Brian_McBride-The_Effective_Disconnect-(Retail)-2010-CFD

Section
MP3/FLAC
Group
CFD
Size
0 B
Files
0
Date
2011-03-16

NFO








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    ▀▓▀                                                                  ▀▀
     ▒  . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
     ░

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                       Brian_McBride-The_Effective_Disconnect-(Retail)-2010-CFD





                         ARtiSt...... : Brian McBride
                         AlbUM....... : The Effective Disconnect
                         GENRE....... : Ambient
                         lAbEl....... : Kranky Recording Corp.
                         CAtNR....... : KRANK150
                         SoURcE...... : CDDA
                         RiP.dAtE.... : 16-03-2011
                         StREEt.dAtE. : 25-10-2010
                         QUAlitY..... : VBR/44.1kHz/Joint Stereo
                         URl......... : http://www.myspace.com/brianmcbrideofstarsofthelid
                         SiZE........ : 52.04MB



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       01.  MΘlodrames TΘlΘgraphiΘs (In B Major 7th) Part 1         5:25
       02.  MΘlodrames TΘlΘgraphiΘs (In B Major 7th) Part 2         4:12
       03.  Girl Nap                                                3:51
       04.  Several Tries (In An Unelevated Style)                  7:44
       05.  Supposed Essay On The Piano (B Major Piano Adagietto)   4:10
       06.  Toil Theme Part 1                                       2:30
       07.  Toil Theme Part 2                                       2:44
       08.  Toil Theme Part 3                                       2:27
       09.  Beekeepers Vs Warfare Chemicals                         4:13
       10.  I Know That You Don't Like The Future Like I Do         3:08
       11.  Chamber Minuet                                          2:43

                                                    Runtime..: 43:07 min




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               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓    You know Brian McBride as one half   █▓ █
               █ █▓    of Stars of the Lid, the ambient     █▓ █
               █ █▓    outfit that for about 15 years has   █▓ █
               █ █▓    pretty much set the standard for     █▓ █
               █ █▓    immersive drone. He released a solo  █▓ █
               █ █▓    album five years ago that stayed     █▓ █
               █ █▓    mostly in similar territory to his   █▓ █
               █ █▓    band with a few stabs outside, but   █▓ █
               █ █▓    he's otherwise been pretty quiet     █▓ █
               █ █▓    musically while working on his       █▓ █
               █ █▓    doctorate and a parallel career as   █▓ █
               █ █▓    a debate coach. Perhaps due to the   █▓ █
               █ █▓    demands of writing and soundtrack,   █▓ █
               █ █▓    his second solo effort, The          █▓ █
               █ █▓    Effective Disconnect, takes small    █▓ █
               █ █▓    steps to further nudge the           █▓ █
               █ █▓    boundaries of his style outward.     █▓ █
               █ █▓                                         █▓ █
               █ █▓    One of the primary differences       █▓ █
               █ █▓    between this and McBride's last      █▓ █
               █ █▓    solo effort, When the Detail Lost    █▓ █
               █ █▓    Its Freedom, is textural. Detail     █▓ █
               █ █▓    had a very specific idea at its      █▓ █
               █ █▓    heart-- there was a sense that you   █▓ █
               █ █▓    could hear the air moving between    █▓ █
               █ █▓    you and every sound, and it gave     █▓ █
               █ █▓    the record a kind of rough, distant  █▓ █
               █ █▓    aura. The Effective Disconnect       █▓ █
               █ █▓    keeps some of the distance, but the  █▓ █
               █ █▓    sounds are much smoother, more       █▓ █
               █ █▓    distinct and direct. The rhythmic    █▓ █
               █ █▓    pulses of these pieces of music are  █▓ █
               █ █▓    also a lot more varied. "Girl Nap"   █▓ █
               █ █▓    features what sounds like horns      █▓ █
               █ █▓    calling out long, static drones in   █▓ █
               █ █▓    a rhythm similar to breathing,       █▓ █
               █ █▓    which is familiar in McBride's       █▓ █
               █ █▓    work, but the quicker rhythm of the  █▓ █
               █ █▓    electric piano that underpins the    █▓ █
               █ █▓    drones is new.                       █▓ █
               █ █▓                                         █▓ █
               █ █▓    Other tracks build on that. "Bee     █▓ █
               █ █▓    Keepers vs. Warfare Chemicals" is    █▓ █
               █ █▓    more rapid than anything I've heard  █▓ █
               █ █▓    McBride do, with twinkling           █▓ █
               █ █▓    percussion and rapid chord changes   █▓ █
               █ █▓    in its opening half. It then shifts  █▓ █
               █ █▓    to a sparser second movement around  █▓ █
               █ █▓    deeper, oceanic drones that recall   █▓ █
               █ █▓    classic Stars of the Lid and closes  █▓ █
               █ █▓    with a melancholy piano figure.      █▓ █
               █ █▓    It's interesting to hear how much    █▓ █
               █ █▓    tension there is between McBride's   █▓ █
               █ █▓    tendency toward stasis and the need  █▓ █
               █ █▓    for a little movement to match the   █▓ █
               █ █▓    visual accompaniment. The biggest    █▓ █
               █ █▓    surprise is undoubtedly the fact     █▓ █
               █ █▓    that "Chamber Minuet" is somewhat    █▓ █
               █ █▓    described by its title-- rather      █▓ █
               █ █▓    than producing an extended,          █▓ █
               █ █▓    shifting drone, McBride uses the     █▓ █
               █ █▓    strings here to play active melody.  █▓ █
               █ █▓    It never coalesces into a real       █▓ █
               █ █▓    minuet or anything close to one,     █▓ █
               █ █▓    but to hear those strings finally    █▓ █
               █ █▓    escape the drone to move a little    █▓ █
               █ █▓    is almost cathartic.                 █▓ █
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               █ █▓                                         ▓▓ █
               █ █▓                                         █▓ █
               █ █▓              .. contact ..              █▓ █
               █ █▓          crossfader[at]hush.ai          █▓ █
               █ █▓                                         █▓ █
               █ █▓    .. We're currently looking for ..    █▓ █
               █ █▓                                         █▓ █
               █ █▓             Nice .eu affils             █▓ █
               █ █▓         Nice suppliers (No WEB)         █▓ █
               █ █▓     Beautiful female with big bOObs     █▓ █
               █ █▓               (priority!)               █▓ █
               █ █▓                                         █▓ █
               █ █▓      _  __ _________________ __  _      █▓ █
               █ █▓                                         █▓ █
               █ █▓                                         █▓ █
               █ █▓    A fucking BiG UP!! to our friends    █▓ █
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          ▀ ▄ █▓▀▀    ▀ ▀▓▓▀ ░     ▒   :   █▓▓   ▒  ▀▄▄▄  ▄██▀▀ ▄▄  ░
               ▒             ▒   ░░▓  aSc  ██▓   ▓     ▀▀▀▀  ▄ ▀▓▓▀
               ░          ▄▄█▓▄▄ ▒▒▓  fUM  ██▓ ▄▄█▓▄▄               ░
                         ████████▓▓▓  cRo  ██▓███████▓
               ░        ███▓▀▀████▓▓   :   ██████▀▀███▓
                        █▀      ▀██▓   .   ██▓▀      ▀▓
                        ▀        ▀█▓       █▓▀        ▀
                        ▀         ▀▓   .   ▓▒         ▀
                         ▀         ▓       ▓░        ▀
                                   ▀       ▓
                                   ▄   .   ▓
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