Young_Man-Boy-(Merry_Xmas)-2010-CFD
- Section
-
MP3/FLAC
- Group
- CFD
- Size
- 0 B
- Files
- 0
- Date
- 2010-12-23
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Young_Man-Boy-2010-CFD
ARtiSt...... : Young Man
AlbUM....... : Boy
GENRE....... : Alternative
lAbEl....... : Kitchen Music
CAtNR....... : KM021
SoURcE...... : CDDA
RiP.dAtE.... : 23-12-2010
StREEt.dAtE. : 03-05-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.myspace.com/colincaulfield
SiZE........ : 32.43MB
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■ ▀ █▀ ▀▓ ▀ ■
▀▄▄ ■ ▀ .. S O N G . T i T L E .. ▀ ■ ▄▄▀
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■ ■
01. Five 5:00
02. Hands 4:08
03. Home Alone 3:04
04. Bedtime 1:49
05. Playtime 4:51
06. Just A Growin' 3:56
07. Up So Fast 6:17
Runtime..: 29:05 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Many have taken to YouTube in the █▓ █
█ █▓ hopes that their parody or cover of █▓ █
█ █▓ the █▓ █
█ █▓ latest pop cultural zeitgeist will █▓ █
█ █▓ lead them to some sort of viral █▓ █
█ █▓ fame and █▓ █
█ █▓ perhaps a shout-out on "The Soup". █▓ █
█ █▓ Many are deservedly ignored. I █▓ █
█ █▓ can't speak █▓ █
█ █▓ for Colin Caulfield's intents, but █▓ █
█ █▓ his niche focus resulted in a █▓ █
█ █▓ humble, but █▓ █
█ █▓ honest-to-god success story. He █▓ █
█ █▓ came to our attention due to a █▓ █
█ █▓ video of his █▓ █
█ █▓ covering Deerhunter's "Rainwater █▓ █
█ █▓ Cassette Exchange", a song written █▓ █
█ █▓ by a guy █▓ █
█ █▓ curious enough to find it and █▓ █
█ █▓ gregarious enough to post it on his █▓ █
█ █▓ blog, calling █▓ █
█ █▓ the version superior to his own. █▓ █
█ █▓ Caulfield's YouTube page also had █▓ █
█ █▓ videos █▓ █
█ █▓ covering Beach House, Bon Iver, and █▓ █
█ █▓ most recently, Ariel Pink, but it █▓ █
█ █▓ was █▓ █
█ █▓ presumably the originals that got █▓ █
█ █▓ the attention of the esteemed █▓ █
█ █▓ Frenchkiss █▓ █
█ █▓ label, who are now releasing his █▓ █
█ █▓ Boy EP under the name Young Man. █▓ █
█ █▓ █▓ █
█ █▓ While this style of come-up happens █▓ █
█ █▓ all the time in hip-hop, █▓ █
█ █▓ Caulfield's rise █▓ █
█ █▓ can easily cause skepticism in his █▓ █
█ █▓ realm: the indie listenership still █▓ █
█ █▓ puts a █▓ █
█ █▓ lot of credence in "you gotta pay █▓ █
█ █▓ your dues before you pay the rent," █▓ █
█ █▓ and is █▓ █
█ █▓ always uneasy with its tendency █▓ █
█ █▓ toward metacommentary. But even if █▓ █
█ █▓ you find no █▓ █
█ █▓ need for it to make some larger █▓ █
█ █▓ point about indie eating its own █▓ █
█ █▓ tail, the █▓ █
█ █▓ backstory is important because it █▓ █
█ █▓ gives you an extremely precise idea █▓ █
█ █▓ of what █▓ █
█ █▓ Boy EP sounds like-- acoustic █▓ █
█ █▓ guitars that give off the whiff of █▓ █
█ █▓ sunscreen, █▓ █
█ █▓ sunbaked loops, easygoing █▓ █
█ █▓ percussion, vocals blanched in █▓ █
█ █▓ reverb, and lyrics █▓ █
█ █▓ that take an "aw shucks" █▓ █
█ █▓ wistfulness to growing up-- in █▓ █
█ █▓ other words, █▓ █
█ █▓ singer-songwriter circa 2010, the █▓ █
█ █▓ type that has no problem forgoing █▓ █
█ █▓ codified █▓ █
█ █▓ Proper Influences like Bowie and █▓ █
█ █▓ Eno or Elliott and Drake in favor █▓ █
█ █▓ of Panda and █▓ █
█ █▓ Bradford. █▓ █
█ █▓ █▓ █
█ █▓ We've endured quite a few bedroom █▓ █
█ █▓ acts in recent years that ape █▓ █
█ █▓ recent sonic █▓ █
█ █▓ palettes without adding any █▓ █
█ █▓ personal twist, and unfortunately, █▓ █
█ █▓ Boy doesn't go █▓ █
█ █▓ too far beyond "hey, it's that █▓ █
█ █▓ indie YouTube guy." "Five" rolls █▓ █
█ █▓ off a █▓ █
█ █▓ pleasantly tropical chord █▓ █
█ █▓ progression with the EP's strongest █▓ █
█ █▓ melody, and the █▓ █
█ █▓ bric-a-brac percussion of "Just a █▓ █
█ █▓ Growin'" is fortunately miles away █▓ █
█ █▓ from the █▓ █
█ █▓ ever-present Dilla gravedigging. █▓ █
█ █▓ But the reverence to Young Man's █▓ █
█ █▓ source █▓ █
█ █▓ material can be stifling-- check █▓ █
█ █▓ the dubby whooping that punctuates █▓ █
█ █▓ "Five", the █▓ █
█ █▓ Panda Bear-like erratic █▓ █
█ █▓ voice-and-guitar undulation of █▓ █
█ █▓ "Home Alone" (doesn't █▓ █
█ █▓ anyone want to sound like Avey █▓ █
█ █▓ Tare?), or the twinkling noise █▓ █
█ █▓ piece "Bedtime" █▓ █
█ █▓ that seems to exist on Boy because, █▓ █
█ █▓ well, you gotta have one of those. █▓ █
█ █▓ █▓ █
█ █▓ Let's be real: This is basically a █▓ █
█ █▓ demo tape. I understand the █▓ █
█ █▓ negative █▓ █
█ █▓ connotations behind that term, but █▓ █
█ █▓ it's actually in Caulfield's favor █▓ █
█ █▓ to view █▓ █
█ █▓ these as sketches rather than █▓ █
█ █▓ finished product. We've become █▓ █
█ █▓ inured to lo-fi █▓ █
█ █▓ recording, but unlike the methods █▓ █
█ █▓ used by Washed Out or Real Estate, █▓ █
█ █▓ the humble █▓ █
█ █▓ sound of Boy doesn't add a █▓ █
█ █▓ dimension that takes you further █▓ █
█ █▓ than Caulfield's █▓ █
█ █▓ own bedroom. The compositional █▓ █
█ █▓ U-turns of "Home Alone" and "Just a █▓ █
█ █▓ Growin'" █▓ █
█ █▓ could've worked in longer, more █▓ █
█ █▓ patient pieces, but in their █▓ █
█ █▓ compact █▓ █
█ █▓ dimensions, they simply sound █▓ █
█ █▓ contrived. Sadly, Boy is the first █▓ █
█ █▓ of a planned █▓ █
█ █▓ clutch of EPs from Young Man, so █▓ █
█ █▓ it's doubtful we'll ever hear these █▓ █
█ █▓ songs █▓ █
█ █▓ given the fleshed-out sound they █▓ █
█ █▓ deserve. It's a good reminder that █▓ █
█ █▓ too often █▓ █
█ █▓ the Internet's insatiable need to █▓ █
█ █▓ discover new acts can be harmful to █▓ █
█ █▓ artists, █▓ █
█ █▓ but Boy proves the listener loses █▓ █
█ █▓ out just as often. █▓ █
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█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
▄░ ▓ █▓▀▄ ▄ .. i N F O .. ▄ ▄▀█▓ ▓ ░▄
▄ █ ░ █▄ ▀█▄█▀ ▀█▄█▀ ▄▓ ░ █ ▄
■ █ ▒░ ▀▄ ▄ ▄ ▄▀ ░▒ █ ■
█ ▓▒ ▀▀ ▀▀ ▒▓ █
█ █▓ ▓▓ █
█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
█ █▓ crossfader[at]hush.ai █▓ █
█ █▓ █▓ █
█ █▓ .. We're currently looking for .. █▓ █
█ █▓ █▓ █
█ █▓ Nice .eu affils █▓ █
█ █▓ Nice suppliers (No WEB) █▓ █
█ █▓ Beautiful female with big bOObs █▓ █
█ █▓ (priority!) █▓ █
█ █▓ █▓ █
█ █▓ _ __ _________________ __ _ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ A fucking BiG UP!! to our friends █▓ █
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▄ █ █▓ UMT - DEF - FiH █▓ █ ▄
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