Olan_Mill_-_Pine-(SERE002-WEB)-2010

Section
MP3/FLAC
Group
2010
Size
0 B
Files
0
Date
2011-01-04

NFO

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         . .. is proud to present you another fine release .. . ▓▓▀
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                          Olan Mill - Pine
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        Tracks.: 10                                                  █
        Label..: Serein                                               ▄
        Genre... Ambient                                               ▀ ▄
        Source.: http://www.serein.co.uk/releases/sere002/olan-mill-pine ▀██▄
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        Quality: mp3 320kbps 44,1kHz Full Stereo                        ▄▄▓▓▓▀
        RipDate: Jan-03-2011                                        ▄▄▄██▀▀
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          ..#.   ..Trackname.                                 ..Length.

            01     Spare Smoke Template                         02:58
            02     Country                                      05:05
            03     Disempowered                                 04:19
            04     A Heavy Leg Cycle                            02:01
            05     Pine                                         02:45
            06     Postponed Mindfulness                        01:54
            07     An Obedient Ear                              04:04
            08     The Prescribed Individual                    02:55
            09     Cotton Access                                03:05
            10     Flume                                        05:39


                                                       .Total.. 34:45 min
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       group notes:

       filling the gaps in the silent ballet 2010 top100 charts.
       this is place 007. enjoy.
       included as extra is the video track 'A Heavy Leg Cycle'
       as bought (without any conversion).


       the label:

       Olan Mill is Alex Smalley and Svitlana Samoylenko and
       'Pine' marks the first release for the two as
       collaborators. The album comprises ten instrumental
       pieces and between Smalley and Samoylenko we are treated
       to the sound of the piano, violin, pipe organ and guitar.
       Other sound sources may reveal themselves to the astute
       listener, but for the most part, 'Pine' is concerned with
       big, stirring sound palettes which belie the duo's modest
       array of instruments.

       'Pine' was recorded over several sessions on location
       inside a small church which lends a very human, almost
       tangible sound to the album. Unlike many of their
       contemporaries, Olan Mill are not obsessed with the
       notion of minimalism, neither is there any sense of the
       pieces having been planned or preconceived. As a result,
       the listening experience can be said to be natural in the
       truest sense of the word.

       This first offering by Olan Mill is an unashamedly
       emotional and romantic body of work which, thanks to a
       certain restraint on the part of its creators, never
       becomes too self-conscious or introverted. This may be
       due in part to the short duration of many of the
       compositions, Olan Mill open windows into their world,
       but we're never allowed to look too closely or for too
       long.



       the silent ballet (Nayt Keane):

       Storytelling is a dying art.  Not many of us have friends
       or family members who weave thoughtful tales to seek
       counsel in.  Our search for meaning is no longer married
       to faeries or the world of myth, but saturated in a dead
       sea of endless statistics and explanations.  We've
       forfeited a lot to feel so comfortable.  The modern world
       would have us give up intimacy, quiet, and free reign of
       the imaginative soul completely, if we didn't fight for
       these ourselves.  Music has a transmutational power that
       can whitewash the noisy errata of civilization.  The
       ambient movement is clearly a backlash against the busy
       bovine nature of society, and artists like Stars of the
       Lid, Loscil, and Tim Hecker have paved the way for a
       wealth of incredible, contemplative soundscapes to help
       us clear space and remember our own divinity.

       Olan Mill might sound like a giant photography
       corporation, but it is in fact the duo of Alex Smalley
       and Svitlana Samoylenko who have collaborated to weave
       some amazingly potent ambient stories.  We don't often
       think of drone or ambient artists incorporating much
       dynamism in the narrative aspect.  Everything is slowed
       down and spread out, creating a space for the listener to
       perhaps imagine her own story.  (If one listens to Stars
       of the Lid on high speed, she can hear the melodies
       clearly, but it's a bit of a travesty)  Olan Mill does
       the ambient thing with a sparse number of source
       instruments, such as pipe organ and guitar, but often a
       violin or a piano will rise to the surface to speak for
       the world being created, like a trickling rain or a
       thread through a maze.

       "Country" is a lovely instance of this balance in setting
       and story.  The lyrical quality of the piano and violin
       are emphasized by their lack of overuse, and they blend
       over top one another, in and out of frame, as if a pair
       of mating predatory birds in outer space.  It feels as if
       Pine takes the forces of the entire earth and honors them
       with a divine blurring of time.  The title track breathes
       and shimmers, and at other times the melancholic layers
       tremble and blossom with full color, making one weak in
       the knees.  'Divine' might be too perfect a word to
       describe the work, as the recording sessions took place
       inside a small church, and were likely aided by the close
       walls and wood surfaces likely therein.  Despite the
       small palette of instruments, the pieces never strike
       minimalist territory.  This is lush and romantic music,
       aided by the fact that the ten songs don't reach the
       thirty five minute mark.

       When I first put this on, I thought I was hearing Nest's
       Retold again, broadcast from another source.  Retold
       retold, as it were.  Imagine my lack of surprise to find
       out that these two groups are on the same label.  In
       fact, they share such a similar and specialized sonic
       approach that they are currently the only two bands on
       the label, period.  Highly selective, or carefully
       conceived, the bottom line is that Serein knows how to
       show restraint and feature amazing artists.  Olan Mill's
       level of restraint is pretty amazing for a debut album.
       It makes for an entirely natural feel to the music, as if
       it exists beyond its creators, here to meet the listenr
       at this unexpected hour to steady her trembling hands.

       Good music is capable of frolicking in the unconscious
       mind.  The Rihannas and the Timbalands can cook up a
       catchy batch of popcorn, but once the body excretes the
       sugars and salts, the satisfaction is lost.  Pine speaks
       like a great story, in that, as the critic Walter
       Benjamin described, "It does not expend itself.  It
       preserves and concentrates its strength and is capable of
       releasing it even after a long time."  This album is
       surprisingly grand for being so short, and once the
       closer "Flume" has ever so slowly faded away, it
       resonates in the negative space of perception.  Pine has
       great power within it.  Benjamin might compare it, like a
       story, to seeds of grain that "have lain for centuries in
       the chambers of the pyramids shut up air-tight and have
       retained their germinative power to this day." Pick up
       this album for  the chalice of perpetual self-
       rejuvenation.
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        ▄  		     Not much to say here:
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      █        ▀▀▀▀▀▓▓▄▄▄▄▄           ▄▓▓▀    to our friends from :
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                                                          .Drum 2006.

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