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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 04-20-2010
Release date : 02-04-2011
Album name : My Best Friend Is You
Artist : Kate Nash
Ripped by : Team EOS
Genre : Pop
Label : Geffen
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 13
Size of Files : 62,3 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 03:06 Paris
02 03:43 Kiss That Grrrl
03 05:07 Don't You Want To Share The Guilt?
04 03:06 I Just Love You More
05 02:34 Do-Wah-Doo
06 03:22 Take Me To A Higher Plane
07 02:39 I've Got A Secret
08 03:24 Mansion Song
09 03:10 Early Christmas Present
10 03:36 Later On
11 03:21 Pickpocket
12 03:29 You Were So Far Away
13 08:50 I Hate Seagulls
Total time: 49:27 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
Kate Nash had a lot to live up to with her sophomore
album. Her debut was clever and brash, a deeply
personal record filled with wit and the self-made,
oddball productions to match. Second album My Best
Friend Is You initially sounds like a different artist
entirely, almost akin to a Kate Nash imitator trying to
fuse her close observation of relationships with an
uptempo Northern soul of the Amy Winehouse variety.
Both the opener "Paris" and the first single "Do-Wah-
Doo" boast very busy but very trad productions,
featuring plenty of brass and piano with insistent
drumming and handclaps -- all the hallmarks of a
professional production. This is pure MOR, the driving
Motown-derived pop-soul thatÆs become de rigeur for
21st century hipness. Surprisingly, the second half of
My Best Friend Is You is Nash at her best, biting and
bile-filled, with productions that (finally) suit her
songwriting. It's led by the jagged "I've Got a
Secret," in which Nash puts on her best angelic school
-girl show to drive her point home (very basically put:
"You don't love me"). There are more highlights here,
including "I Just Love You More," which is simple and
successful, just a distorted guitar hook and Nash
repeating the title until she bursts into screams for
the chorus. Still, the aim over too much of this record
seems to be simply getting Kate Nash airplay without
worrying overly much about a musical backing that suits
her songwriting.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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