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████. ▄ ░░░░▒██▒████████████ ███▒▒░░ ░▒█ █▓▓▒ ▀▓▀ ▄ ■ ████
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████ ▄▀▀███▓▄ ▀▀▀▀▀▀▀▀▀▀░░▄░ ■ . ■ . ▄▓███▀▀▄ ■ ████
████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Kreidler - Tank ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ARTiST..[ Kreidler ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Tank ▓▓▓▓█
████ GENRE...[ Electronic GRABBER.[ EAC ████
████ LABEL...[ Bureau B ENCODER.[ Lame 3.97 ████
████ YEAR....[ 2011 QUALiTY.[ vbr 198kbps ████
████ SOURCE..[ CDDA MODE....[ Joint-Stereo ████
████ PLAYTIME[ 43:47 min REL.DATE[ 03.04.2011 ████
████ TRACKS..[ 06 RiPPER..[ TEAM OMA ████
████ SiZE....[ 62,4 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ 01 New Earth 06:42 ████
████ 02 Evil Love 07:23 ████
████ 03 Jaguar 07:32 ████
████ 04 Gas Giants 06:45 ████
████ 05 Saal 07:50 ████
████ 06 Kremlin Rules 07:35 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 43:47 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ ▀█████
████▀ ▀████
███▀ ▀███
█▓▓▓▓ ▓▓▓▓█
█▓▓▓▓ ▓▓▓▓█
████ Essential facts: -Kreidler was formed in ████
████ Duesseldorf/Germany in 1994. - They have been ████
████ asked to remix artists such as Einstuerzende ████
████ Neubauten, Depeche Mode and Faust among 20 ████
████ others and cooperated with artists like Klaus ████
████ Dinger (NEU!), Add (N) to X, Young Gods, Theo ████
████ Altenberg, Momus, Leo Garcia, Pyrolator and ████
████ Chicks on Speed. -Their music has been used ████
████ for high profile fashion shows (Chanel, ████
████ Lacoste, Giles Deacon), films, theatre and ████
████ dance performances. A simple plan: five days ████
████ recording, three days mixing. One would hope ████
████ that after over fifteen years of playing ████
████ together, we might have acquired a certain ████
████ degree of dexterity. We call it concerted ████
████ action, or stringency. In the knowledge that ████
████ one can rely on the other. Even for the last ████
████ album "Mosaik 2014" we shut ourselves into the ████
████ Kreidler's own Shed in The Park studio in ████
████ Cologne for five days without any warm-up and ████
████ began recording. In the end we wound up ████
████ discarding the first pieces, but from Day Two ████
████ onward there was enough on tape. The digital ████
████ mixing then dragged on for twelve months, ████
████ however. This time was meant to be different. ████
████ The band was geographically divided equally ████
████ between Berlin (Alex Paulick, Andreas Reihse) ████
████ and Dusseldorf (Thomas Klein, Detlef ████
████ Weinrich). For a preparatory session, we met ████
████ for three days in June in the ballroom of ████
████ Festsaal Kreuzberg, in the capital, Berlin. ████
████ The actual recordings are to take place in ████
████ September 2010 at Tobias Levin's Electric ████
████ Avenue Studio in Hamburg. The attitude, ████
████ however, remains thoroughly Rhenish. The idea ████
████ behind the simple plan, of course, is ████
████ rock'n'roll û the energy of a live show ████
████ captured on record. But it must sound good. ████
████ Especially the drums. And Tobias Levin is the ████
████ man for the job, a master of miking and a ████
████ multiplier of the moment. We know what we ████
████ want: first take, no shake. Followed directly ████
████ by mixing in Kreuzberg with Hannes Bieger, ████
████ namely analog, on tape. A bit of editing work ████
████ was needed nevertheless, and in the end the ████
████ post-production lasted eight days. But that we ████
████ can live with. So what do the pieces mean? ████
████ Well, the titles may offer a few hints. A ████
████ dystopia? In some places, perhaps. A positive ████
████ utopia? In other places, for certain. A ████
████ description of the present time? Even that. ████
████ But give us a little time. It's still so ████
████ fresh. We're still so close to it. It's easier ████
████ to talk about technical matters, about the ████
████ distinctive compositions, and the arch they ████
████ traverse, two times three over the course of ████
████ the album û Kreidler think in terms of records ████
████ and in the arithmetic of the great disco ████
████ albums: NEU! 75, Saint Tropez or Patrick ████
████ Cowley, examples from the ranks of legendary ████
████ six-song albums ûor talk about the unpolished ████
████ wildness in Tobias Levin's studio met with the ████
████ controlled artificiality of a Hannes Bieger, ████
████ all mastered to the appropriate dimensions by ████
████ Bo Kondren, or talk about the unsettling ████
████ sublimity of Andro Wekua's painting, in which ████
████ the whole thing is packaged. "Tank," is a ████
████ continuation of Kreidler, of course. Indeed, ████
████ "Tank" does relate to the narrative of "Mosaik ████
████ 2014", but "Tank" also deals with the break ████
████ from that narrative. And in some respects the ████
████ album recalls our very first effort, "Riva" ████
████ from 1994, which may lie in the pace of its ████
████ development, or the fact that we have tried to ████
████ keep the structure of the pieces simple and ████
████ direct, that we used the computer more as a ████
████ canister, a container or a vessel and less as ████
████ an operating room. And of course, the fact ████
████ that Kreidler has once again become a ████
████ four-piece band, a band with a clear ████
████ understanding of roles: a drummer, a bassist ████
████ who can also reach for the guitar, a keyboard ████
████ player and a man for the electronics. ████
████ ████
████ ████
████ URL: n/a ████
████ ████
████ ████
████ ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
▀██▓ ▓██▀
▀██▓▄ ▄▓██▀
.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .