TrainSignal.Citrix.XenDesktop.4.Training.DVD-YUM

Section

Appz

Group

YUM

Size

1,96 GB

Files

43

Date

2011-02-07

NFO

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                          p r e s e n t s                         ▄


               Anomos And Stealth - From Here On...

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███ █  ███ █  ▀▀  ▄██▄█▀                  ▀███ █        iNFOS      ███ █  ███ █
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██▀▄█  ███ █                                                       ███ █  ███ █
█▀▄█   ███ █   artist ... : Anomos And Stealth                     ███ █   ████
█▀▀  ■ ███ █   title .... : From Here On...                        ███ █ ■  ▀▀█
  ▄▄█  ███ █   genre .... : Rap                                    ███ █  █▄▄
▀▀  █  ███ █   source ... : CDDA                                   ███ █  █  ▀▀
    █  ███ █   type ..... : Album                                  ███ █  █
    █  ███ █   rls date . : 06-02-2011                             ███ █  █
    █  ███ █   st date .. : 00-00-2000                             ███ █  █
    █  ███ █   size ..... : 72,8 MB                                ███ █  █
    █  ███ █   label .... : NPO Records                            ███ █  █
    █  █▓█░█                                                       ███ █  █
    █  ███▒█                                                       ███ █  █
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    █  ███▀▀██▀▀▀  . ... TRACKLiST    ▄           ▀██▄▄▄▄██▄▀▀     ███ █  █
    █  █████                                         ▀▀▀▀          ███ █  █
    █  ███▄█                                                       ███ █  █
    █  ███ █ 01 From Here On feat. Chello                    04:43 ███ █  █
    █  ███ █ 02 Bombing Of 2G                                03:58 ███ █  █
    █  ███ █ 03 Say It Loud                                  05:32 ███ █  █
    █  ███ █ 04 Rapagedon feat. Haxsaw                       04:11 ███ █  █
    █  ███ █ 05 Why Live feat. Markeda P                     03:48 ███ █  █
    █  ███ █ 06 Hold Up                                      04:08 ███ █  █
    █  ███ █ 07 One Chance feat Sexy S                       04:27 ███ █  █
    █  ███ █ 08 What You Got To Say Now                      03:16 ███ █  █
    █  ███ █ 09 Tho Dem Dangz                                04:00 ███ █  █
    █  ███ █ 10 Playing No Games                             03:00 ███ █  █
    █  ███ █ 11 Club Crucial                                 03:55 ███ █  █
    █  ███ █ 12 No Nonsense feat. Khari                      04:43 ███ █  █
    █  ███ █ 13 Bewareness                                   04:55 ███ █  █
    █  ███ █ 14 Last Resort                                  04:46 ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █                                         >>  59:22 min ███ █  █
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    █  ███▀█       . ... NOTES   ▄▄ ▄▄███████████▄▄▄▄▄▄▄█▄████▄▄▄▄▄▄▄▄▄▄  █
    █  ███ █                                                       ███▀█  █
    █  ███ █                                                       ███▀█  █
    █  ███ █   It's only right that dope artists release dope      ███ █  █
    █  ███ █   records. Or actually records at all. As that's      ███ █  █
    █  ███ █   not necessarily always the case. However, the       ███ █  █
    █  ███ █   good people of NPO records, return with a full      ███ █  █
    █  ███ █   length by their two main hunks in their stable,     ███ █  █
    █  ███ █   name Anomos and Stealth. They get to expand their   ███ █  █
    █  ███ █   four track taster to a 14 track full course.        ███ █  █
    █  ███ █   While the third of a dozen tracks that were         ███ █  █
    █  ███ █   reviewed here, are also featured on this record,    ███ █  █
    █  ███ █   it's interesting what has changed since back        ███ █  █
    █  ███ █   then, when the EP came out.                         ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █   Things start on the rather melancholy side of the   ███ █  █
    █  ███ █   spectrum, with Stealth's "From Here On". Chello     ███ █  █
    █  ███ █   is lending his singing voice to the Reble Dainja    ███ █  █
    █  ███ █   production, that succeeds with its musical          ███ █  █
    █  ███ █   strings, and the complete feel it gives us.         ███ █  █
    █  ███ █   Stealth talks about shacking off all the bad        ███ █  █
    █  ███ █   vibes that are always surrounding excellence, as    ███ █  █
    █  ███ █   he gets rid of envy and jealously with self         ███ █  █
    █  ███ █   supporting lyrics, that are like an approving nod   ███ █  █
    █  ███ █   to oneself, knowing, that one is on the right       ███ █  █
    █  ███ █   path. That shall be allowed, as if the world is     ███ █  █
    █  ███ █   trying to drag you down, you don't need to drag     ███ █  █
    █  ███ █   yourself down too. It's also Stealth that does      ███ █  █
    █  ███ █   "Bombing Of 2G". This strong track, produced by     ███ █  █
    █  ███ █   140 Productions, was already praised in the other   ███ █  █
    █  ███ █   review, and it still deserves the same approach.    ███ █  █
    █  ███ █   It's then "Say It Loud", where Anomos steps to      ███ █  █
    █  ███ █   the mic. This track is saturated with energy, as    ███ █  █
    █  ███ █   Lethal Production have put every element into the   ███ █  █
    █  ███ █   mix, a track needs to be able to soar high and be   ███ █  █
    █  ███ █   apocalyptic enough to have rats leave the           ███ █  █
    █  ███ █   crumbling city. Again this track was featured on    ███ █  █
    █  ███ █   the four track EP, but "Rapagedon" is all new.      ███ █  █
    █  ███ █   And all nice, as Savage Beats are putting           ███ █  █
    █  ███ █   together an easy accessible offering, without it    ███ █  █
    █  ███ █   popping bubble gums, or doing something blatantly   ███ █  █
    █  ███ █   that other names have done better and first. On     ███ █  █
    █  ███ █   the guitar Ron Thal is lending his skills to the    ███ █  █
    █  ███ █   track, while Stealth is setting things straight,    ███ █  █
    █  ███ █   with his lieutenant Haxsaw making sure that all     ███ █  █
    █  ███ █   the recruits are saluting and breathing in kicked   ███ █  █
    █  ███ █   up dust.                                            ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █   We haven't yet heard too much from Anomos, so his   ███ █  █
    █  ███ █   return on "Why Live" is watched attentively. What   ███ █  █
    █  ███ █   could have been left dangling as pessimistic        ███ █  █
    █  ███ █   rhymes, are flipped into his own proud stance,      ███ █  █
    █  ███ █   that does a full circle around the gripping vocal   ███ █  █
    █  ███ █   chanting by Markeda P. By now you should have       ███ █  █
    █  ███ █   been able to figure out that these cats are not     ███ █  █
    █  ███ █   just doing warmed up TV meals. Offerings that get   ███ █  █
    █  ███ █   this fad taste of a microwave meal, that is so      ███ █  █
    █  ███ █   hot at first, but cools off faster than you can     ███ █  █
    █  ███ █   slice small pieces and shovel 'em in your mouth.    ███ █  █
    █  ███ █   Then again, the third of the four previously        ███ █  █
    █  ███ █   heard tracks, "Hold Up", actually is such a bump    ███ █  █
    █  ███ █   along the way.                                      ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █   While Anomos is not the first to do a 'love song'   ███ █  █
    █  ███ █   hip hop track, as the sincerity is reflected in     ███ █  █
    █  ███ █   his track called "One Chance", it can't be          ███ █  █
    █  ███ █   dismissed as an unwanted contribution to an         ███ █  █
    █  ███ █   already long list. Also as Low Key is putting a     ███ █  █
    █  ███ █   lot of musicality in his beat, and in               ███ █  █
    █  ███ █   combination, Anomos' words that go: 'fine without   ███ █  █
    █  ███ █   you, better with you', just sound very honest and   ███ █  █
    █  ███ █   heartfelt. It's also him that does "What You Got    ███ █  █
    █  ███ █   To Say Now", a track that features a Potent Pete    ███ █  █
    █  ███ █   production, that is too keyboard heavy, to make     ███ █  █
    █  ███ █   it work. Stealth's beat for his own "Tho Dem        ███ █  █
    █  ███ █   Dangz" focuses around an interesting drum           ███ █  █
    █  ███ █   programming, and with the guitar giving it an       ███ █  █
    █  ███ █   atmospheric cloud carpet, this track settles on     ███ █  █
    █  ███ █   the appealing side of things. We then reach         ███ █  █
    █  ███ █   "Playing No Games", and now have found all four     ███ █  █
    █  ███ █   tracks of the "Playing No Games: The EP" on this    ███ █  █
    █  ███ █   record here.                                        ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █   The last four tracks belong to Rebel Dainja, at     ███ █  █
    █  ███ █   least on the production side of things. And the     ███ █  █
    █  ███ █   first of these tracks "Club Crucial" is another     ███ █  █
    █  ███ █   thumbs up track, as Anomos is playing narrator of   ███ █  █
    █  ███ █   a mystery series show, while Rebel adds cinematic   ███ █  █
    █  ███ █   effects to this attention grasping track. A piano   ███ █  █
    █  ███ █   opens "No Nonsense", that features the ragga        ███ █  █
    █  ███ █   chanting of Khari and Stealth's lyrical skills.     ███ █  █
    █  ███ █   While the keyboard strings on here are not          ███ █  █
    █  ███ █   totally enjoyed, Rebel Dainja comes correct again   ███ █  █
    █  ███ █   on the last Stealth track "Bewarness", with a low   ███ █  █
    █  ███ █   drum kick, more natural strings and little          ███ █  █
    █  ███ █   details, that make a track immediately seem like    ███ █  █
    █  ███ █   it has been done with thought and consideration.    ███ █  █
    █  ███ █   This cut is giving us more of Stealth's mixery of   ███ █  █
    █  ███ █   braggadocios rhymes, that always remain a           ███ █  █
    █  ███ █   combination of observations and clever things       ███ █  █
    █  ███ █   said, for reasons of having the other see the       ███ █  █
    █  ███ █   Bombers qualities. That seems to be one square      ███ █  █
    █  ███ █   yard of the common ground the two emcees Anomos     ███ █  █
    █  ███ █   and Stealth walk on. And more of that can be        ███ █  █
    █  ███ █   witnessed on the last cut on here: "Last Resort".   ███ █  █
    █  ███ █   As said produced by Dainja, and featuring the       ███ █  █
    █  ███ █   guitar, played by Ron Thal, and containing a        ███ █  █
    █  ███ █   never ending outro, that in actuality is not long   ███ █  █
    █  ███ █   enough, as the choir sound is so ill, that no       ███ █  █
    █  ███ █   focus and elaboration on it would have been too     ███ █  █
    █  ███ █   exaggerated.                                        ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █   As a journalist, having the tendency to throw       ███ █  █
    █  ███ █   labels at styles, putting everything in a           ███ █  █
    █  ███ █   possibly fitting drawer, it's hard to categorize    ███ █  █
    █  ███ █   this album. As we find so many different elements   ███ █  █
    █  ███ █   being included and pressed, formed, beaten and      ███ █  █
    █  ███ █   chewed into one big self, it's not allowing us to   ███ █  █
    █  ███ █   go back and stuff this record in one of the         ███ █  █
    █  ███ █   existing compartments, unless there's one called    ███ █  █
    █  ███ █   miscellaneous. This album combines the musicality   ███ █  █
    █  ███ █   of avant garde hip hop, with the bareness of        ███ █  █
    █  ███ █   mainstream underground. It adds the lyrical         ███ █  █
    █  ███ █   spitting and battling of the Lyricist Lounge,       ███ █  █
    █  ███ █   with the jewels dropping of a conscious movement.   ███ █  █
    █  ███ █   And while this does risk to fall through the nets   ███ █  █
    █  ███ █   of all followers of any scene, it might be a        ███ █  █
    █  ███ █   common field, where everyone could meet, shake      ███ █  █
    █  ███ █   hands and listen to the same music. Of course       ███ █  █
    █  ███ █   that will not happen, but those who know how well   ███ █  █
    █  ███ █   worth one's time and money this record is, those    ███ █  █
    █  ███ █   will enjoy this record, from here on....to....      ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █                                                       ███ █  █
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    █  ███▄░▄           ▄▄▄▄███▀▀▀         ▄▄▄▀█▀     ABOUT FrB  ░ ███ █  █
    █  ███▀▒█████████████▀▀▀        ▄   ▄▀▀   ██▄                  ███ █  █
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    █  ███ █                                                      ░███ █  █
    █  ███ █          FrB Is Dedicated To Bringing You             ███ █  █
    █  ███ █            The Freshest Rips Out There.               ███ █  █
    █  ███ █       Props To All That Have Helped Us Along,         ███ █  █
    █  ███ █               You Know Who You Are !!                 ███ █  █
    █  ███ █                                                       ███ █  █
    █  ███ █                    FrB Is Currently                   ███ █  █
    █  ███ █        Looking For Secure Sites, Archives Sites       ███ █  █
    █  ███ █                     And Easy Women                    ███ █  █
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