ARTiST: Segun Bucknor
ALBUM: Who Say I Tire
BiTRATE: 180kbps avg
QUALiTY: EAC Secure Mode / LAME 3.97 Final / -V2 --vbr-new / 44.100Khz
LABEL: Vampisoul
GENRE: Funk
SiZE: 127.42 megs
PLAYTiME: 1h 30min 35sec total
RiP DATE: 2010-12-21
STORE DATE: 2010-00-00
Track List: Disc #1/2
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01. Sorrow Sorrow Sorrow 12:34
02. Poor Man No Get Brother 5:42
03. Dye Dye 3:22
04. Only in My Sleep 3:23
05. Adanri Sogbasogba 5:42
06. Baby Get Your Thing 3:24
07. Love and Affection 5:45
08. Son of January 15th 9:40
09. La La La (Hard Version) Pt 1 3:29
Track List: Disc #2/2
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01. Gbmojo 8:27
02. Ayinde Ogo 3:15
03. Who Say I Tire 3:21
04. You Killing Me 3:11
05. Adebo 5:49
06. La La La (Acoustic Version) 10:38
07. That's the Time 2:53
Release Notes:
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The most complete compilation to date of this key figure in the history of
Nigerian music.
There's no doubt that the brightest star which burned in the Nigerian firmament
in the early 70s was Fela Anikupalo Kuti. But for a while Segun Bucknor's
Revolution, with its politics, African roots consciousness, dancers and African
funk fusion, gave even Fela something to think about. To date, this is the
largest compilation of his music from the early 70s to have been released.
Segun was born in 1946 into a well regarded Lagos musical family who were church
singers and organists. He started to play box guitar and the piano at nine years
old. Two years later, he got to lead his first band, The Hot Spots, and then in
1961 he got the chance to play and record with highlife bandleader Roy Chicago's
Rhythm Dandies dance band. But by 1964, highlife was becoming old hat for
postindependence Nigerian youth. With three school friends, Segun formed The Hot
Four, who played mostly covers of popular pop and rock songs, but in 1965 he
left for New York's Columbia University to study liberal arts and
ethnomusicology. During his three years in the US, he was totally overpowered by
a sonic blast that hadn't reached Nigeria when he left for the US: sweet soul
music.
In 1968 he'd completed his studies and returned to Lagos on a mission to bring
soul power to Nigeria. Trouble was, he soon found that young Lagos had already
succumbed in his absence. The Civil war had sped up the demise of highlife as a
popular force, causing a mass exodus of the Igbo highlife bandleaders to Biafra,
and juju music had begun to come to prominence in their absence. But then the
Sierra Leonean Geraldo Pino and his Heartbeats arrived to turn the Lagos scene
on its head with his funky routines and their version of US soul and funk.
The Hot Four reformed as The Soul Assembly, recorded two singles, dressed up in
sharp western style suits and even toured in Ghana, then the molten hot hub of
happening African Music. But much of the music The Soul Assembly and the other
Lagos soul bands were playing were covers of US hits, so when The Soul Assembly
disintegrated in 1969, Segun began to develop another musical vision based
around his own compositions. He formed Segun Bucknor & The Assembly and headed
towards a more organically African expression of soul music. As that African
essence evolved, the band became Segun Bucknor & The Revolution. Out went the
suits, in came a resplendent vision of bare torsos, cowrie shells, shaved heads
and the crowning glory of the non-stop undulations of the trio of dancers, The
Sweet Things.
Segun was writing and recording politically aware songs filled with social
comment like 'Sorrow, Sorrow, Sorrow', 'Poor Man No Get Brother', 'Son of
January 15th', 'Who Say I Tire' and 'Adebo', featured on this compilation. "Son
of January 15th", the 1970 (?) album from which most of these tracks have come,
turned out to be Segun's finest hour. His subsequent tunes and lyrics lost their
urgency and his popularity waned. By 1975 he had disbanded his Revolution to
concentrate on journalism, though you may still be lucky enough to catch him
performing, maybe in church or even in the right club in Lagos, where he still
lives.
Liner notes by African music expert Max Reinhardt (BBC Radio 3's "Late
Junction")
http://www.vampisoul.com/