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▄▓▀▀ ▀████▓▄█▓▓▓███▓█▓▀▀▀ TEAM RNS PRESENTS ▄■ ▐█▄▓██
▀ ▀██░▐██▀▀ ▐█▄ ▄██▌ ▄██▌░█▌
▀ ▄▄ ▀█▄▀██▄▄████▌ARTIST: Jimmy Cobb's Mob ▐████▄███▀▄█▀ ▄▄
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█████▄ ▐█▌▐███▄ TITLE: Cobb's Groove ▄███▌▐█▌ ▄█████
███████▄▄▄▓░ ▓█████ ██████▄░▓▄▄▄███████
▀█████▓▄▄▄█▐▓█████▌ LABEL: zyx ▐█████▓▌█▄▄▄▓█████▀
▀▀████▀▀▄██████▀ ▀██████▄▀▀████▀▀
▄▄▀▀ ▄██████▀ RIPPER: <..:*$u|LeN b0y*:..> ▀██████▄
▄ ▀ ▄██████▀ ▀██████▄
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██▌ ▐██████▌ ▐██████▌
▀██▄ ▐██████ 192kbps - Jazz ▐▓█████▌
▀██▄ ▀█████▌ 0hr 57min total- 83.0mb ██████▀
▄▄▀▀███▄▄▀▀███▄ ███▓▀▀
█▓ ▀▀██▄ ▀██▄ RELEASE DATE: 2003-00-00 ██▀
▀▓▄ ▐██▌ ▐██▓▄ RIP DATE: 2003-11-21 ▄██▌
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▀▀███████▀ track list ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ ---------- ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ 01 Cobb`s Groove 7:04 ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ 02 I Miss You, My Love 5:29 ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ 03 Willow Tree 5:28 ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ 04 Sweet And Lovely 6:28 ▀█████▄
▄█████▀ ▀▄▄ 05 Jet Stream 5:56 ▄▄▀ ▀█████▄
▐█████ ▐█▓ 06 Moment To Moment 5:53 ▓█▌ █████▌
█████▌ ███▌ 07 Minor Changes 8:07 ▐███ ▐█████
▀█████▄ ▓██▓ 08 Bobblehead 6:51 ▓██▓ ▄█████▀
▀▀███████▀ 09 Simone 6:20 ▀█████████
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▄▄▄ ▀▀██▄ release notes ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ Given his selfless approach to rhythm, ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ the work of drummer ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ Jimmy Cobb tends to be somewhat ▀█████▄
▄█████▀ ▀▄▄ undervalued by comparison ▄▄▀ ▀█████▄
▐█████ ▐█▓ with the aggressive innovations of ▓█▌ █████▌
█████▌ ███▌ numerous contemporaries. ▐███ ▐█████
▀█████▄ ▓██▓ More often than not, Jimmy Cobb has ▓██▓ ▄█████▀
▀▀███████▀ been defined less by what ▀█████████
▀▀██▄ he plays than by whom he has played with. ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ Besides much-heralded ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ stints as the rhythmic impetus behind ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ Miles Davis, Wynton Kelly, ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ Wes Montgomery, the Adderley Brothers, and ▀█████▄
▀▀███▀██████▀ ▀▄▄ Sarah Vaughan, ▄▄▀ ▀█████▄
▐█████ ▐█▓ Cobb has performed with a who's who of ▓█▌ █████▌
█████▌ ███▌ instrumental and vocal ▐███ ▐█████
▀█████▄ ▓██▓ giants, one of the most in-demand ▓██▓ ▄█████▀
▀▀███████▀ drummers of his generation. ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ That's because Jimmy Cobb possesses an ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ innate understanding of ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ what is appropriate, a readily ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ identifiable sense of touch and tempo, ▀█████▄
▄█████▀ ▀▄▄ a sublime feeling for tension and ▄▄▀ ▀█████▄
▐█████ ▐█▓ release, a propulsive ride cymbal ▓█▌ █████▌
█████▌ ███▌ signature, and a refined awareness of ▐███ ▐█████
▀█████▄ ▓██▓ when to hold back, and ▓██▓ ▄█████▀
▀▀███████▀ when to ease up on the reins and air ▀█████████
▀▀██▄ things out. Jimmy Cobb is ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ a peerless timekeeper who takes pride in ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ being a compassionate ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ accompanist--more concerned with making ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ the music swing than ▀█████▄
▀▀███▀██████▀ ▀▄▄ in shining the spotlight on his own ▄▄▀ ▀█████▄
▐█████ ▐█▓ prestidigitations. In retrospect, ▓█▌ █████▌
█████▌ ███▌ it's hard to imagine how Miles Davis's ▐███ ▐█████
▀█████▄ ▓██▓ legendary Kind of Blue ▓██▓ ▄█████▀
▀▀███████▀ sessions could have turned out with such ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ elegant clarity if not for ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ the tasteful restraint and keen sense of ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ color and dynamics Jimmy Cobb ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ brought to these jazz haikus. ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ ▀█████▄
▄█████▀ ▀▄▄ "A lot of guys, when they finally get a ▄▄▀ ▀█████▄
▐█████ ▐█▓ chance to step onto the ▓█▌ █████▌
█████▌ ███▌ bandstand, they try and play all the ▐███ ▐█████
▀█████▄ ▓██▓ stuff they've practiced all ▓██▓ ▄█████▀
▀▀███████▀ week--whether it fits the context of ▀█████████
▀▀██▄ that tune or not. But you ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ see, I have a lot of patience, and I ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ don't do that. I just try and ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ get with the bass player and have it ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ swing and make it come ▀█████▄
▀▀███▀██████▀ ▀▄▄ out how everyone would like it. I was ▄▄▀ ▀█████▄
▐█████ ▐█▓ always an accompanist. ▓█▌ █████▌
█████▌ ███▌ I played with a lot of people and ▐███ ▐█████
▀█████▄ ▓██▓ tried not to be in the way, to ▓██▓ ▄█████▀
▀▀███████▀ prop things up and make things sound ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ good. I mean, when they ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ first started making bebop records, ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ everyone would play their ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ asses off for like two choruses and be ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ in and out of the whole ▀█████▄
▄█████▀ ▀▄▄ damn tune in under three minutes." Cobb ▄▄▀ ▀█████▄
▐█████ ▐█▓ chuckles. "So to me ▓█▌ █████▌
█████▌ ███▌ it's not how long you can play or how ▐███ ▐█████
▀█████▄ ▓██▓ much technique you've got--it's ▓██▓ ▄█████▀
▀▀███████▀ whatever you say with the time you've ▀█████████
▀▀██▄ got there."Now, with the ▄██▀▀███ ▀ ▄
▄▄▄▄▄ ▐██▓ release of his Milestone debut, the ▓██▌ ████▄ ▄█▌
▀ ▀▀███▄ ▄▓▓█▓▌ joyously grooving Cobb's Groove, ▐▓█▓▓▄ ▀███████▀
▐███▌▄█████▀ while he still deflects the spotlight ▀█████▄ ▀▀▀
▄ ▄███▄█████▀ away from himself and onto ▀█████▄
▀▀███▀██████▀ ▀▄▄ his band--Jimmy Cobb's Mob--this ▄▄▀ ▀█████▄
▐█████ ▐█▓ consummate team player has ▓█▌ █████▌
█████▌ ███▌ fashioned a defining document as a ▐███ ▐█████
▀█████▄ ▓██▓ leader, illustrating as few of his ▓██▓ ▄█████▀
▀▀███████▀ countless sideman dates can, the ▀███████▀▓▄▄▄
▄▄▄ ▀▀██▄ enduring grace and multitiered ▄██▀▀■ ▀████▄
▄████▀▀▀▄ ▐██▓ levels of swing that define the ▓██▌ ▐▌ ▐████
▐████▌ ▄▄▓▓█▓▌ distinctive rhythmic persona jazz fans ▐▓█▓▓▄ ▀█▄▄▄███▀
▀████▄▄▄▄███████▀ have come to love as Jimmy Cobb. ▀█████▄ ▀▀▀
▀▀███▀▄█████▀ ▀█████▄
▄█████▀ ▀▄▄ Cobb's Mob has its origins in Jimmy's ▄▄▀ ▀█████▄
▐█████ ▐█▓ work as a musical mentor at ▓█▌ █████▌
█████▌ ███▌ Manhattan's New School, where Jimmy ▐███ ▐█████
▀█████▄ ▓██▓ was drawn to the beautiful ▓██▓ ▄█████▀
▀▀███████▀ Grant Green-influenced guitar sound of ▀█████████
▀▀██▄ s