University_Of_Texas_Chamber_Singers-American_Choral_Music-2010-CFD
- Section
-
MP3/FLAC
- Group
- CFD
- Size
- 0 B
- Files
- 0
- Date
- 2011-01-11
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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University_Of_Texas_Chamber_Singers-American_Choral_Music-2010-CFD
ARtiSt...... : University Of Texas Chamber Singers
AlbUM....... : American Choral Music
GENRE....... : Chorus
lAbEl....... : Naxos
CAtNR....... : 8559358
SoURcE...... : CDDA
RiP.dAtE.... : 11-01-2011
StREEt.dAtE. : 27-07-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://amzn.to/eENG6L
SiZE........ : 90.36MB
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■ ▀ █▀ ▀▓ ▀ ■
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■ ■
01. Mass, Op. 84: Kyrie 2:08
02. Mass, Op. 84: Gloria 4:09
03. Mass, Op. 84: Credo 6:11
04. Mass, Op. 84: Sanctus 2:19
05. Mass, Op. 84: Agnus Dei 2:26
06. Carols Of Death: No. 1. The Last Invocation 3:39
07. Carols Of Death: No. 2. The Unknown Region 3:53
08. Carols Of Death: No. 3. To All, To Each 2:48
09. The Mask: No. 1. We Wear the Mask 5:17
10. The Mask: No. 2. Heritage 1:49
11. The Mask: No. 3. Shadow 4:15
12. The Mask: No. 4. Worn Faces 3:15
13. The Mask: No. 5. Interlude for Natalie 2:46
14. The Mask: No. 6. Portrait 1:33
15. The Hour-Glass: No. 1. O know to end as to begin 3:11
16. The Hour-Glass: No. 2. Have you seen the white lily 1:40
grow?
17. The Hour-Glass: No. 3. O do not wanton with those eyes 1:16
18. The Hour-Glass: No. 4. Against Jealousy 3:06
19. The Hour-Glass: No. 5. Lament 1:49
20. The Hour-Glass: No. 6. The Hour-Glass 2:08
21. Psalms: Part I: Psalm 122: 1-2, 95:4 3:33
22. Psalms: Part II: Psalm 98: 1, 4, 6 7:51
23. Psalms: Part III: Psalm 23: 1-3 2:01
Runtime..: 73:03 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ The program of this Naxos release █▓ █
█ █▓ offers something less than the █▓ █
█ █▓ broad spectrum █▓ █
█ █▓ of American choral music the title █▓ █
█ █▓ might suggest. With the exception █▓ █
█ █▓ of William █▓ █
█ █▓ Bolcom's The Mask (1990), all the █▓ █
█ █▓ music on the album was composed █▓ █
█ █▓ between 1949 █▓ █
█ █▓ and 1960, and it's striking, █▓ █
█ █▓ although each composer had his own █▓ █
█ █▓ individual █▓ █
█ █▓ style, how many ideas were shared. █▓ █
█ █▓ The album's narrow focus emerges in █▓ █
█ █▓ the end █▓ █
█ █▓ as a virtue, however. The program █▓ █
█ █▓ sticks together, and it includes at █▓ █
█ █▓ least one █▓ █
█ █▓ lost gem, Irving Fine's The █▓ █
█ █▓ Hour-Glass (1949), to texts by the █▓ █
█ █▓ English poet Ben █▓ █
█ █▓ Jonson. These six short a cappella █▓ █
█ █▓ settings are masterful in their █▓ █
█ █▓ handling of █▓ █
█ █▓ choral register, with solo voices █▓ █
█ █▓ weaving in and out of the choir in █▓ █
█ █▓ a tapestry █▓ █
█ █▓ of complex shadings, all the while █▓ █
█ █▓ keeping closely to the contours of █▓ █
█ █▓ Jonson's █▓ █
█ █▓ poetry and maintaining the █▓ █
█ █▓ intelligibility of the texts. The █▓ █
█ █▓ only thing that █▓ █
█ █▓ might not recommend this small work █▓ █
█ █▓ to college and university choirs is █▓ █
█ █▓ its █▓ █
█ █▓ considerable difficulty, but this █▓ █
█ █▓ poses no problem for the choristers █▓ █
█ █▓ of the █▓ █
█ █▓ University of Texas Chamber singers █▓ █
█ █▓ under James Morrow. Throughout, █▓ █
█ █▓ they █▓ █
█ █▓ deliver performances on a par with █▓ █
█ █▓ many professional choirs. The █▓ █
█ █▓ common █▓ █
█ █▓ features in the religious works by █▓ █
█ █▓ Persichetti and Foss that begin and █▓ █
█ █▓ end the █▓ █
█ █▓ program lie mostly in the realm of █▓ █
█ █▓ tonal language, with quasi-medieval █▓ █
█ █▓ techniques such as open intervals █▓ █
█ █▓ and temporary tonal centers █▓ █
█ █▓ established by █▓ █
█ █▓ means of unisons. These require █▓ █
█ █▓ great accuracy of intonation not to █▓ █
█ █▓ sound █▓ █
█ █▓ annoying, and the singing here is █▓ █
█ █▓ never less than a pleasure. █▓ █
█ █▓ Bolcom's set of █▓ █
█ █▓ songs for chorus, soloists, and █▓ █
█ █▓ piano diverges from the rest of the █▓ █
█ █▓ program in █▓ █
█ █▓ its use of vernacular elements, █▓ █
█ █▓ missing from the music of the █▓ █
█ █▓ mid-century. The █▓ █
█ █▓ singers again display maturity █▓ █
█ █▓ beyond what is expected in their █▓ █
█ █▓ handling of the █▓ █
█ █▓ devastating emotional collapse in █▓ █
█ █▓ Heritage (track 10), one of █▓ █
█ █▓ Bolcom's subtlest █▓ █
█ █▓ uses of the ragtime idiom. Strongly █▓ █
█ █▓ recommended for fans of American █▓ █
█ █▓ choral █▓ █
█ █▓ music of any type, despite Naxos' █▓ █
█ █▓ penny-wise, pound-foolish ways; the █▓ █
█ █▓ package █▓ █
█ █▓ is stuffed with an entire second █▓ █
█ █▓ booklet of advertising, but the █▓ █
█ █▓ listener is █▓ █
█ █▓ forced to the Internet to get the █▓ █
█ █▓ sung texts. █▓ █
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▀█▓ ░ █▓▄ ■ ■ ■ ■ ▄█▓ ░ ▒█▀
█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
▄░ ▓ █▓▀▄ ▄ .. i N F O .. ▄ ▄▀█▓ ▓ ░▄
▄ █ ░ █▄ ▀█▄█▀ ▀█▄█▀ ▄▓ ░ █ ▄
■ █ ▒░ ▀▄ ▄ ▄ ▄▀ ░▒ █ ■
█ ▓▒ ▀▀ ▀▀ ▒▓ █
█ █▓ ▓▓ █
█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
█ █▓ crossfader[at]hush.ai █▓ █
█ █▓ █▓ █
█ █▓ .. We're currently looking for .. █▓ █
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█ █▓ (priority!) █▓ █
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█ █▓ A fucking BiG UP!! to our friends █▓ █
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