▄
▀
░ ▀▄▄
▀▀█▄▄▄▄ ▄
░ ▀▀▀███▄▄▄
░ ▀ ▀█████▄ ▄
▒ ■ ██████ ▄
▒ ▄▄▀ ▄▄████▀█▄▄█▀
▓ ▄▄▀█▄ ▀ ▄▄▄▄███▀▀█▄▄█▀▀▀
▓▄▀▀▄█▀ ▄▄███▀▀▀ ▄▓▓▒░
▒ ▐█▌ ███▀ ▒▒▒▒ ░
▄█▓▄ ▀█▄ ▀██▄ ▒░░░░ ░ ▀ ▄▄
▀ ▀▓▓▀ ■ ▀▀▄▄ ▀▀ ▄ ▀█▄▄ ░
▄█▓▄ ▄▄▄▄▒▒▒▒▒▒▒▒▒▒▄ ███▄ ▀▒▒▒▒▒▒▒▒▒▒▒▒▒▒░ ▐███ ░▒▒▒▒▒▒▒▒▒▓▀▀ ▀
▀▀ ▄▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▀▄▄████▓ ▄▓▓▓▓▓▓▓▓▓▓▓▀▀ ▄███▀ ░▒▓▓▓▓▓▓▓▀ ▄▄█▄
███████████████▄▄██████▀▀ ▄▄██████████▀ ▄▄████▄██████████▓ ▄▄ ▄█▄
████████████▀▄███████▀ ▄ ▀ ▄▄▄▄█▀███▌ █████████████████▓░ ░▓▌ ▒███
█████████▄██ ███████▄██ ▄████████████▄ ▀████████▓███████▓ ▒█▌ ▒██
██████████▄▀▀▄▄▀▀██████ ▄██████████▀█████▄▄▀███████▒███████▓ ░▓█ ▀
████████▀░▀█▄ ▀▀▀▄████ ███████████▄ ▀▀█████▄████▀░▀█▄████▓ ▀
▓████████▄██▀ ■ ▀███▄▄ ▀████▀▀ ▄▄▄▄▀ ▄ ▀████▀███▄█▀ ░▀██▓▒ ▄▄ ■
▒███████▀█▄ ▀ ▄▄██████▄███▓███▄█ ██████ ██▄█████▄▀██▄░░▄███▓ ▀▓▓▀
■ ░██████▀▀ ▄▄█▀▀█▄███████▄████▄▀▀█▄▄ ▀▀██▄█████▄█████ ██▀██▄██▓
▄ ▒█▀▀ ▄▄█▀▀ ▒█████▀█████▓████▄ ▀▀█▄▄ ▀▀████████▀ ▄▄▄▄▄▄▄ ▀▀▓▒ f3!
▀▓▀ ▄▄█▀▀ ▄░ ▓█████▀█████▒████ ▄ ▀▀█▄▄ ▀███▄██▀▀ ▀▀█▄ ▓ cRo
▄▀▀ ▄███ ▀████▀░█▀█▀ ░▀██ ███▄▄ ▀▀█▄█▀▀ ▄▄█▄▄ █▄
▄ ▐█████▄▄ ▀▀▄▄▓██▀█▄▄██ ██████ ■ ▀██████ ▓░
█████████▄████▀█▄░▄███ ██████ ▀▀▀ ██████ ▒
██████████████ ▀▀█▄█ ██████▀ █████ ██████ ░
██████████████▄▄ ░ ███████ ████▀██ ██████
░ ███▀▄▄ ▀▀█████ ▀▀███████▄ ████▀███ ██████
▒ ██████ ▄▄▄ █▄▄ ▀███████▄▄█▄ ████ ██████
▓ ██████ ■ ██████▄▀██████████░███▀█ █████▌ ▀
░ ▀█ ███▀▀ ▄▄█▀█▄▄ ███████▀██████████▒██▀▀██ ▒███▀ ▄▄▀
▓ ▀█ ▀ ▄▄██████▄ ▀▀█▄█████████████████▄█▄░░▄█▓ ■▀▀ ▄▄█▀▀ ░
▒█ ▀█ ▄▄█▀▀█▄████████▄▄ ▀▀███████████▀████▄▀▀▀██▀ ▄▄█▀▀ ▄▄█▓▒
██ ▀█▀▀ ████████████▀██▄▄ ▀▀████▄█▄░▄██▄█▀█▄▄▄▄▄█▀▀ ▄ ▀█▄███▓
███ ▄▄██▄ ██████████▀ ██████ █▀██▄▀▀██████▄▄ ■ ▄██▀░▀██▓
▒██▀█▓████▄█▀███████░▄ ▀▀▀▀ ▄▄████▄ ▀ ▄ ▀▀███████▄▄▄ ▀███▄███▓▒
███▀░▀█████████████▒██████████████▌ ██▄▄▀████████████▄▄█▀███▓
▀ ▄▓▓▄ ████▄██████████████▓█████████████▀ ████▀██████████████████▓
▄ ▀▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ ▀ ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀███▓▒
▀▓▀ ▄▄▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▓▀ ▄██▄██▓
███████████████████████████████████████████████████████▓▒ ▄██████▓ ░
████████████████████████████████████████████████████████▓ ░▓██████▒ ▒
█████████████████████████████████████████████████████████▓ ▒▓█████▓ ▄▓▄
████████████████████████████████████████████████████████▓░ ▓▓███▓ ▀ ▄
▀ ▄ ▀▀██████████████████████████████████████████████████████▓▄▄ ▀▀▀▀ ▄█▓▄
▀▓▀ ▀▀
▒ . .. C F D . a k a . C R O S S F A D E R . p r e s e n t s .. .
░
░
Christopher_Lennertz-Vampires_Suck-(OST)-2010-CFD
ARtiSt...... : Christopher Lennertz
AlbUM....... : Vampires Suck
GENRE....... : Soundtrack
lAbEl....... : Lakeshore Records
CAtNR....... : LKS341892
SoURcE...... : CDDA
RiP.dAtE.... : 17-03-2011
StREEt.dAtE. : 31-08-2010
QUAlitY..... : VBR/44.1kHz/Joint Stereo
URl......... : http://www.amazon.com/Vampires-Suck-Score-Various-Artists/dp/B003XKB0Z8/
SiZE........ : 71.91MB
▄ ▄
▀▄ ▄▀
▄██▄ ▀▄ ▄ ▄ ▄▀ ▄██▄
▄▀ ▀ █▄ ▄▓ ▀ ▀█
▄▀▄▄▓▄▄▀ █▄ █ █ ▄▓ ▀▄▄▓▄▄▀▄
▄ ▄▀███████▓▄▀█▄ ▄ ▀ ▀ ▄ ▄█▀▄███████▓▀▄ ▄
▄ ▄▀████▀▀███▓▀██▄ ▄▀ ■ ■ ▀▄ ▄█▓▀████▀▀███▓▀▄ ▄
▀██▀ █▀ ▀█▓ ████▄▄██▀▄▄▀ ▀▄▄▀██▄▄███▓ █▓▀ ▀▓ ▀██▀
▀ ▀█▓ ▀▀███▓▀▀ ▀▀███▓▀▀ █▓▀ ▀
▀ ▀▓▄█▓▀▀ ▀▀██▄▓▀ ▀
■ ▀ █▀ ▀▓ ▀ ■
▀▄▄ ■ ▀ .. S O N G . T i T L E .. ▀ ■ ▄▄▀
▄ ▀██▄▄ ▄▄▀ ▄ ▄ ▀▄▄ ▄▄██▀ ▄
▀▓▀ ███▀▀ ▀▀███ ▀▓▀
▄▄█▀▀ ▀▀█▄▄
▄▀▀ ▀▀▄
■ ■
01. What Would You Do? 2:02
02. Something Strange... 1:21
03. Meet The Sullens 2:26
04. Welcome To Sporks 0:44
05. Chemistry In Class 2:41
06. Attack On The Dock 2:00
07. Edward Saves Becca 2:10
08. Jacob's Crush - Self Defense 1:38
09. Sleepwalking 2:44
10. I'm A Killer 3:44
11. First Kiss 2:27
12. Driving And Chasing 1:29
13. Becca Meets The Family 2:10
14. The Breakup - Killing Jack 5:00
15. Frank Comforts Becca 1:03
16. Becca's Confrontation 1:40
17. Testing Edward 1:23
18. The Pack Arrives 1:17
19. Antoine Torn To Shreds 1:10
20. Becca is Dead? 4:04
21. Race To Prom 2:01
22. Edward Exposed 3:22
23. Becca Must Become A Vampire 2:20
24. The Final Bite 1:37
Runtime..: 52:33 min
▄ ▄
▀▄ ▄▀
▄██▄ ▀▄ ▄ ▄ ▄▀ ▄██▄
▄▀ ▀ █▄ ▄▓ ▀ ▀█
▄▀▄▄▓▄▄▀ █▄ █ █ ▄▓ ▀▄▄▓▄▄▀▄
░████████▓▄▀█▄ ▄ ▀ ▀ ▄ ▄█▀▄███████▓█░
▒████▀▀███▓▀██▄ ▄▀ ■ ■ ▀▄ ▄█▓▀████▀▀███▓▒
░█▀ ▀█▓ ████▄▄█▓▀▄▄▀ ▀▄▄▀██▄▄███▓ █▓▀ ▀▓░
▀ ░ ▀█▓ ▀▀███▓▀▀ ▀▀███▓▀▀ █▓▀ ░ ▀
▀ ▒░ ▀▓▄█▓▀▀ ▀▀██▄▓▀ ░▒ ▀
▀▄▄ ▓▒ █▀ ▀▓ ▒▓ ▄▄▀
▄▓▄ █ █▓ ▀ .. R E L E A S E .. ▀ ▓▓ █ ▄▓▄
▀ █ █▓ ▄ .. i N F O .. ▄ █▓ █ ▀
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ Vampires Suck: (Christopher █▓ █
█ █▓ Lennertz) Given how ripe the █▓ █
█ █▓ teenage vampire genre's crown █▓ █
█ █▓ jewel, The Twilight Saga, has █▓ █
█ █▓ become for lampooning, it's █▓ █
█ █▓ surprising that veteran satire █▓ █
█ █▓ writers and directors Jason █▓ █
█ █▓ Friedberg and Aaron Seltzer seem to █▓ █
█ █▓ have missed their opportunity to █▓ █
█ █▓ really impale the idiocy of that █▓ █
█ █▓ franchise with much skill in █▓ █
█ █▓ Vampires Suck. Then again, the 2010 █▓ █
█ █▓ comedy was trying to parody a █▓ █
█ █▓ concept that is inherently so █▓ █
█ █▓ laughably juvenile in its original █▓ █
█ █▓ form that perhaps their task was █▓ █
█ █▓ impossible. Defying as usual the █▓ █
█ █▓ absolutely horrid critical response █▓ █
█ █▓ that these films often receive, █▓ █
█ █▓ Vampires Suck made a brief splash █▓ █
█ █▓ at the box office and has earned █▓ █
█ █▓ about the average gross for past █▓ █
█ █▓ Friedberg/Seltzer comedies like █▓ █
█ █▓ Meet the Spartans and Epic Movie. █▓ █
█ █▓ The duo takes almost all of their █▓ █
█ █▓ characters and plot elements from █▓ █
█ █▓ The Twilight Saga, leaving most of █▓ █
█ █▓ the names and general events intact █▓ █
█ █▓ but incorporating a major gag into █▓ █
█ █▓ each scene. Continuing his █▓ █
█ █▓ collaboration with Friedberg and █▓ █
█ █▓ Seltzer is composer Christopher █▓ █
█ █▓ Lennertz, whose career has █▓ █
█ █▓ thankfully crept further into the █▓ █
█ █▓ mainstream after producing █▓ █
█ █▓ impressive music in relative █▓ █
█ █▓ obscurity over the better part of █▓ █
█ █▓ the 2000's. Emerging from his toils █▓ █
█ █▓ with television series and video █▓ █
█ █▓ games is a budding feature film █▓ █
█ █▓ career defined by comedy music for █▓ █
█ █▓ (sometimes very fiscally █▓ █
█ █▓ successful) titles like Alvin and █▓ █
█ █▓ the Chipmunks, Marmaduke, and Cats █▓ █
█ █▓ & Dogs: The Revenge of Kitty █▓ █
█ █▓ Galore, the latter two joining █▓ █
█ █▓ Vampires Suck as part of a busy █▓ █
█ █▓ 2010 summer season for the █▓ █
█ █▓ composer. His music for Meet the █▓ █
█ █▓ Spartans in 2008 is a guilty █▓ █
█ █▓ pleasure of the highest order, a █▓ █
█ █▓ work that continues to impress in █▓ █
█ █▓ its clever pokes at the topic's █▓ █
█ █▓ established sound. As always, the █▓ █
█ █▓ point of satirical scores like Meet █▓ █
█ █▓ the Spartans and Disaster Movie is █▓ █
█ █▓ to play the film as if it was █▓ █
█ █▓ completely serious, therefore █▓ █
█ █▓ advancing the effectiveness of each █▓ █
█ █▓ joke. This opens worlds of █▓ █
█ █▓ opportunity for any composer, █▓ █
█ █▓ allowing genre stereotypes in music █▓ █
█ █▓ to be exploited in all their glory █▓ █
█ █▓ without any worry of plagiarism █▓ █
█ █▓ lawsuits. Additionally, by bloating █▓ █
█ █▓ the genre's sound to nearly █▓ █
█ █▓ overblown proportions, an █▓ █
█ █▓ entertaining listening experience █▓ █
█ █▓ on album can also result. Such is █▓ █
█ █▓ the case with Vampires Suck once █▓ █
█ █▓ again, another score that requires █▓ █
█ █▓ you to turn off your brain to █▓ █
█ █▓ appreciate the fact that it's █▓ █
█ █▓ arguably more effective than the █▓ █
█ █▓ actual scores for The Twilight █▓ █
█ █▓ Saga. Whereas the rotating █▓ █
█ █▓ composers for those films have █▓ █
█ █▓ never been able to truly nail down █▓ █
█ █▓ the musical identity of the █▓ █
█ █▓ franchise, Lennertz does it for █▓ █
█ █▓ them with ease. █▓ █
█ █▓ █▓ █
█ █▓ It didn't take an abundance of █▓ █
█ █▓ intellectual thought to accomplish █▓ █
█ █▓ this pinnacle of music for the █▓ █
█ █▓ concept, but then again, the █▓ █
█ █▓ franchise and its target audience █▓ █
█ █▓ aren't that musically sophisticated █▓ █
█ █▓ to begin with. But with creative █▓ █
█ █▓ attentiveness to audience █▓ █
█ █▓ expectations, Lennertz really did █▓ █
█ █▓ manage to write the best Twilight █▓ █
█ █▓ score for those who would █▓ █
█ █▓ appreciate it the most. It takes █▓ █
█ █▓ the contemporary, electric-guitar █▓ █
█ █▓ tones of Carter Burwell's original, █▓ █
█ █▓ incorporates the piano lyricism of █▓ █
█ █▓ Alexandre Desplat's sequel, and █▓ █
█ █▓ wraps them in the morbidly █▓ █
█ █▓ orchestral environment of Howard █▓ █
█ █▓ Shore's entry. Its constructs and █▓ █
█ █▓ instrumentation are wickedly █▓ █
█ █▓ appropriate for the topic, and much █▓ █
█ █▓ of this material could be tracked █▓ █
█ █▓ into the real thing without much █▓ █
█ █▓ audience unrest. It does have a █▓ █
█ █▓ downside, however, and it relates █▓ █
█ █▓ to an underpowered sound of the █▓ █
█ █▓ Hungarian orchestral players █▓ █
█ █▓ (especially compared to Debbie █▓ █
█ █▓ Wiseman's all-time favorite vampire █▓ █
█ █▓ spoof score, Lesbian Vampire █▓ █
█ █▓ Killers) and the need for dissonant █▓ █
█ █▓ stingers all the time to accompany █▓ █
█ █▓ sudden punch lines and funny █▓ █
█ █▓ shocks. Despite the deficiencies █▓ █
█ █▓ relating to the ensemble's depth, █▓ █
█ █▓ Lennertz and his crew do a good job █▓ █
█ █▓ of orchestrating the score and █▓ █
█ █▓ spreading its various sounds well █▓ █
█ █▓ enough in the mix to give the final █▓ █
█ █▓ result satisfying texture and █▓ █
█ █▓ attention to detail. The piano is █▓ █
█ █▓ in the forefront (as with Desplat) █▓ █
█ █▓ and electric guitar is used as a █▓ █
█ █▓ sound effect much like in Meet the █▓ █
█ █▓ Spartans. Little electronic whisps, █▓ █
█ █▓ xylophone, and cymbals join the █▓ █
█ █▓ ultra-cliche female vocalist in █▓ █
█ █▓ conveying a sense of wonder and █▓ █
█ █▓ fantasy. Acoustic guitar, █▓ █
█ █▓ contemporary percussive loops, █▓ █
█ █▓ enhanced electric bass, and lighter █▓ █
█ █▓ electric guitar performances lend a █▓ █
█ █▓ sense of coolness to the score. █▓ █
█ █▓ Solo string elements, seemingly █▓ █
█ █▓ electric at times, give the █▓ █
█ █▓ atmosphere a sense of demonic █▓ █
█ █▓ influence. Banging chimes and █▓ █
█ █▓ expansive brass represent the █▓ █
█ █▓ finality of young "Becca"'s █▓ █
█ █▓ choices. The thematic identities in █▓ █
█ █▓ Vampires Suck are dominated by its █▓ █
█ █▓ primary idea (presumably for █▓ █
█ █▓ Becca), stated early and often in █▓ █
█ █▓ many different guises. It receives █▓ █
█ █▓ fully symphonic force right off the █▓ █
█ █▓ bat in "What Would You Do?" and is █▓ █
█ █▓ reprised with even more gravity in █▓ █
█ █▓ "Becca Meets the Family" and "I'm a █▓ █
█ █▓ Killer." In the second half of the █▓ █
█ █▓ latter cue and in "First Kiss," █▓ █
█ █▓ "The Breakup," "Frank Comforts █▓ █
█ █▓ Becca," and "The Final Bite," █▓ █
█ █▓ Lennertz boils the theme down to █▓ █
█ █▓ solo piano backed by lush strings, █▓ █
█ █▓ guitar, or solo violin. While the █▓ █
█ █▓ expressions of this theme may not █▓ █
█ █▓ be as technically impressive as █▓ █
█ █▓ Desplat's music for the same █▓ █
█ █▓ concept, they are more easily █▓ █
█ █▓ digestible. A few secondary █▓ █
█ █▓ thematic elements meander through █▓ █
█ █▓ the score, led by a massive brass █▓ █
█ █▓ representation of the vampires in █▓ █
█ █▓ "What Would You Do?," "Race to █▓ █
█ █▓ Prom," and "Edward Exposed" and a █▓ █
█ █▓ softer idea on piano for Jacob in █▓ █
█ █▓ "Jacob's Crush." █▓ █
█ █▓ █▓ █
█ █▓ With these ingredients, Lennertz █▓ █
█ █▓ offers a score that will sound █▓ █
█ █▓ similar to enthusiasts of Meet the █▓ █
█ █▓ Spartans, but with its two █▓ █
█ █▓ personalities largely divided █▓ █
█ █▓ between the front and back halves █▓ █
█ █▓ of the score. After the opening █▓ █
█ █▓ volley of action, Lennertz's █▓ █
█ █▓ lighter material for character █▓ █
█ █▓ flirtations and contemplations is █▓ █
█ █▓ extremely attractive, the piano and █▓ █
█ █▓ female vocals both alluring in the █▓ █
█ █▓ most simplistic sense. A soothingly █▓ █
█ █▓ flowing romantic motif/rhythm █▓ █
█ █▓ inhabits these early portions, best █▓ █
█ █▓ heard in "Chemistry in Class." The █▓ █
█ █▓ latter half of "Meet the Sullens," █▓ █
█ █▓ "Chemistry in Class," and parts of █▓ █
█ █▓ "I'm a Killer" (among others) █▓ █
█ █▓ present the female vocal solos in a █▓ █
█ █▓ manner even more beautiful that in █▓ █
█ █▓ Meet the Spartans or Lesbian █▓ █
█ █▓ Vampire Killers, taking the █▓ █
█ █▓ eeriness of the later two Scream █▓ █
█ █▓ scores' equivalents and putting an █▓ █
█ █▓ Enya-like spin on them. For comedic █▓ █
█ █▓ melodrama, Lennertz makes the █▓ █
█ █▓ crescendos of harmony in "First █▓ █
█ █▓ Kiss" and "The Breakup" seem to █▓ █
█ █▓ indicate cataclysmic events. The █▓ █
█ █▓ second half of the score contains █▓ █
█ █▓ the action, and this is where █▓ █
█ █▓ Lennertz's material becomes a bit █▓ █
█ █▓ generic and underpowered. Many of █▓ █
█ █▓ these cues would have sounded great █▓ █
█ █▓ had they been afforded the █▓ █
█ █▓ resounding depth that Wiseman was █▓ █
█ █▓ able to record for Lesbian Vampire █▓ █
█ █▓ Killers, because many of them have █▓ █
█ █▓ to rely upon brute force rather █▓ █
█ █▓ than instrumental colors. Group █▓ █
█ █▓ choral accents are surprisingly █▓ █
█ █▓ infrequent, especially after being █▓ █
█ █▓ featured prominently in the opening █▓ █
█ █▓ cue. Still, despite failing to █▓ █
█ █▓ retain as much interest as the █▓ █
█ █▓ romantic side of the score, the █▓ █
█ █▓ sustained action and stinger █▓ █
█ █▓ portions are adequate. As to be █▓ █
█ █▓ expected, perhaps, there are a few █▓ █
█ █▓ nuggets and in-jokes contained in █▓ █
█ █▓ the score that are worth █▓ █
█ █▓ mentioning. Lennertz references his █▓ █
█ █▓ theme to Meet the Spartans █▓ █
█ █▓ (intentionally or not) at about █▓ █
█ █▓ 0:22 into "Something Strange..." █▓ █
█ █▓ and, far more prominently, he uses █▓ █
█ █▓ "Sleepwalking" as a blatant parody █▓ █
█ █▓ of John Williams' Hedwig theme from █▓ █
█ █▓ the Harry Potter franchise. He █▓ █
█ █▓ spends an entire minute playing █▓ █
█ █▓ with the waltz-set progressions of █▓ █
█ █▓ the theme before outwardly █▓ █
█ █▓ expressing it on solo violin. Hints █▓ █
█ █▓ of this idea extend into the █▓ █
█ █▓ opening moments of "I'm a Killer," █▓ █
█ █▓ a good summary track of all the █▓ █
█ █▓ score's major thematic styles and a █▓ █
█ █▓ likely candidate to be nominated █▓ █
█ █▓ for an award as the best single cue █▓ █
█ █▓ of 2010. Also summarizing the score █▓ █
█ █▓ well is the album's conclusion, █▓ █
█ █▓ "The Final Bite," which leaves you █▓ █
█ █▓ with a whimsical restatement of the █▓ █
█ █▓ title theme and farewells from the █▓ █
█ █▓ all the pertinent solo elements. █▓ █
█ █▓ Overall, Lennertz reprises his █▓ █
█ █▓ superior parody skills for Vampires █▓ █
█ █▓ Suck and not only adds yet another █▓ █
█ █▓ guilty pleasure to film music █▓ █
█ █▓ collections (this time on a █▓ █
█ █▓ deserved commercial offering from █▓ █
█ █▓ Lakeshore Records) but also does █▓ █
█ █▓ what Carter Burwell, Alexandre █▓ █
█ █▓ Desplat, and Howard Shore have all █▓ █
█ █▓ failed to do: create the perfect █▓ █
█ █▓ sound for The Twilight Saga. And it █▓ █
█ █▓ once again proves that today's █▓ █
█ █▓ parody scores definitely don't █▓ █
█ █▓ suck. █▓ █
▓ █▓ █▓ ▓
▒ █▓ █▓ ▒
■ ░ █▓ █▓ ░ ■
▀▄▄ █▓ █▓ ▄▄▀
▀██▄▄█▓ ▄ ▄ █▓▄▄██▀
▀ ▄ ▀▀██▄▄ ▄ ▄ ▄▄██▀▀ ▄ ▀
▄ ▀▓▀ ▀▀██▄ ▀█▄▄ ▄▄█▀ ▄██▀▀ ▀▓▀ ▄
▀▄ ▄██▓▄▀▄▄ ▀▀▄ ████▄▄ ▄▄████ ▄▀▀ ▄▄▀▄██▓▄ ▄▀
▀▄ ▄█▀▀█▓▄ ▀▀█▄▄ ■ █▀ ▀ ▀ ▀█ ■ ▄▄█▀▀ ▄██▀▀█▄ ▄▀
█▀█ █▓▄ ▀▀▄ ▀ ▀ ▀ ▀ ▄▀▀ ▄█▓ ▓▀█
▀█▓ ░ █▓▄ ■ ■ ■ ■ ▄█▓ ░ ▒█▀
█▒ ▒ ▀█▀▄ ▄ .. G R O U P .. ▄ ▄▀█▀ ▒ ░█
▄░ ▓ █▓▀▄ ▄ .. i N F O .. ▄ ▄▀█▓ ▓ ░▄
▄ █ ░ █▄ ▀█▄█▀ ▀█▄█▀ ▄▓ ░ █ ▄
■ █ ▒░ ▀▄ ▄ ▄ ▄▀ ░▒ █ ■
█ ▓▒ ▀▀ ▀▀ ▒▓ █
█ █▓ ▓▓ █
█ █▓ █▓ █
█ █▓ .. contact .. █▓ █
█ █▓ crossfader[at]hush.ai █▓ █
█ █▓ █▓ █
█ █▓ .. We're currently looking for .. █▓ █
█ █▓ █▓ █
█ █▓ Nice .eu affils █▓ █
█ █▓ Nice suppliers (No WEB) █▓ █
█ █▓ Beautiful female with big bOObs █▓ █
█ █▓ (priority!) █▓ █
█ █▓ █▓ █
█ █▓ _ __ _________________ __ _ █▓ █
█ █▓ █▓ █
█ █▓ █▓ █
█ █▓ A fucking BiG UP!! to our friends █▓ █
▄ █ █▓ █▓ █ ▄
▄ █ █▓ UMT - DEF - FiH █▓ █ ▄
▀▄▄ █ █▓ █▓ █ ▄▄▀
▀██ █ █▓ █▓ █ ██▀
█ █ ██▄ ▄█▓ █ █
▄█▀▀ █ ████ ▄ ▄ ███▓ █ ▀▀█▄
▀ █ ▀██▓ ▄ ▄ ███▀ █ ▀
▀ █▒ ▀█▓ ▀▄ █▄ █ ▄▀ ██▀ ▒█ ▀
█▓ █▀ ▀▄ █ █ ▄▀ ▀█ █▓
▀ ██▄ ▀ ▄▓ █▄ 2 0 1 0 ▄▓ █▄ ▀ ▄█▓ ▀
▀ ██▄ ▄█▓ █▓ --------- █▓ ██▄ ▄█▓ ▀
▀▄ ▀████▄▄████▓ █▓ [ C F D ] █▓ █████▄▄███▓▀ ▄▀
▀█▄▄ ▀████████▓ ██ --------- █▓ ████████▓▀ ▄▄█▀
▀▀██▄█▀██▓▀▀ ▄▄█▀ C R O S S ▀█▄▄ ▀▀█▓▓▀█▄██▀▀
▀▀██▄▄▀ ▀▀█▄▄ F A D E R ▄▄▓▀▀ ▀▄▄██▀▀
▀ ▄ ▀▀██▄ ▀█▓▄ --------- ▄█▓▀ ▄██▀▀ ▄ ▀
▀█▄▄ ▀█ ██▓ ----- ██▓ █▀ ▄▄█▀
▀ ▄███▄▀█ ▓▓█ --- ██▓ █▀▄███▄ ▀
▄ ▄█▀▀▀█▄█▄ ▒▒▓ ██▓ ▄█▄█▀▀▀█▄ ▄
▀ ▓ █ █ ░░▒ - ▓█▓ ▓ █ █ ▀
█ ░ ▄ █ ░ : ▒▓▓ ▒ ▄ █ █
█▄▄ █ : ░▒▒ ░ ▀█▄▄▄▄█ ░
▄▓▄ ▀ ▄▄ ▀ ▓ ▄▄ ░░ ▄ ▄▓▓▄ ▀███▀ ▒
▀ ▄▄███░ ▄▓▄ ▒ ▄▄ ▀██▄▄ ░ ▄ ▀▓▓▀ ▄▓▓▄
▄▄██▀▒██▓ ▀ ▄ ░ ▀▓▓▀ ████▀██▄▄ ▀▓▀ ▄▄████▓▄▄ ▀▀
███▀ ████▄ ▄█ ▄ ████▓ ▀▀██▄▄ ▀ ▄▄██▀▀ ▀▀████▓ ▀
███ ▀▀██▓▄▄▀▀░ ░ ████▓ ███▓█▀████▄ ████▓
▒███▓ ▀ ▒ ████▓ . ████▓▀▀▀████▓ ████▓
████▓ ▓▄▄ ████▓ : ███▓ ████▓ ████▓
████▓ ▀▀██████▓ : ███▓ ████▓ ████▓
████▓ ▄▀▀██▓▄▄ ██████ : ▀█▓ ▄ ████▓ ████▓
████▓ ████▓▄▄▄████▓ ▀█▄▄ ▀▀ ▀▓ ████▓ ███▓
████▓ ███▓█▄████▓ ▀▀▄ ░ ░ ▀ ████▓ ▐█▓
████▓ ▄██▀▀ ▀▀█▓ ▄ ▒░░ ▄█▓▄ ████▒ ▄█▓
▄▓▄ █████▄█▀▀ ▄█▓▄ ▀ ░ . ▓▒▒ ░ ■ ▀▓▓▀ ▓██▄▄▄█▀▀ ▒
▀ ▄ █▓▀▀ ▀ ▀▓▓▀ ░ ▒ : █▓▓ ▒ ▀▄▄▄ ▄██▀▀ ▄▄ ░
▒ ▒ ░░▓ aSc ██▓ ▓ ▀▀▀▀ ▄ ▀▓▓▀
░ ▄▄█▓▄▄ ▒▒▓ fUM ██▓ ▄▄█▓▄▄ ░
████████▓▓▓ cRo ██▓███████▓
░ ███▓▀▀████▓▓ : ██████▀▀███▓
█▀ ▀██▓ . ██▓▀ ▀▓
▀ ▀█▓ █▓▀ ▀
▀ ▀▓ . ▓▒ ▀
▀ ▓ ▓░ ▀
▀ ▓
▄ . ▓
▒
▒
░
░
░