Armonico_Tributo_Austria-La_Margarita_(Composed_By_Schmelzer)-2010-CFD
- Section
-
MP3/FLAC
- Group
- CFD
- Size
- 0 B
- Files
- 0
- Date
- 2010-12-30
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Armonico_Tributo_Austria-La_Margarita_(Composed_By_Schmelzer)-2010-CFD
ARtiSt...... : Armonico Tributo Austria
AlbUM....... : La Margarita (Composed By Schmelzer)
GENRE....... : Classical
lAbEl....... : Arcana
CAtNR....... : A339
SoURcE...... : CDDA
RiP.dAtE.... : 30-12-2010
StREEt.dAtE. : 14-09-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.amazon.com/Margarita-Schmelzer/dp/B003MY55B0/
SiZE........ : 92.86MB
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01. Balletto A Cavallo 8:53
02. Sacro-profanus Concentus Musicus No. 4, Sonata A 6 4:34
03. Sacro-profanus Concentus Musicus No. 1, Sonata A 8 3:47
04. Sonata A 8 Per Chiesa E Camera 5:07
05. In Jenem Gefilde, For Soprano And Strings 3:59
06. Duodena Selectarum Sonatorum No. 9, Trio Sonata For 2 4:34
Violins, Viola Da Gamba And Continuo In A Minor
07. Sacro-profanus Concentus Musicus No. 12, Sonata A 7 4:48
08. Balletto For Strings And Continuo In G ('Die 7:03
Fechtschule')
09. Lamento Per La Morte Ferdinandi III, Sonata For 2 6:39
Violins, Viola Da Gamba And Continuo In B Major
10. Balletti: La Margarita 1:17
11. Balletti: Serenata - Allemanda 1:51
12. Balletti: Balletto Di Matti 0:54
13. Balletti: Allemanda 2:12
14. Balletti: Sarabande 1:28
15. Balletti: Aria Viennesa 1:28
16. Balletti: Canarios 0:44
17. Balletti: La Pastorella - Gavotta Styriaca - H÷tzer 2:37
Seu Amener - Gavotta Bavarica
18. Balletti: Gavotta Gallica - Gavotta Anglica 2:04
19. Balletti: Campanella - Lamento 2:21
20. Balletti: Erlicino 0:35
21. Balletti: Adagio - Allegro 1:27
22. Balletti: La Margarita 1:25
Runtime..: 69:47 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ This disc is a marvellous place to █▓ █
█ █▓ make the acquaintance of the █▓ █
█ █▓ Viennese CourtÆs first native █▓ █
█ █▓ Kapellmeister. It affords an █▓ █
█ █▓ all-encompassing view, taking in a █▓ █
█ █▓ great state occasion (the wedding █▓ █
█ █▓ of the Emperor to Margaret █▓ █
█ █▓ Theresa), a more private expression █▓ █
█ █▓ of grief (a funeral ode dedicated █▓ █
█ █▓ to his first patron, Ferdinand II), █▓ █
█ █▓ religious and chamber music, and a █▓ █
█ █▓ concluding ballet suite assembled █▓ █
█ █▓ from short carnival pieces. This █▓ █
█ █▓ recording returns with new artwork █▓ █
█ █▓ and a new cover that brings to the █▓ █
█ █▓ fore the central figure of this █▓ █
█ █▓ programme, whose personality seems █▓ █
█ █▓ to have inspired masterpieces from █▓ █
█ █▓ many court artists, including █▓ █
█ █▓ Velßzquez and his celebrated Las █▓ █
█ █▓ Meninas. █▓ █
█ █▓ █▓ █
█ █▓ Margarita Teresa of Austria seems █▓ █
█ █▓ to have inspired many court artists █▓ █
█ █▓ to produce masterpieces, ranging █▓ █
█ █▓ from those of Velasquez during her █▓ █
█ █▓ early years in Madrid (1653-59), █▓ █
█ █▓ and, after her marriage to Leopold █▓ █
█ █▓ I (1667), to the work of Johann █▓ █
█ █▓ Heinrich Schmelzer in Vienna. █▓ █
█ █▓ SchmelzerÆs many-sided musical █▓ █
█ █▓ talent gives us a detailed glimpse █▓ █
█ █▓ of court life in Vienna and Prague █▓ █
█ █▓ under his imperial employers █▓ █
█ █▓ Ferdinand III (1637-1657) and █▓ █
█ █▓ Leopold I (1657-1705). Music played █▓ █
█ █▓ a central part in the daily lives █▓ █
█ █▓ of these Habsburg monarchs, who █▓ █
█ █▓ themselves composed. Schmelzer, who █▓ █
█ █▓ was born around 1620 in a remote █▓ █
█ █▓ Lower Austrian village called █▓ █
█ █▓ Scheibbs, clearly fulfilled his █▓ █
█ █▓ functions so well that he was the █▓ █
█ █▓ first Austrian, after a long █▓ █
█ █▓ succession of Italians, to be given █▓ █
█ █▓ the position of court █▓ █
█ █▓ Kapellmeister. █▓ █
█ █▓ █▓ █
█ █▓ Lorenz Duftschmid studied in Linz █▓ █
█ █▓ and Vienna was in Jordi SavallÆs █▓ █
█ █▓ class at the Schola Cantorum █▓ █
█ █▓ Basiliensis, where he graduated █▓ █
█ █▓ with distinction. More than 70 █▓ █
█ █▓ recordings document his work. Today █▓ █
█ █▓ Duftschmid dedicates himself as a █▓ █
█ █▓ soloist and conductor almost █▓ █
█ █▓ exclusively to his own ensembles, █▓ █
█ █▓ Armonico Tributo and AnLeuT. █▓ █
█ █▓ Armonico Tributo was created in █▓ █
█ █▓ 1989 by Lorenz Duftschmid and his █▓ █
█ █▓ closest friends through their █▓ █
█ █▓ shared vision of using original █▓ █
█ █▓ instruments. █▓ █
█ █▓ █▓ █
█ █▓ The remarkably varied repertoire of █▓ █
█ █▓ Armonico Tributo ranges from the █▓ █
█ █▓ ancient sounds of Celtic music to █▓ █
█ █▓ Middle Age, Renaissance and █▓ █
█ █▓ Baroque, encompassing Viennese █▓ █
█ █▓ classics as well. The AnLeut █▓ █
█ █▓ publishing company was created for █▓ █
█ █▓ the purpose of experimenting with █▓ █
█ █▓ contemporary music on ancient █▓ █
█ █▓ instruments. █▓ █
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█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
▄░ ▓ █▓▀▄ ▄ .. i N F O .. ▄ ▄▀█▓ ▓ ░▄
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█ ▓▒ ▀▀ ▀▀ ▒▓ █
█ █▓ ▓▓ █
█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
█ █▓ crossfader[at]hush.ai █▓ █
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