Carducci_Quartet-String_Quartets_Nos._1-4-(Merry_Xmas)-2010-CFD
- Section
-
MP3/FLAC
- Group
- CFD
- Size
- 0 B
- Files
- 0
- Date
- 2010-12-23
NFO
▄
▀
░ ▀▄▄
▀▀█▄▄▄▄ ▄
░ ▀▀▀███▄▄▄
░ ▀ ▀█████▄ ▄
▒ ■ ██████ ▄
▒ ▄▄▀ ▄▄████▀█▄▄█▀
▓ ▄▄▀█▄ ▀ ▄▄▄▄███▀▀█▄▄█▀▀▀
▓▄▀▀▄█▀ ▄▄███▀▀▀ ▄▓▓▒░
▒ ▐█▌ ███▀ ▒▒▒▒ ░
▄█▓▄ ▀█▄ ▀██▄ ▒░░░░ ░ ▀ ▄▄
▀ ▀▓▓▀ ■ ▀▀▄▄ ▀▀ ▄ ▀█▄▄ ░
▄█▓▄ ▄▄▄▄▒▒▒▒▒▒▒▒▒▒▄ ███▄ ▀▒▒▒▒▒▒▒▒▒▒▒▒▒▒░ ▐███ ░▒▒▒▒▒▒▒▒▒▓▀▀ ▀
▀▀ ▄▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▀▄▄████▓ ▄▓▓▓▓▓▓▓▓▓▓▓▀▀ ▄███▀ ░▒▓▓▓▓▓▓▓▀ ▄▄█▄
███████████████▄▄██████▀▀ ▄▄██████████▀ ▄▄████▄██████████▓ ▄▄ ▄█▄
████████████▀▄███████▀ ▄ ▀ ▄▄▄▄█▀███▌ █████████████████▓░ ░▓▌ ▒███
█████████▄██ ███████▄██ ▄████████████▄ ▀████████▓███████▓ ▒█▌ ▒██
██████████▄▀▀▄▄▀▀██████ ▄██████████▀█████▄▄▀███████▒███████▓ ░▓█ ▀
████████▀░▀█▄ ▀▀▀▄████ ███████████▄ ▀▀█████▄████▀░▀█▄████▓ ▀
▓████████▄██▀ ■ ▀███▄▄ ▀████▀▀ ▄▄▄▄▀ ▄ ▀████▀███▄█▀ ░▀██▓▒ ▄▄ ■
▒███████▀█▄ ▀ ▄▄██████▄███▓███▄█ ██████ ██▄█████▄▀██▄░░▄███▓ ▀▓▓▀
■ ░██████▀▀ ▄▄█▀▀█▄███████▄████▄▀▀█▄▄ ▀▀██▄█████▄█████ ██▀██▄██▓
▄ ▒█▀▀ ▄▄█▀▀ ▒█████▀█████▓████▄ ▀▀█▄▄ ▀▀████████▀ ▄▄▄▄▄▄▄ ▀▀▓▒ f3!
▀▓▀ ▄▄█▀▀ ▄░ ▓█████▀█████▒████ ▄ ▀▀█▄▄ ▀███▄██▀▀ ▀▀█▄ ▓ cRo
▄▀▀ ▄███ ▀████▀░█▀█▀ ░▀██ ███▄▄ ▀▀█▄█▀▀ ▄▄█▄▄ █▄
▄ ▐█████▄▄ ▀▀▄▄▓██▀█▄▄██ ██████ ■ ▀██████ ▓░
█████████▄████▀█▄░▄███ ██████ ▀▀▀ ██████ ▒
██████████████ ▀▀█▄█ ██████▀ █████ ██████ ░
██████████████▄▄ ░ ███████ ████▀██ ██████
░ ███▀▄▄ ▀▀█████ ▀▀███████▄ ████▀███ ██████
▒ ██████ ▄▄▄ █▄▄ ▀███████▄▄█▄ ████ ██████
▓ ██████ ■ ██████▄▀██████████░███▀█ █████▌ ▀
░ ▀█ ███▀▀ ▄▄█▀█▄▄ ███████▀██████████▒██▀▀██ ▒███▀ ▄▄▀
▓ ▀█ ▀ ▄▄██████▄ ▀▀█▄█████████████████▄█▄░░▄█▓ ■▀▀ ▄▄█▀▀ ░
▒█ ▀█ ▄▄█▀▀█▄████████▄▄ ▀▀███████████▀████▄▀▀▀██▀ ▄▄█▀▀ ▄▄█▓▒
██ ▀█▀▀ ████████████▀██▄▄ ▀▀████▄█▄░▄██▄█▀█▄▄▄▄▄█▀▀ ▄ ▀█▄███▓
███ ▄▄██▄ ██████████▀ ██████ █▀██▄▀▀██████▄▄ ■ ▄██▀░▀██▓
▒██▀█▓████▄█▀███████░▄ ▀▀▀▀ ▄▄████▄ ▀ ▄ ▀▀███████▄▄▄ ▀███▄███▓▒
███▀░▀█████████████▒██████████████▌ ██▄▄▀████████████▄▄█▀███▓
▀ ▄▓▓▄ ████▄██████████████▓█████████████▀ ████▀██████████████████▓
▄ ▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀███▓▒
▀▓▀ ▄▄▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▀ ▄██▄██▓
███████████████████████████████████████████████████████▓▒ ▄██████▓ ░
████████████████████████████████████████████████████████▓ ░▓██████▒ ▒
█████████████████████████████████████████████████████████▓ ▒▓█████▓ ▄▓▄
████████████████████████████████████████████████████████▓░ ▓▓███▓ ▀ ▄
▀ ▄ ▀▀██████████████████████████████████████████████████████▓▄▄ ▀▀▀▀ ▄█▓▄
▀▓▀ ▀▀
▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
░
░
Carducci_Quartet-String_Quartets_Nos._1-4-2010-CFD
ARtiSt...... : Carducci Quartet
AlbUM....... : String Quartets Nos. 1-4
GENRE....... : Classical
lAbEl....... : Naxos
CAtNR....... : 8559636
SoURcE...... : CDDA
RiP.dAtE.... : 23-12-2010
StREEt.dAtE. : 29-06-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.myspace.com/carducciquartet
SiZE........ : 85.10MB
▄ ▄
▀▄ ▄▀
▄██▄ ▀▄ ▄ ▄ ▄▀ ▄██▄
▄▀ ▀ █▄ ▄▓ ▀ ▀█
▄▀▄▄▓▄▄▀ █▄ █ █ ▄▓ ▀▄▄▓▄▄▀▄
▄ ▄▀███████▓▄▀█▄ ▄ ▀ ▀ ▄ ▄█▀▄███████▓▀▄ ▄
▄ ▄▀████▀▀███▓▀██▄ ▄▀ ■ ■ ▀▄ ▄█▓▀████▀▀███▓▀▄ ▄
▀██▀ █▀ ▀█▓ ████▄▄██▀▄▄▀ ▀▄▄▀██▄▄███▓ █▓▀ ▀▓ ▀██▀
▀ ▀█▓ ▀▀███▓▀▀ ▀▀███▓▀▀ █▓▀ ▀
▀ ▀▓▄█▓▀▀ ▀▀██▄▓▀ ▀
■ ▀ █▀ ▀▓ ▀ ■
▀▄▄ ■ ▀ .. S O N G . T i T L E .. ▀ ■ ▄▄▀
▄ ▀██▄▄ ▄▄▀ ▄ ▄ ▀▄▄ ▄▄██▀ ▄
▀▓▀ ███▀▀ ▀▀███ ▀▓▀
▄▄█▀▀ ▀▀█▄▄
▄▀▀ ▀▀▄
■ ■
01. String Quartet No. 2, "Company": I 2:27
02. String Quartet No. 2, "Company": II 1:43
03. String Quartet No. 2, "Company": III 1:38
04. String Quartet No. 2, "Company": IV 2:16
05. String Quartet No. 3, "Mishima": I 1957: Award Montage 4:19
06. String Quartet No. 3, "Mishima": II November 25: 1:26
Ichigaya
07. String Quartet No. 3, "Mishima": III Grandmother And 3:25
Kimitake
08. String Quartet No. 3, "Mishima": IV 1962: Body 1:38
Building
09. String Quartet No. 3, "Mishima": V Blood Oath 3:12
10. String Quartet No. 3, "Mishima": VI Mishima / Closing 3:14
11. String Quartet No. 1: Part I 9:03
12. String Quartet No. 1: Part II 7:30
13. String Quartet No. 4, "Buczak": I 7:02
14. String Quartet No. 4, "Buczak": II 6:46
15. String Quartet No. 4, "Buczak": III 8:28
Runtime..: 64:07 min
▄ ▄
▀▄ ▄▀
▄██▄ ▀▄ ▄ ▄ ▄▀ ▄██▄
▄▀ ▀ █▄ ▄▓ ▀ ▀█
▄▀▄▄▓▄▄▀ █▄ █ █ ▄▓ ▀▄▄▓▄▄▀▄
░████████▓▄▀█▄ ▄ ▀ ▀ ▄ ▄█▀▄███████▓█░
▒████▀▀███▓▀██▄ ▄▀ ■ ■ ▀▄ ▄█▓▀████▀▀███▓▒
░█▀ ▀█▓ ████▄▄█▓▀▄▄▀ ▀▄▄▀██▄▄███▓ █▓▀ ▀▓░
▀ ░ ▀█▓ ▀▀███▓▀▀ ▀▀███▓▀▀ █▓▀ ░ ▀
▀ ▒░ ▀▓▄█▓▀▀ ▀▀██▄▓▀ ░▒ ▀
▀▄▄ ▓▒ █▀ ▀▓ ▒▓ ▄▄▀
▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Philip Glass' two-movement 1966 █▓ █
█ █▓ First quartet bears gestural seeds █▓ █
█ █▓ of the repetitive style for which █▓ █
█ █▓ he's both deified and derided, █▓ █
█ █▓ although its dissonant idiom is █▓ █
█ █▓ light years removed from what we █▓ █
█ █▓ normally associate with this █▓ █
█ █▓ composer. Imagine late Shostakovich █▓ █
█ █▓ with the proverbial needle stuck in █▓ █
█ █▓ the groove (pardon my outdated █▓ █
█ █▓ vinyl LP reference!), or a louder, █▓ █
█ █▓ more loquacious Morton Feldman, and █▓ █
█ █▓ you'll get the idea. █▓ █
█ █▓ █▓ █
█ █▓ Quartets 2 and 3 derive from █▓ █
█ █▓ theatrical scores. The Second █▓ █
█ █▓ comprises four brief interludes for █▓ █
█ █▓ Mabou Mines' staging of Samuel █▓ █
█ █▓ Beckett's prose-poem Company, and █▓ █
█ █▓ largely center around the key of A █▓ █
█ █▓ minor. Sound cues from Glass' █▓ █
█ █▓ soundtrack to Paul Schrader's film █▓ █
█ █▓ Mishima make up the Third's five █▓ █
█ █▓ movements. By contrast, the █▓ █
█ █▓ Fourth's three movements are larger █▓ █
█ █▓ in scale and more ambitious in █▓ █
█ █▓ terms of harmonic and textural █▓ █
█ █▓ scope. In fact, the first █▓ █
█ █▓ movement's long C major double-stop █▓ █
█ █▓ sequences wouldn't be out of place █▓ █
█ █▓ in Dvor├ík, while Beethoven's █▓ █
█ █▓ spirit seems to inform the third █▓ █
█ █▓ movement's sudden dynamic dips and █▓ █
█ █▓ surprising silences. █▓ █
█ █▓ █▓ █
█ █▓ The Carducci Quartet more than █▓ █
█ █▓ holds its own in this repertoire █▓ █
█ █▓ alongside the Kronos and Smith █▓ █
█ █▓ Quartets. They match the Smith's █▓ █
█ █▓ tonal ripeness and dynamic breadth █▓ █
█ █▓ in No. 1, but with more liberal █▓ █
█ █▓ vibrato all around and stronger █▓ █
█ █▓ rhythmic accentuation in the first █▓ █
█ █▓ movement's climax. The Carducci's █▓ █
█ █▓ bass-oriented blend and somewhat █▓ █
█ █▓ statuesque treatment of the █▓ █
█ █▓ Second's third movement and the █▓ █
█ █▓ Third's finale markedly differ from █▓ █
█ █▓ the Kronos' lighter, more █▓ █
█ █▓ conversational repartee. On the █▓ █
█ █▓ other hand, the Carduccis bring █▓ █
█ █▓ more shapely profile to the █▓ █
█ █▓ accompanying patterns and sustained █▓ █
█ █▓ violin melodies of the Fourth's █▓ █
█ █▓ second movement than either of █▓ █
█ █▓ their estimable colleagues. And in █▓ █
█ █▓ No. 2's churning finale, the █▓ █
█ █▓ Carduccis strike a happy medium █▓ █
█ █▓ between the Kronos' delicate inner █▓ █
█ █▓ "swing" and the Smith's relatively █▓ █
█ █▓ austere, immaculately controlled █▓ █
█ █▓ soft textures. █▓ █
█ █▓ █▓ █
█ █▓ Naxos' resonant ambient warmth █▓ █
█ █▓ suits this ensemble's sonority, █▓ █
█ █▓ although my own tastes lean toward █▓ █
█ █▓ the drier sonic intimacy Nonesuch █▓ █
█ █▓ provides for Kronos. What's most █▓ █
█ █▓ important is just how well Glass' █▓ █
█ █▓ quartets make an impact through █▓ █
█ █▓ different interpretive █▓ █
█ █▓ perspectives, and the Carducci █▓ █
█ █▓ Quartet deserves nothing less than █▓ █
█ █▓ a solid recommendation, with the █▓ █
█ █▓ promise that they'll record Glass' █▓ █
█ █▓ Fifth quartet as well. █▓ █
▓ █▓ █▓ ▓
▒ █▓ █▓ ▒
■ ░ █▓ █▓ ░ ■
▀▄▄ █▓ █▓ ▄▄▀
▀██▄▄█▓ ▄ ▄ █▓▄▄██▀
▀ ▄ ▀▀██▄▄ ▄ ▄ ▄▄██▀▀ ▄ ▀
▄ ▀▓▀ ▀▀██▄ ▀█▄▄ ▄▄█▀ ▄██▀▀ ▀▓▀ ▄
▀▄ ▄██▓▄▀▄▄ ▀▀▄ ████▄▄ ▄▄████ ▄▀▀ ▄▄▀▄██▓▄ ▄▀
▀▄ ▄█▀▀█▓▄ ▀▀█▄▄ ■ █▀ ▀ ▀ ▀█ ■ ▄▄█▀▀ ▄██▀▀█▄ ▄▀
█▀█ █▓▄ ▀▀▄ ▀ ▀ ▀ ▀ ▄▀▀ ▄█▓ ▓▀█
▀█▓ ░ █▓▄ ■ ■ ■ ■ ▄█▓ ░ ▒█▀
█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
▄░ ▓ █▓▀▄ ▄ .. i N F O .. ▄ ▄▀█▓ ▓ ░▄
▄ █ ░ █▄ ▀█▄█▀ ▀█▄█▀ ▄▓ ░ █ ▄
■ █ ▒░ ▀▄ ▄ ▄ ▄▀ ░▒ █ ■
█ ▓▒ ▀▀ ▀▀ ▒▓ █
█ █▓ ▓▓ █
█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
█ █▓ crossfader[at]hush.ai █▓ █
█ █▓ █▓ █
█ █▓ .. We're currently looking for .. █▓ █
█ █▓ █▓ █
█ █▓ Nice .eu affils █▓ █
█ █▓ Nice suppliers (No WEB) █▓ █
█ █▓ Beautiful female with big bOObs █▓ █
█ █▓ (priority!) █▓ █
█ █▓ █▓ █
█ █▓ _ __ _________________ __ _ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ A fucking BiG UP!! to our friends █▓ █
▄ █ █▓ █▓ █ ▄
▄ █ █▓ UMT - DEF - FiH █▓ █ ▄
▀▄▄ █ █▓ █▓ █ ▄▄▀
▀██ █ █▓ █▓ █ ██▀
█ █ ██▄ ▄█▓ █ █
▄█▀▀ █ ████ ▄ ▄ ███▓ █ ▀▀█▄
▀ █ ▀██▓ ▄ ▄ ███▀ █ ▀
▀ █▒ ▀█▓ ▀▄ █▄ █ ▄▀ ██▀ ▒█ ▀
█▓ █▀ ▀▄ █ █ ▄▀ ▀█ █▓
▀ ██▄ ▀ ▄▓ █▄ 2 0 1 0 ▄▓ █▄ ▀ ▄█▓ ▀
▀ ██▄ ▄█▓ █▓ --------- █▓ ██▄ ▄█▓ ▀
▀▄ ▀████▄▄████▓ █▓ [ C F D ] █▓ █████▄▄███▓▀ ▄▀
▀█▄▄ ▀████████▓ ██ --------- █▓ ████████▓▀ ▄▄█▀
▀▀██▄█▀██▓▀▀ ▄▄█▀ C R O S S ▀█▄▄ ▀▀█▓▓▀█▄██▀▀
▀▀██▄▄▀ ▀▀█▄▄ F A D E R ▄▄▓▀▀ ▀▄▄██▀▀
▀ ▄ ▀▀██▄ ▀█▓▄ --------- ▄█▓▀ ▄██▀▀ ▄ ▀
▀█▄▄ ▀█ ██▓ ----- ██▓ █▀ ▄▄█▀
▀ ▄███▄▀█ ▓▓█ --- ██▓ █▀▄███▄ ▀
▄ ▄█▀▀▀█▄█▄ ▒▒▓ ██▓ ▄█▄█▀▀▀█▄ ▄
▀ ▓ █ █ ░░▒ - ▓█▓ ▓ █ █ ▀
█ ░ ▄ █ ░ : ▒▓▓ ▒ ▄ █ █
█▄▄ █ : ░▒▒ ░ ▀█▄▄▄▄█ ░
▄▓▄ ▀ ▄▄ ▀ ▓ ▄▄ ░░ ▄ ▄▓▓▄ ▀███▀ ▒
▀ ▄▄███░ ▄▓▄ ▒ ▄▄ ▀██▄▄ ░ ▄ ▀▓▓▀ ▄▓▓▄
▄▄██▀▒██▓ ▀ ▄ ░ ▀▓▓▀ ████▀██▄▄ ▀▓▀ ▄▄████▓▄▄ ▀▀
███▀ ████▄ ▄█ ▄ ████▓ ▀▀██▄▄ ▀ ▄▄██▀▀ ▀▀████▓ ▀
███ ▀▀██▓▄▄▀▀░ ░ ████▓ ███▓█▀████▄ ████▓
▒███▓ ▀ ▒ ████▓ . ████▓▀▀▀████▓ ████▓
████▓ ▓▄▄ ████▓ : ███▓ ████▓ ████▓
████▓ ▀▀██████▓ : ███▓ ████▓ ████▓
████▓ ▄▀▀██▓▄▄ ██████ : ▀█▓ ▄ ████▓ ████▓
████▓ ████▓▄▄▄████▓ ▀█▄▄ ▀▀ ▀▓ ████▓ ███▓
████▓ ███▓█▄████▓ ▀▀▄ ░ ░ ▀ ████▓ ▐█▓
████▓ ▄██▀▀ ▀▀█▓ ▄ ▒░░ ▄█▓▄ ████▒ ▄█▓
▄▓▄ █████▄█▀▀ ▄█▓▄ ▀ ░ . ▓▒▒ ░ ■ ▀▓▓▀ ▓██▄▄▄█▀▀ ▒
▀ ▄ █▓▀▀ ▀ ▀▓▓▀ ░ ▒ : █▓▓ ▒ ▀▄▄▄ ▄██▀▀ ▄▄ ░
▒ ▒ ░░▓ aSc ██▓ ▓ ▀▀▀▀ ▄ ▀▓▓▀
░ ▄▄█▓▄▄ ▒▒▓ fUM ██▓ ▄▄█▓▄▄ ░
████████▓▓▓ cRo ██▓███████▓
░ ███▓▀▀████▓▓ : ██████▀▀███▓
█▀ ▀██▓ . ██▓▀ ▀▓
▀ ▀█▓ █▓▀ ▀
▀ ▀▓ . ▓▒ ▀
▀ ▓ ▓░ ▀
▀ ▓
▄ . ▓
▒
▒
░
░
░
Files