Roots_Manuva_-_The_Basement_on_1xtra-DAB-11-16-2003-BOSS

Section
MP3/FLAC
Group
BOSS
Size
158,20 MB
Files
1
Date
2003-11-28

NFO

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▄▀██▀      B O S S M P 3   I S    P R O U D   T O   P R E S E N T      ▀▄█▀█▄
▄▀██░    **********************************************************      ▐███▀
 ▀▄█▄   artist  : Roots Manuva                   size    : 158,2 MB      ██▌▄
 ░█▄▀▄  show    : The Basement on 1xtra          station : BBC 1Xtra    ░██▀▄
▄▀██▀   genre   : Lo-Fi                          air.date: 11/16/2003  ▄▀▄▀▀
▄▀██░   source  : DAB Radio                      rel.date: 11/18/2003   ▀█▀▄
 ▀██    bitrate : 192 kbit                       ripper  : Team BOSS     ██▀█
  █ █                                                                   ▄▀██▀
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   ▐███▄▄                                                                ▐███▀▄
    ██▌▄▀█     Roots Manuva, on the Basement, 16 Nov                     ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Roots Manuva aka Rodney Hylton Smith was born and         ░██▌▄▀
    ██▌▄▀█     grew up in South London. His parents were from a          ░██▌▄▀
    ██▌▄▀█     small village in Jamaica where his father was a           ░██▌▄▀
    ██▌▄▀█     preacher. His family weren't exactly loaded (hence        ░██▌▄▀
    ██▌▄▀█     his mother's use of the term "brand new second hand"      ░██▌▄▀
    ██▌▄▀█     to describe a pre-used present), but they were            ░██▌▄▀
    ██▌▄▀█     strict, as befits a Pentacostal upbringing.               ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     When Smith found himself drawn to the reggae of the       ░██▌▄▀
    ██▌▄▀█     UK's sound system culture and hip hop (through the        ░██▌▄▀
    ██▌▄▀█     lyrical expressiveness of Rakim), his parents hardly      ░██▌▄▀
    ██▌▄▀█     approved. In fact, he had to listen in secret.            ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     But it was worth the effort. In 1999, four years          ░██▌▄▀
    ██▌▄▀█     after the release of his first single, Roots Manuva       ░██▌▄▀
    ██▌▄▀█     dropped the instant-classic "Brand New Second Hand"       ░██▌▄▀
    ██▌▄▀█     to critical acclaim and commercial success.               ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Manuva was described as 'the most significant and         ░██▌▄▀
    ██▌▄▀█     original new voice in hip hop' (The Independent), and     ░██▌▄▀
    ██▌▄▀█     it was hard to underestimate the impact of the record     ░██▌▄▀
    ██▌▄▀█     on a genre of music which seemed to have gone into        ░██▌▄▀
    ██▌▄▀█     hibernation in the UK of the early nineties.              ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Roots also became a cameo king, destroying                ░██▌▄▀
    ██▌▄▀█     microphones for the likes of Leftfield, Skitz, Mr         ░██▌▄▀
    ██▌▄▀█     Scruff, Mica Paris, 23 Skidoo and Pharoahe Monch,         ░██▌▄▀
    ██▌▄▀█     amongst others.                                           ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     What makes him special, perhaps, is his willingness       ░██▌▄▀
    ██▌▄▀█     to gamble with this dream. Instead of taking the          ░██▌▄▀
    ██▌▄▀█     obvious big-money route and hired in a heap of famous     ░██▌▄▀
    ██▌▄▀█     guests to make safe, production-line hip hop, he          ░██▌▄▀
    ██▌▄▀█     chose to spread the love a little.                        ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     That's why he describes the album ôRun come save meö      ░██▌▄▀
    ██▌▄▀█     as "a patchwork reflection of the bittersweet-tainted     ░██▌▄▀
    ██▌▄▀█     joys and pains of progress. It's so easy to get           ░██▌▄▀
    ██▌▄▀█     cynical in these big, bad corporate times - so this       ░██▌▄▀
    ██▌▄▀█     be a declaration of good hearted ghetto hoorah joyous     ░██▌▄▀
    ██▌▄▀█     intent." In the process this future-blues man has         ░██▌▄▀
    ██▌▄▀█     created a record that re-writes the hip hop map in a      ░██▌▄▀
    ██▌▄▀█     way no album has done since Outkast's "Aquemeni".         ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Musically, the record represents a leap forward from      ░██▌▄▀
    ██▌▄▀█     "Brand New Second Handö. Manuva has produced three        ░██▌▄▀
    ██▌▄▀█     quarters of the new material himself and his refusal      ░██▌▄▀
    ██▌▄▀█     to conform shows at every turn. Hip hop is                ░██▌▄▀
    ██▌▄▀█     re-imagined as a loose Scratch Perry skank, as            ░██▌▄▀
    ██▌▄▀█     electronic barrages of noise, as guitar feedback over     ░██▌▄▀
    ██▌▄▀█     minimal beats. The range of the sound is a reflection     ░██▌▄▀
    ██▌▄▀█     of the Manuva mindset û seemingly disparate but all       ░██▌▄▀
    ██▌▄▀█     pushing in the same direction.                            ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Lyrically, too, "Run Come Save Me" showed Roots           ░██▌▄▀
    ██▌▄▀█     stretching himself, expressing emotion in sometimes       ░██▌▄▀
    ██▌▄▀█     cryptic but nevertheless heartfelt ways. Few big name     ░██▌▄▀
    ██▌▄▀█     MCs are really honest - it's more effort than it's        ░██▌▄▀
    ██▌▄▀█     worth. But Smith seems to love language too much to       ░██▌▄▀
    ██▌▄▀█     lie. "I like words. Just writing as a whole, not          ░██▌▄▀
    ██▌▄▀█     specifically songs. I try not to think about it too       ░██▌▄▀
    ██▌▄▀█     much. If I really sat down and looked into how much       ░██▌▄▀
    ██▌▄▀█     I'm giving away about myself I probably wouldn't          ░██▌▄▀
    ██▌▄▀█     write anything..."                                        ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Roots is currently working on new Material due to         ░██▌▄▀
    ██▌▄▀█     drop early next year.                                     ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     16th November: Roots Manuva -------------------------     ░██▌▄▀
    ██▌▄▀█                                                               ░██▌▄▀
    ██▌▄▀█     Flight & Colonel Mite - Life (Is What You make It)        ░██▌▄▀
    ██▌▄▀█     (Y&D)                                                     ░██▌▄▀
    ██▌▄▀█     Papa Levi - Mi God Mi King (Robinson)                     ░██▌▄▀
    ██▌▄▀█     Crucial Robbie ft Offbeat Posse - Proud 2 Be Black        ░██▌▄▀
    ██▌▄▀█     (Y&D)                                                     ░██▌▄▀
    ██▌▄▀█     Neville Morrison - Best Of Me (Jungle Rock)               ░██▌▄▀
    ██▌▄▀█     Janet Kay - Silly Games (Bud Music)                       ░██▌▄▀
    ██▌▄▀█     Smiley Culture - Cockney Translation (Fashion)            ░██▌▄▀
    ██▌▄▀█     Tippa Irie - It's Good To Have The Feeling Your The       ░██▌▄▀
    ██▌▄▀█     Best (Greensleeves)                                       ░██▌▄▀
    ██▌▄▀█     Loose Ends - Hangin On A String (BMG)                     ░██▌▄▀
    ██▌▄▀█     Mica Paris - Should Have Known Better (4th &              ░██▌▄▀
    ██▌▄▀█     Broadway)                                                 ░██▌▄▀
    ██▌▄▀█     Soul II Soul - Fairplay (10 Record)                       ░██▌▄▀
    ██▌▄▀█     Bluezone ft Lisa Stansfield - Big Thing (Rockin House     ░██▌▄▀
    ██▌▄▀█     Rec)                                                      ░██▌▄▀
    ██▌▄▀█     Omar - You & Me (Kongo Dance)                             ░██▌▄▀
    ██▌▄▀█     Deluxe - Just A Little (Unique Artists)                   ░██▌▄▀
    ██▌▄▀█     Vanessa Simons - The Life You Lead (Kongo)                ░██▌▄▀
    ██▌▄▀█     Sade - Cherish The Day (Epic)                             ░██▌▄▀
    ██▌▄▀█     Caron Wheeler - UK Black (RCA)                            ░██▌▄▀
    ██▌▄▀█     Young Disciples - Get Yourself Together (White)           ░██▌▄▀
    ██▌▄▀█     Tongue In Cheek - Don't Stop The Love (Criminal Recs)     ░██▌▄▀
    ██▌▄▀█     Shogunn - You Can Run (Sound Of Soul)                     ░██▌▄▀
    ██▌▄▀█     Goldtop - Introduction (Gee St)                           ░██▌▄▀
    ██▌▄▀█     Syndicate - Syndicate Kicks Youth (Baad Recs)             ░██▌▄▀
    ██▌▄▀█     Hijack - Badman Is Robbin (Epic)                          ░██▌▄▀
    ██▌▄▀█     MC Duke & DJ Leader - I'm Riffin (Music Of Life)          ░██▌▄▀
    ██▌▄▀█     London Posse - Gangstar Chronicle (Lowlife)               ░██▌▄▀
    ██▌▄▀█     Demon Boyz - Glimity Glamity (Trial Bass)                 ░██▌▄▀
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  ▄▀██▀       01. The Basement on 1xtra                        115:11   ▄▀██▀
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  ▄▀██▀       1) MEMBERSHIP IS CLOSED DO NOT BOTHER US!!!                ░██▄
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   ░██▄▀      Remember we do this for fun!!  If you like the rls then     ▀▄██
   ▄▀▄▀       go buy it and support the artist!!!                         ░██▄
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   ░██▄       We kindly ask for the security of our scene to not          ▀█▀
    ██▀▄      spread our releases via p2p (kazaa, soulseek, etc.)       ▄▀██
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  ▄▀██                         Greetz Fly Too:                           ░███▄
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    ███▄         tronik sour RFL USF MS tr aPC CMS soup #ascii.cl        ▄▀██
   ░██▄▀         (and any others we respect..u know who you are)        ███
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  ▀▐██▌                     GREETZ THE BOSS CREW!!!                      ▄▀▄▄
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   ▄▀▄▄▀▄                  ascii by caciq #ascii.cl                    ▀█ █▄▄▀
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Files

PathSize
01-roots_manuva_-_the_basement_on_1xtra-dab-11-16-2003-boss.mp3158,20 MB