Kronos_Quartet-Music_Of_Central_Asia_Vol.8_Rainbow-2010-CFD
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- 2011-02-15
NFO
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▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
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Kronos_Quartet-Music_Of_Central_Asia_Vol.8_Rainbow-2010-CFD
ARtiSt...... : Kronos Quartet With Alim And Fargana Qasimov And Homayun Sakhi
AlbUM....... : Music Of Central Asia Vol.8: Rainbow
GENRE....... : Ethnic
lAbEl....... : Smithsonian Folkways Records
CAtNR....... : SFWCD40527
SoURcE...... : CDDA
RiP.dAtE.... : 15-02-2011
StREEt.dAtE. : 30-03-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.kronosquartet.org/
SiZE........ : 79.71MB
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■ ■
01. Rangin Kaman 28:58
02. Kohlen Atim 7:45
03. Mehriban Olaq 4:49
04. Getme, Getme 12:30
05. Leyla 1:43
06. Qashlarin Kamandir 9:54
Runtime..: 65:39 min
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▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Volume 8 in the Smithsonian █▓ █
█ █▓ Folkways series on the music of █▓ █
█ █▓ Central Asia pairs the Kronos █▓ █
█ █▓ Quartent with Afghan rubΓb virtuoso █▓ █
█ █▓ Homayun Sakhi and Azerbaijani █▓ █
█ █▓ father-daughter singing dui Alim & █▓ █
█ █▓ Fargana Qasimov. The results of the █▓ █
█ █▓ collaborations are almost too good █▓ █
█ █▓ to be believed. █▓ █
█ █▓ █▓ █
█ █▓ The stories of how the compositions █▓ █
█ █▓ were put together are fascinating. █▓ █
█ █▓ In the case of Quasimov, the █▓ █
█ █▓ vocalist arranged five Azerbaijani █▓ █
█ █▓ songs, adding sections for █▓ █
█ █▓ improvised vocals and █▓ █
█ █▓ instrumentals. Kronos arranger █▓ █
█ █▓ Jacob Garchik then took the █▓ █
█ █▓ constructions further, scoring the █▓ █
█ █▓ songs for the quartet and adding █▓ █
█ █▓ short intermezzos (think of them as █▓ █
█ █▓ musical connective tissue). For the █▓ █
█ █▓ title track "Rangin Kaman █▓ █
█ █▓ (Rainbow)," Sakhi composed on his █▓ █
█ █▓ own instrument, and then wrote and █▓ █
█ █▓ stored the string parts into a █▓ █
█ █▓ Casio synthesizer. Veteran Kronos █▓ █
█ █▓ arranger Stephen Prutsman wrote out █▓ █
█ █▓ the entire piece in traditional █▓ █
█ █▓ Western notation. The Casio synth █▓ █
█ █▓ being the link between the old and █▓ █
█ █▓ new worlds...talk about East meets █▓ █
█ █▓ West! █▓ █
█ █▓ █▓ █
█ █▓ The music was obviously not "done" █▓ █
█ █▓ at this point. If you view the █▓ █
█ █▓ accompanying DVD, there is a short █▓ █
█ █▓ documentary that shows the music █▓ █
█ █▓ taking shape. It's very interesting █▓ █
█ █▓ to see the Kronos quartet, who are █▓ █
█ █▓ in my mind musically fearless, █▓ █
█ █▓ struggle with the rhythmic oddities █▓ █
█ █▓ introduced by both Quasimov and █▓ █
█ █▓ Sakhi. It was also inspiring to see █▓ █
█ █▓ the music come together, especially █▓ █
█ █▓ since the common language was █▓ █
█ █▓ indeed music and not the spoken █▓ █
█ █▓ English word. █▓ █
█ █▓ █▓ █
█ █▓ Sakhi's "Rainbow" is over 28 █▓ █
█ █▓ minutes of pure unfolding █▓ █
█ █▓ wonderment. Accompanied by both █▓ █
█ █▓ frame drum and tablas, the quartet █▓ █
█ █▓ and rubΓb seem made for each other. █▓ █
█ █▓ Sakhi's composition weaves single █▓ █
█ █▓ lines, quartet call & response, █▓ █
█ █▓ serial melodic development (a kind █▓ █
█ █▓ of world music "round"), and █▓ █
█ █▓ rhythmic interplay that fools the █▓ █
█ █▓ ear into thinking these musicians █▓ █
█ █▓ have known each other for decades. █▓ █
█ █▓ Quite a trick. █▓ █
█ █▓ █▓ █
█ █▓ As impressed as I was with Homayun █▓ █
█ █▓ Sakhi, it was the vocals of Alim █▓ █
█ █▓ Qasimov that totally blew me away. █▓ █
█ █▓ Woah, can that man (and his █▓ █
█ █▓ daughter) sing! The scales and █▓ █
█ █▓ micro-tonalities employed in that █▓ █
█ █▓ region of the world make the music █▓ █
█ █▓ seem very exotic. More than that, █▓ █
█ █▓ Qausimov sings with a frightening █▓ █
█ █▓ amount of power and athleticism. It █▓ █
█ █▓ was great to see the quartet rise █▓ █
█ █▓ to the occasion. The looks of pure █▓ █
█ █▓ satisfaction on their faces told █▓ █
█ █▓ the story. █▓ █
█ █▓ █▓ █
█ █▓ Even if your curiosity about music █▓ █
█ █▓ from this area of the world is low, █▓ █
█ █▓ I would bet that the documentary █▓ █
█ █▓ material will impress. I was only █▓ █
█ █▓ vaguely familiar with the rubΓb (of █▓ █
█ █▓ course, now I want one) and had █▓ █
█ █▓ never heard Qasimov sing. Both of █▓ █
█ █▓ them stretched my listening █▓ █
█ █▓ horizons and made me hungry for █▓ █
█ █▓ more. █▓ █
█ █▓ █▓ █
█ █▓ It was obvious that the musicians █▓ █
█ █▓ were affected in a similar way. █▓ █
█ █▓ That's when you just know something █▓ █
█ █▓ special happened. █▓ █
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█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
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█ █▓ █▓ █
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