Cocoon-Live_De_La_Semaine-DVBS-2011-JUST

Section
MP3/FLAC
Group
JUST
Size
0 B
Files
0
Date
2011-02-16

NFO

Artist.......: Cocoon
Album........: Live de la Semaine
Label........: n/a
Genre........: Pop-Folk
Catnr........: n/a
Source.......: DVBS
Rip.date.....: 2011-02-15
Str.date.....: 2011-02-00
Quality......: 164kbps/48.0kHz/Joint Stereo
Url..........: http://www.frompandamountains.com/

track  title                                          time

 1.    Live de la Semaine                            28:54
        * Intro
        * Sushi
        * Dee Doo
        * Oh My God
        * Mother
        * Dolphins
        * Comets
        * Sea Lion II
        * Cathedral
        * Ending


                                            Runtime  28:54
                                            Size     33.92


Release Notes:

Cocoon are an English-language folk-pop duo from France whose full-length album
debut in 2007 garnered critical acclaim and commercial success internationally.
Formed in 2006 in Clermont-Ferrand, Auvergne, France, the band is primarily
comprised of Mark Daumail (lead vocals, acoustic guitar, ukulele, banjo; born
December 6, 1984) and Morgane Imbeaud (harmony vocals, keyboards; April 14,
1987). Their influences include classic folk-rock bands such as Pentangle and
Fairport Convention as well as contemporary folk-pop acts such as Devendra
Banhart and Sufjan Stevens. Cocoon made their recording debut in 2006 with an
independently released EP, I Hate Birds, which was picked up for release on the
well-regarded French indie label Sober & Gentle. The duo subsequently began
working on its full-length debut album, My Friends All Died in a Plane Crash
(2007), which was preceded by the release of an EP, From Panda Mountains (2007),
featuring three new versions of songs previously released on I Hate Birds ("On
My Way," "Tell Me," "I Don't Give a Shit"), one of which would become the lead
single from My Friends All Died in a Plane Crash ("On My Way"). Not only was My
Friends All Died in a Plane Crash critically acclaimed upon its release, it was
also commercially successful, breaking into the Top 40 of the French albums
chart and the Top 100 of the Belgian and Swiss albums charts.


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