Aaron_Ross-Defected_in_the_House_(Incl_Simon_Dunmore_Guestmix)-SAT-11-02-2011-1REAL

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MP3/FLAC
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1REAL
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Date
2011-02-12

NFO

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                            1REAL  ░▄▄▄▄ ▄   ▄ ▄▄█░  PRESENTS
                                      ░     ░ ░░

             Aaron Ross - Defected In The House (Incl_Simon_Dunmor

           GRABBER..: Wavelab           ENCODER..: Lame 3.97
           SOURCE...: SAT               QUALITY..: avgkbps/44.1kHz
           TRACKS...: 01                GENRE....: House
           RIPPER...: 1REAL TEAM        YEAR.....: 2011
           RIP DATE.: Feb.12.2011       LABEL....: Defected
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         If one were to cast a template for a forty something man û
         footy, clubs, fashion, music, tribes û then itÆs probably
         fair to suggest that Simon Dunmore might well provide its
         typical case study. Raised on a diet of music and clubs and
         the perennial disappointment of QPR (an underachieving
         English football team), Simon Dunmore has clocked up
         thousands of miles on street cultureÆs byways and
         boulevards.



         These days, of course, heÆs the man behind the enormously
         successful Defected Records, whose portfolio includes scores
         of Top Twenty hits, from Bob Sinclar and Soulsearchers to
         Kings of Tomorrow as well as myriad club bangers from the
         delicate deep house of Charles Webster to DJ GregoryÆs
         Gallic brand of afro-house. Despite his avowed housentric
         take on dance music, however, Simon was not an immediate
         convert to the cause. ôI didnÆt get it at first,ö he
         confesses. ôI didnÆt like the acid scene, the music or the
         fashion associated with it. The house I liked was stuff like
         BlazeÆs æCanÆt Win For LosingÆ and Ce Ce Rogers, something
         with a bit of soul in it. ThatÆs what eased the transition
         for me.ö You can hear echoes of those early records in
         everything he has released subsequently.



         DunmoreÆs been DJing for the best part of 25 years now and
         has passed through more tribes than Bruce Parry, from ska
         and rockabilly to New Romantic and soulboy (and he didnÆt
         have to go anywhere near the Amazon to achieve it). Simon
         cut his teeth working behind the counter at Rayners Lane
         Record & Disco Centre, which sounds about as glamorous as
         road sweeping in Rochdale, but in the late Æ80s and early
         1990s was a crucial store for underground imports (Brandon
         Block and Street Corner SymphonyÆs Glen Gunner also worked
         there) and it was through here that he got his break into
         the industry working as club promotions man at Cooltempo
         when a regular customer, Steve Woolf, offered him a job.



         During his time at Cooltempo he was involved in a range of
         classic dance records (Adeva, Juliet Roberts and Shara
         Nelson) before moving on to AM:PM where he delivered many
         hits for the label, including monsters like Free by Ultra
         Nate, Give Me Love by Alcatraz and Ultra Flava by Heller &
         Farley Project. But Dunmore confesses to feeling a creeping
         cynicism towards music while he worked there. ôWhen youÆre
         working at a major itÆs all about having hit records and
         making money and thereÆs not much time for anything else,ö
         he explains. ôThe labels IÆve worked at, they did put out
         some good records, too, but to the people above you itÆs a
         business. When I left AM:PM after working for Polygram I
         realised you can sign records that only sell 3,000 copies;
         if the economies of scale are right you can still make it
         work, it allowed me to listen to music in a fresher way. You
         could never do that at a major, although my time there was a
         great education and got me connected..... on other peopleÆs
         time and money.ö



         In 1999, Janet Bell and Simon decided to break free from the
         corporate world and strike out on their own. Defected was
         the end result. They were helped considerably by scoring a
         Top Ten hit (SoulsearchersÆ CanÆt Get Enough) with their
         first release. Over the ensuing years theyÆve racked up a
         strong of chart successes but just as importantly, records
         that have made the world a better place, such as Julien
         JabreÆs Swimming Places or Do It Now by Dubtribe Soundsystem
         or AmeÆs Rej. More recently, they have begun exhuming
         dormant catalogues of some of the finest dance music of the
         Eighties and Nineties after securing deals with Northcott
         and Junior Boys Own. Apparently, there are more to come.
         ôThere are lots of catalogue owners that either havenÆt got
         the facilities or donÆt want to get involved in promoting
         their music. So we speak to them and tell them we can
         promote their music on our website and include the tracks in
         our compilations and if itÆs something they want to get
         involved itÆs good for us too.ö



         Ten years down the line and they are still enjoying success
         despite the industry (and, indeed, world) looking much
         different to the late Nineties. ôDefected is completely
         different to what it was three or four years ago,ö admits
         Simon. ôBut IÆm not going to complain about the Internet and
         file-sharing because it takes and it gives back almost
         equally. We hit a far bigger audience than we used to. Our
         promo costs and mastering costs are down by almost 90%. So
         yeah, your revenues are down but so are your costs. Our
         website is massively important to what we do. We do
         merchandise and downloads directly from our site. We do
         events. We DJ and we do DJ management. There are things that
         we do that we never used to, but for itÆs still about
         maintaining that love and enthusiasm for music.ö

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          01. defected_in_the_house_                    :  107:25
                                                           -----
              (incl_simon_dunmore_guestmix)-sat-11-02-20
                                           TOTAL  TIME  :  107:2

                                           TOTAL  SIZE  :  166,7 MB

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            1REAL /1-REE-ILL/ n. 1 a group dedicated to bringing you
            the best in electronic live performances. cd's. vinyls.

            It's been a long time since we've updated this part of
            the nfo, probably because we dont have much to say here.
            We still don't. We probably never will. Our goals are
            still there, as are we, and all of our members.
            Our standards haven't dropped, they're higher than ever.

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▀██▓█████████████████▓███▓██▀   ABOUT           ▀███████▓▓█████████████████▓██▀
▀ ▀▀▓█▄ ▀█▓▀        ▀   ▄██▀ ▀       &           ▀█▓▄ ▄ ▀░       ▀ ▀▓█▀ ▄█▓▀▀ ▀
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            1REAL might be looking for new members, you never know.

            We might have a public channel, we dont have a web site,
            and we definately dont have an e-mail address.

            If you feel you have something to contribute, and want to
            be part of an open-minded, electronic focused group with
            plenty tall blonde swedish girls, come and find us.

	    Disclaimer: Certain information in this NFO could be
                        considered false advertising,
                        please dont hold it against us.

            Contact: 1r@hsuhmail.com

            - TEAM 1REAL

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