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▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
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Originally released : 08-20-2007
Release date : 03-29-2011
Album name : We Sing Of Only Blood Or Love
Artist : Dax Riggs
Ripped by : Team EOS
Genre : Alternative
Label : Fat Possum
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 15
Size of Files : 47,6 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 02:14 Demon Tied To A Chair In My Brain
02 02:39 Didn't Know Yet What I'd Know When I Was Bleedin'
03 02:39 Night Is The Notion
04 02:33 Radiation Blues
05 02:37 The Terrors Of Nightlife
06 02:20 A Spinning Song
07 02:40 Truth In The Dark
08 01:41 Ouroboros
09 01:56 Living Is Suicide
10 02:22 Forgot I Was Alive
11 02:52 Ghost Movement
12 02:08 Dog-Headed Whore
13 02:32 The Wall Of Death
14 01:42 Scarlett Of Heaven Nor Hell
15 02:20 Dethbryte
Total time: 35:15 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
We Sing of Only Blood or Love, Dax Riggs' first album
under his given name, touches on the sounds and moods
of his previous projects, fusing the bluesy eclecticism
of Deadboy & the Elephantmen and Agents of Oblivion
with ominous shades of his earlier sludge metal outfit,
Acid Bath. The album's best moments pull the listener
into Riggs' eternal nighttime and don't let go: "Night
Is the Notion" begins with sidewinding menace and a
swarm of smoky guitars, then lunges into its choruses
with rattling, ruined honky tonk pianos, while "Truth
in the Dark"'s goth-punk gets a seductive sheen
courtesy of sleek synths. However, Riggs' fusion of
blues and metal doesn't always work. For every
"Scarlett of Heaven Nor Hell" -- a tightly wound rocker
driven by Riggs' throaty growl of a voice and thorny
guitars -- there's a song like "Radiation Blues" or "A
Spinning Song," both of which fall prey to clichΘd,
repetitive songwriting. We Sing of Only Blood or Love's
first half often feels disappointingly straightforward,
especially compared to how effortlessly Deadboy & the
Elephantmen threw together punk, blues, glam rock, and
folk and made them fit together in a perfect, and
perfectly unpredictable, way. However, as the album
unfolds, so does Riggs' restless creativity. Veering
from the gritty spareness of the acoustic "Ourobourous"
to the full-tilt punk stomp of "The Wall of Death," We
Sing of Only Blood or Love's second half brims with
invigorating twists and turns. "Dog-Headed Whore"
recasts Led Zeppelin's folk-blues as a bayou lament;
"Ghost Movement" and "Dethbryte" nod to the theatrical
glam rock that has been a major influence on Riggs'
post-Acid Bath music. Likewise, Riggs seems more
engaged when he sings about being alive in the face of
death rather than brooding over the end of life, as on
the strutting, vibrant "Forgot I Was Alive" and "Living
Is Suicide." We Sing of Only Blood or Love is
frustratingly uneven, but at its darkly witty best,
it's a fine solo debut for Riggs.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
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