░▓█
│ ┌───────────────────────────────────────────────┐
└───┤ .: C D - I N F O :. │
│ │
│ Artist : Whitney Houston │
│ Album Title : One Wish │
│ Record Label : Arista │
██ │ Release Date : Nov-18-2003 │
█▓░█ │ Release Type : Album │
▄████▄ █░▓█ │ Catalog Number : 50996 │
█▓▓▓▓▓▓█ ██ │ Genre : Pop │
█▓▓▓▓▓▓▓▓█ │ Year : 2003 │
█▓▓▓▓▓▓▓▓▓▓█ │ Source : CDDA │
█▓▓▓▓▓░▓▓▓▓█ │ Encoder : Lame │
█▓▓░▓▓▓░▓▓▓█ │ Quality : 192kbps / 44.1Khz / Full Stereo │
█▓▓▓▓░▓▓▓▓▓█ │ │
█▓▓░▓▓▓░░█ └─────────────────────────────────────────────┬─┘
█▓▓▓▓░░█ │
▀████▀ │
┌─────────────────────────────────────────────┴─┐
▄██▄ │ .: T R A C K - L I S T I N G :. │
█▓▓░▓█ │ │
█▓▓▓░░▓█ │ 01.The First Noel [03:14] │
█▓▓▓░░▓█ │ 02.The Christmas Song [03:12] │
█▓▓▓░░▓█ │ 03.Little Drummer Boy [04:29] │
█▓▓▓░░▓█ │ 04.One Wish (For Christmas) [04:12] │
█▓▓▓░░▓█ │ 05.O Holy Night [03:48] │
█▓▓▓░░▓█ │ 06.I'll Be Home For Christmas [03:45] │
█▓▓▓░░▓█ │ 07.Deck The Hall_Silent Night [04:29] │
█▓▓▓░░▓█ │ 08.Have Yourself A Merry Little Xmas [04:49] │
█▓▓▓░░▓█ │ 09.O Come, O Come, Emmanuel [03:06] │
█▓▓▓░░▓█ │ 10.Who Would Imagine A King [03:30] │
█▓▓▓░░▓█ │ 11.Joy To The World [04:42] │
█▓▓▓▓█ │ ------- │
▀██▀ │ 43:16 │
│ 59,5 MB │
┌───────────────┐ │ │
│ JOIN THE │ │ │
│ PIMP ├─────────┤ │
│ STATUS │ │ │
└───────────────┘ │ │
│ │
▄███▄ │ │
█▓▓░░▓█ │ │
█▓▓▓▓▓▓▓█ ██ │ .: R E L E A S E - N O T E S :. │
█░▓▓▓▓░▓█ █░▓█ │ │
█▓▓░▓▓▓▓█ █▓▓█ │ Whitney Houston is inarguably one of the of │
█▓▓▓▓▓░░█ ██ │ the biggest female pop stars of all time. Her │
█▓▓▓▓▓░░█ ██ │ accomplishments as a hitmaker are │
█▓▓▓▓▓░░█ ██ │ extraordinary; just to scratch the surface, │
█▓▓▓▓▓░░█ ██ │ she became the first artist ever to have │
█▓▓▓▓▓░░█ ██ │ seven consecutive singles hit number one, and │
█▓▓▓▓▓░░█ ██ │ her 1993 Dolly Parton cover "I Will Always │
█▓▓▓▓▓░░█ ██ │ Love You" became nothing less than the │
█▓▓▓▓▓░░█ ██ │ biggest hit single in rock history. Houston │
█▓▓▓▓▓░░█ ██ │ was able to handle big adult contemporary │
█▓▓▓▓▓░░█ ██ │ ballads, effervescent, stylish dance-pop, and │
█▓▓▓▓▓░░█ ██ │ slick urban contemporary soul with equal │
█▓▓▓▓▓░░█ ██ │ dexterity; the result was an across-the-board │
█▓▓▓▓▓░░█ ██ │ appeal that was matched by scant few artists │
█▓▓▓▓▓░░█ ██ │ of her era, and helped her become one of the │
█▓▓▓▓▓░░█ ██ │ first black artists to find success on MTV in │
█▓▓▓▓▓░░█ ██ │ Michael Jackson's wake. Like many of the │
█▓▓▓▓▓░░█ ██ │ original soul singers, Houston was trained in │
█▓▓▓▓▓░░█ ██ │ gospel before moving into secular music; over │
█▓▓▓▓▓░░█ ██ │ time, she developed a virtuosic singing style │
█▓▓▓▓▓░░█ ██ │ given over to swooping, flashy melodic │
█▓▓▓▓▓░░█ ██ │ embellishments. The shadow of Houston's │
█▓▓▓▓▓░░█ ██ │ prodigious technique still looms large over │
█▓▓▓▓▓░░█ ██ │ nearly every pop diva and smooth urban soul │
█▓▓▓▓▓░░█ ██ │ singer male or female in her wake, and │
█▓▓▓▓▓░░█ ██ │ spawned a legion of imitators (despite some │
█▓▓▓▓▓░░█ ██ │ critics' complaints about over-singing). │
█▓▓▓▓▓░░█ ██ │ Always more of a singles artist, Houston │
█▓▓▓▓▓░░█ ██ │ largely shied away from albums during the │
█▓▓▓▓▓░░█ ██ │ '90s, releasing the bulk of her most popular │
█▓▓▓▓▓░░█ ██ │ material on the soundtracks of films in which │
█▓▓▓▓▓░░█ ██ │ she appeared. By the end of the decade, she'd │
█▓▓▓▓▓░░█ ██ │ gone several years without a true │
█▓▓▓▓▓░░█ ██ │ blockbuster, yet her status as an icon was │
█▓▓▓▓▓░░█ ██ │ hardly diminished. │
█▓▓▓▓▓░░█ ██ │ │
█▓▓▓▓▓░░█ ██ │ Whitney Elizabeth Houston was born in Newark, │
█▓▓▓▓▓░░█ ██ │ NJ, on August 9, 1963; her mother was │
█▓▓▓▓▓░░█ ██ │ gospel/R&B singer Cissy Houston, and her │
█▓▓▓▓▓░░█ ██ │ cousin was Dionne Warwick. By age 11, Houston │
█▓▓▓▓▓░░█ ██ │ was performing as a soloist in the junior │
█▓▓▓▓▓░░█ ██ │ gospel choir at her Baptist church; as a │
█▓▓▓▓▓░░█ ██ │ teenager, she began accompanying her mother │
█▓▓▓▓▓░░█ ██ │ in concert (as well as on the 1978 album │
█▓▓▓▓▓░░█ ██ │ Think It Over), and went on to back artists │
█▓▓▓▓▓░░█ ██ │ like Lou Rawls and Chaka Khan. Houston also │
█▓▓▓▓▓░░█ ██ │ pursued modeling and acting, appearing on the │
█▓▓▓▓▓░░█ ██ │ sitcoms Gimme a Break and Silver Spoons. │
█▓▓▓▓▓░░█ ██ │ Somewhat bizarrely, Houston's first recording │
█▓▓▓▓▓░░█ ██ │ as a featured vocalist was with Bill │
█▓▓▓▓▓░░█ ██ │ Laswell's experimental jazz-funk ensemble │
█▓▓▓▓▓░░█ ██ │ Material; their 1982 album One Down placed │
█▓▓▓▓▓░░█ ██ │ Houston alongside such unlikely │
█▓▓▓▓▓░░█ ██ │ avant-gardists as Archie Shepp and Fred │
█▓▓▓▓▓░░█ ██ │ Frith. The following year, Arista president │
█▓▓▓▓▓░░█ ██ │ Clive Davis heard Houston singing at a │
█▓▓▓▓▓░░█ ██ │ nightclub and offered her a record contract. │
█▓▓▓▓▓░░█ ██ │ Her first single appearance was a duet with │
█▓▓▓▓▓░░█ ██ │ Teddy Pendergrass, "Hold Me," which missed │
█▓▓▓▓▓░░█ ██ │ the Top 40 in 1984. │
█▓▓▓▓▓░░█ ██ │ │
█▓▓▓▓▓░░█ ██ │ Houston's debut album Whitney Houston was │
█▓▓▓▓▓░░█ ██ │ released in March 1985. Its first single, │
█▓▓▓▓▓░░█ ██ │ "Someone for Me," was a flop, but the second │
█▓▓▓▓▓░░█ ██ │ try, "You Give Good Love," became Houston's │
█▓▓▓▓▓░░█ ██ │ first hit, topping the R&B charts and hitting │
█▓▓▓▓▓░░█ ██ │ number three pop. Houston's next three │
█▓▓▓▓▓░░█ ██ │ singles the Grammy-winning romantic ballad │
█▓▓▓▓▓░░█ ██ │ "Saving All My Love for You," the brightly │
█▓▓▓▓▓░░█ ██ │ danceable "How Will I Know," and the │
█▓▓▓▓▓░░█ ██ │ inspirational "The Greatest Love of All" all │
█▓▓▓▓▓░░█ ██ │ topped the pop charts, and a year to the │
█▓▓▓▓▓░░█ ██ │ month after its release, Whitney Houston hit │
█▓▓▓▓▓░░█ ██ │ number one on the album charts. It eventually │
█▓▓▓▓▓░░█ ██ │ sold over 13-million copies, making it the │
█▓▓▓▓▓░░█ ██ │ best-selling debut ever by a female artist. │
█▓▓▓▓▓░░█ ██ │ Houston cemented her superstar status on her │
█▓▓▓▓▓░░█ ██ │ next album, Whitney; despite the │
█▓▓▓▓▓░░█ ██ │ unimaginative title, it became the first │
█▓▓▓▓▓░░█ ██ │ album by a female artist to debut at number │
█▓▓▓▓▓░░█ ██ │ one, and sold over nine-million copies. Its │
█▓▓▓▓▓░░█ ██ │ first four singles "I Wanna Dance With │
█▓▓▓▓▓░░█ ██ │ Somebody (Who Loves Me)" (another Grammy │
█▓▓▓▓▓░░█ ██ │ winner), "Didn't We Almost Have It All," "So │
█▓▓▓▓▓░░█ ██ │ Emotional," and "Where Do Broken Hearts Go" │
█▓▓▓▓▓░░█ ██ │ all hit number one, an amazing, │
█▓▓▓▓▓░░█ ██ │ record-setting run of seven straight (broken │
█▓▓▓▓▓░░█ ██ │ by "Love Will Save the Day"). In late 1988, │
█▓▓▓▓▓░░█ ██ │ Houston scored a Top Five hit with the non-LP │
█▓▓▓▓▓░░█ ██ │ single "One Moment in Time," recorded for an │
█▓▓▓▓▓░░█ ██ │ Olympics-themed compilation album. │
█▓▓▓▓▓░░█ ██ │ │
█▓▓▓▓▓░░█ ██ │ Houston returned with her third album, I'm │
█▓▓▓▓▓░░█ ██ │ Your Baby Tonight, in 1990; a more │
█▓▓▓▓▓░░█ ██ │ urban-sounding, R&B-oriented record, it │
█▓▓▓▓▓░░█ ██ │ immediately spun off two number-one hits in │
█▓▓▓▓▓░░█ ██ │ the title track and "All the Man That I │
█▓▓▓▓▓░░█ ██ │ Need." But the quality of the material was │
█▓▓▓▓▓░░█ ██ │ generally viewed as, overall, much weaker │
█▓▓▓▓▓░░█ ██ │ than her previous efforts, and following │
█▓▓▓▓▓░░█ ██ │ those two hits, sales of the album tapered │
█▓▓▓▓▓░░█ ██ │ off quickly, halting around four-million │
█▓▓▓▓▓░░█ ██ │ copies. Nevertheless, Houston remained so │
█▓▓▓▓▓░░█ ██ │ popular that she could even take a recording │
█▓▓▓▓▓░░█ ██ │ of "The Star Spangled Banner" (performed at │
█▓▓▓▓▓░░█ ██ │ the Super Bowl) into the pop Top 20 though, │
█▓▓▓▓▓░░█ ██ │ of course, the Gulf War had something to do │
█▓▓▓▓▓░░█ ██ │ with that. In retrospect, the erratic quality │
█▓▓▓▓▓░░█ ██ │ of I'm Your Baby Tonight seemed to signal │
█▓▓▓▓▓░░█ ██ │ Houston's declining interest in making fully │
█▓▓▓▓▓░░█ ██ │ fleshed-out albums. Instead, she began to │
█▓▓▓▓▓░░█ ██ │ focus on an acting career, which she hadn't │
█▓▓▓▓▓░░█ ██ │ pursued since her teenage years; she also │
█▓▓▓▓▓░░█ ██ │ married singer Bobby Brown in the summer of │
█▓▓▓▓▓░░█ ██ │ 1992. Her first feature film, a romance with │
█▓▓▓▓▓░░█ ██ │ Kevin Costner called The Bodyguard, was │
█▓▓▓▓▓░░█ ██ │ released in late 1992; it performed well at │
█▓▓▓▓▓░░█ ██ │ the box office, helped by an ad campaign │
█▓▓▓▓▓░░█ ██ │ which seemingly centered around the climactic │
█▓▓▓▓▓░░█ ██ │ key change in Houston's soundtrack recording │
█▓▓▓▓▓░░█ ██ │ of the Dolly Parton-penned "I Will Always │
█▓▓▓▓▓░░█ ██ │ Love You." In fact, the ad campaign │
█▓▓▓▓▓░░█ ██ │ undoubtedly helped "I Will Always Love You" │
█▓▓▓▓▓░░█ ██ │ become the biggest single in pop music │
█▓▓▓▓▓░░█ ██ │ history. It set new records for sales (nearly │
█▓▓▓▓▓░░█ ██ │ five-million copies) and weeks at number one │
█▓▓▓▓▓░░█ ██ │ (14), although those were later broken by │
█▓▓▓▓▓░░█ ██ │ Elton John's "Candle in the Wind 1997" and │
█▓▓▓▓▓░░█ ██ │ Mariah Carey and Boyz II Men's "One Sweet │
█▓▓▓▓▓░░█ ██ │ Day," respectively. Meanwhile, the soundtrack │
█▓▓▓▓▓░░█ ██ │ eventually sold an astounding 16-million │
█▓▓▓▓▓░░█ ██ │ copies, and also won a Grammy for Album of │
█▓▓▓▓▓░░█ ██ │ the Year. │
█▓▓▓▓▓░░█ ██ │ │
█▓▓▓▓▓░░█ ██ │ Once Houston had stopped raking in awards and │
█▓▓▓▓▓░░█ ██ │ touring the world, she prepared her next │
█▓▓▓▓▓░░█ ██ │ theatrical release, the female ensemble drama │
█▓▓▓▓▓░░█ ██ │ Waiting to Exhale. A few months before its │
█▓▓▓▓▓░░█ ██ │ release at the end of 1995, it was announced │
█▓▓▓▓▓░░█ ██ │ that she and Brown had split up; however, │
█▓▓▓▓▓░░█ ██ │ they called off the split just a couple │
█▓▓▓▓▓░░█ ██ │ months later, and rumors about their │
█▓▓▓▓▓░░█ ██ │ tempestuous relationship filled the tabloids │
█▓▓▓▓▓░░█ ██ │ for years to come. Waiting to Exhale was │
█▓▓▓▓▓░░█ ██ │ released toward the end of the year, and the │
█▓▓▓▓▓░░█ ██ │ first single from the soundtrack, "Exhale │
█▓▓▓▓▓░░█ ██ │ (Shoop Shoop)," topped the charts; the album │
█▓▓▓▓▓░░█ ██ │ sold over seven-million copies. For her next │
█▓▓▓▓▓░░█ ██ │ project, Houston decided to return to her │
█▓▓▓▓▓░░█ ██ │ gospel roots; the soundtrack to the 1996 film │
█▓▓▓▓▓░░█ ██ │ The Preacher's Wife, which naturally featured │
█▓▓▓▓▓░░█ ██ │ Houston in the title role, was loaded with │
█▓▓▓▓▓░░█ ██ │ traditional and contemporary gospel songs, │
█▓▓▓▓▓░░█ ██ │ plus guest appearances by Houston's mother, │
█▓▓▓▓▓░░█ ██ │ Shirley Caesar, and the Georgia Mass Choir. │
█▓▓▓▓▓░░█ ██ │ Houston also began making headlines for what │
█▓▓▓▓▓░░█ ██ │ appeared to be increasing unreliability, │
█▓▓▓▓▓░░█ ██ │ cancelling several TV and concert appearances │
█▓▓▓▓▓░░█ ██ │ due to illness. │
█▓▓▓▓▓░░█ ██ │ │
█▓▓▓▓▓░░█ ██ │ In 1998, Houston finally issued a new, │
█▓▓▓▓▓░░█ ██ │ full-length album, My Love Is Your Love, her │
█▓▓▓▓▓░░█ ██ │ first in eight years. Houston worked with │
█▓▓▓▓▓░░█ ██ │ pop/smooth soul mainstays like Babyface and │
█▓▓▓▓▓░░█ ██ │ David Foster, but also recruited hip-hop │
█▓▓▓▓▓░░█ ██ │ stars like Missy Elliott, Wyclef Jean, Lauryn │
█▓▓▓▓▓░░█ ██ │ Hill, and Q-Tip. The album sold even fewer │
█▓▓▓▓▓░░█ ██ │ copies than I'm Your Baby Tonight, but it │
█▓▓▓▓▓░░█ ██ │ received Houston's most enthusiastic reviews │
█▓▓▓▓▓░░█ ██ │ in quite some time. Moreover, it produced one │
█▓▓▓▓▓░░█ ██ │ of her biggest R&B chart hits (seven weeks at │
█▓▓▓▓▓░░█ ██ │ number one) in the trio number "Heartbreak │
█▓▓▓▓▓░░█ ██ │ Hotel," done with Faith Evans and Kelly │
█▓▓▓▓▓░░█ ██ │ Price. She also duetted with Mariah Carey on │
█▓▓▓▓▓░░█ ██ │ "When You Believe," a song from the animated │
█▓▓▓▓▓░░█ ██ │ film The Prince of Egypt. Unfortunately, │
█▓▓▓▓▓░░█ ██ │ Houston was also back in the tabloids in │
█▓▓▓▓▓░░█ ██ │ early 2000; she was arrested in Hawaii when │
█▓▓▓▓▓░░█ ██ │ airline authorities reportedly found │
█▓▓▓▓▓░░█ ██ │ marijuana in her luggage (the charges were │
█▓▓▓▓▓░░█ ██ │ later dismissed). Speculation about Houston's │
█▓▓▓▓▓░░█ ██ │ personal life only grew when she was dropped │
█▓▓▓▓▓░░█ ██ │ from the Academy Awards telecast that March, │
█▓▓▓▓▓░░█ ██ │ officially because of a sore throat, but │
█▓▓▓▓▓░░█ ██ │ reputedly due to poor rehearsals and a │
█▓▓▓▓▓░░█ ██ │ generally out-of-it air. Later in the year, │
█▓▓▓▓▓░░█ ██ │ Arista released the two-disc compilation │
█▓▓▓▓▓░░█ ██ │ Greatest Hits, which actually featured one │
█▓▓▓▓▓░░█ ██ │ disc of hits and one of remixes; it also │
█▓▓▓▓▓░░█ ██ │ included new duets with Enrique Iglesias, │
█▓▓▓▓▓░░█ ██ │ George Michael, and Deborah Cox. It was also │
█▓▓▓▓▓░░█ ██ │ announced that Houston had signed a new deal │
█▓▓▓▓▓░░█ ██ │ with Arista worth 100-million dollars, │
█▓▓▓▓▓░░█ ██ │ requiring six albums from the singer. In late │
█▓▓▓▓▓░░█ ██ │ 2001, Arista released another compilation, │
█▓▓▓▓▓░░█ ██ │ the love-song-themed Love, Whitney. │
█▓▓░░░█ │ ██ │
▀███▀ │ █▓▓█ │
└───────────┬──────────────────────█░▓█─────────┘
│ ██ ▄████▄
│ █▓▓▓▓▓▓█
┌─────────────────────────────────────┴─────┐ █▓▓▓░▓▓▓▓█
│ .: X X L - N O T E S :. │ █▓▓▓▓▓░▓▓▓▓█
│ │ █▓▓▓▓▓▓▓▓▓▓█
│ XXL was established early in 2002 by a │ █▓▓▓░▓▓░▓▓▓█
│ group of DJs with the goal of ripping │ █▓▓▓▓▓░▓▓░░█
│ music, and having fun doing it. Since then│ █▓▓▓▓▓▓░░█
│ we have realized our original goal, and │ █▓▓▓▓░░█
│ have become one of the biggest suppliers │ ▀████▀
│ of DJ related music, while still managing │
│ maintain our laid back approach to life │
│ and ripping. │
│ │
│ Although we have been around for some time│
│ now, and are respected by many, we are │
│ always looking for new people to join our │
│ fun loving family whether you're a DJ/not.│
│ │
│ We are currently looking for: │
│ * Suppliers of unreleased music │
│ * Retail cd suppliers. │
│ * Individuals working at record stores. │
│ * Anyone who can better XXL │
│ │
│ We are also looking for an internal WHQ │
│ for the private use of XXL members with │
│ the minimum requirements of 30Gigs of │
│ storage, and speed of 100mbit. Great │
│ benefits for people who can provide any of│
│ the things mentioned above. If you feel │
│ this is you contact us via our email at │
│ xxlrecruit@hushmail.com our irc channels │
│ have been closed. ├───┐
│ /The XXL crew │ │
└───────────────────────────────────────────┘ │
│
┌──────────────────────────────────────────────────┴───────────────────────┐
│ .: G R E E T I N G S :. │
│ │
│ Shout outs to WHOA for helping us out and RNS for being the designers of │
│ the scene. Shouts also go out to CMS, RAGE, BPM, dB (of course), GsM, │
│ BMI, CHR, SC, EVIGHET. Big up to everyone making the scene happen, │
│ stay up! │
│ │
│ "LETS KEEP THIS SHIT LYRICAL YO!" *THE XXL BRAND* 2003 │
└──────────────────────────────────────────────────────────────────────────┘
/Last updated: 04.02.03 by xxls girl