▐
▐
▌ ▐▌ ▐
██
▐▌ ██
██ ████ ▌ ▐
██ ████ ▐▌
▌ ████ ▄▄ ██████ ▌ ██
█ ▄▄▄ ████ ▀▀█████████ ▐█ ██
████▀▀▀██████ █▄▄▄ ▀▀▀ ▄▄ ▐█ ▐██▌
███ ▓ ▀█████▄ ▄▄ █████████▓▓ ██▌ r!0t/BAFH ████ ▌
███ ██▓▄ ▀▀████████ ████████▓▓ ▄▄ ▀ ████ ███▄▄▄ ▄██████████▌
███ █████▓▓▄ ▀▀██████ ████████▓▓ ▀████ ████████ ▀▀▀███▀▀▀▀▀▀ ▄ ██
███ ▄████████▓▓▄▄ ▀▀██ ███████▓▓▐█▄ ▀████████████ ██▄▄▄▄▄█████▓▓ ███
██▀ ▄█████████████▓▓▄▄ ████████▓▓▐██▄▄ ▀▀████████ ████████████▓▓ ██
███▀ ██████████████████████████████▓▓▐██████▄▄▄▄ ▀▀▀▀ ████████████▓▓ ██
██▀ ▄████████████████████████████████▓▓▐███████████████▄▐███████████▓▓ ██
██ ▀███████▓▓███▀████████████████████▓▓▐████████████████████████████▓▓ ██
███▄ ▀███▓▓▀ ████▓▀▀▀▀▀███████████████▓▓▐█████████████████████▀▄▀███▓▓ ██ ▐
▐█▐██▄ ▀▓▀ ▐████▓▓▄ ░░░░▒▒░ ▄██████▓▓▀ ███████▓▓▀█████████▀▄▓▓▄▀█▓▓ ██
▐█ ███▄▄▄█ ███████▓▓▄▄ ░░░░▀▀████▓▓▀ ░ ▀ ▀▀████▓▓ ░▀▀████▀▄███▓▓▄▀▓▓ ███ ▐
█ ████ ▐███████████▓▓▄▄ ░░░░ ▀▀ ░░░░░ ▓▄▄ ▀▀▀▓▄ ░░░ ▀ ██████▓▓▓ ▀ ██ ▐
▌ ███ █████████████████▓▓▓▄▄ ░░▒▒░░ ▄████▓▓▄ ▀▀▀▄▄▄██████████▓▓ ███ █
███ ▄███████████████████▓▓▓ ░▒▒░░ ▄█████████▓▓▄▄▄ ▀▀█████████▓▓▄ ███▄ ██
▌ ███▌ █████████████████████▓▓ ░▒░░ ▄███████████████▓▓▀▄█▄███████▓▓▄ ██████
████ ▐███████▓▓ ▀▀██████▀▄▀▓▓ ░░░ ▄███▓▓ ▀▀███████▓▓▐██ ▀███████▓▓▄ ▀████
█████ ███████▓▓ ░░░░ ▀▀▀▄█▓▓▄▀ ░ ▄████▓▓ ░░░ ██████▓▓▌█▀ ░░ ▀███████▓▓ ███
██████ ███████▓▓▌ ░▒░░░ ▄█████▓▓▄ █████▓▓ ░▒▒░ ██████▓▓▀ ░▒░░ ▀██████▓▓ ██
██▀▀▀▀▀ ████████▓▓ ░░▒░ ▄█████████▓▓▄▀██▓▀ ░░░▒░ ▐█████▓▓ ░░░▒▒░░░ ▀█████▓▓ █
██ █▓▓▄ ███████▓▓ ░░▒░ ▀██████████▓▓▄▀██▄▄ ░░░ ▐█████▓▓ ░░░░░░░▒░ ▀████▓▓
█ ▄███▓▓░ ███████▓▌ ░░▒░░ ▀██████████▓▓▄▀███▄▄░░ █████▓▓▌▄▄▄▄▄▄ ░░░░░ ▀████▓▓
▄█████▓▓░ ██████▓▓▄ ░░░░░░ ▀███████████▓▓▄▀█████▄ █████▓▓▐██████▓▓▄▄░░ ▀███▓▓
▄███████▓▓░ ███████▓▓███▓▓▄▄▄▄█▀██████████▓▓▄▀███████████▓▄▐█████████▓▓▄▄ ██▓▓
████▓▓▀▄▄▄▄▄▄███████████████████████████████▓▓▄▀█████████▓▓▄▐████████████▀██▓▓
████▄█████████████████████████████████████████▓▓▄▀▓███████▓▓ ▀█████████████▓▓
██████████████████████████████████████████████▓▓▀ ▄▄ ▀▀▓██▓▓ ▀█████████▓▓▀
▄ ██████████▀▀▀▀▀▀ ▄▄▄▄▄▄▄▄▄▄▄▄▄▄▄ ▀▀▀████████▓▓ ▄█████▄▄ ▀█▓▓ █▄ ██████▓▓▀ ▄██
█▄ ████▀▀ ▄▄▄████████████████████████▄▄ ▀████▓▓ ▄█████████▄▄ ▀ ▀█▄ ▀██▓▓▀ ▄████
██▄ ▀ ▄▄█████▀▀▀▀▀▀ ▀▀▀███▄ ▀█▓▓ ▄███████████████▄▀██ ▀▓▀ ▄██████
████▄▄██▀▀ < E O S > ▄ ▀██▄ ▓ ▄██▀▀ ▀▀▀▀ ██ ▀ ████████
██████ ██ < M P 3 > ███ ▀██▄▄▄██ ▄ ██▄███████
████ ██▌ ██ ██████ ███ ▀▀▀▀ ████
████ █▌ P r o u d l y █ ████ ██ ██
██ ▌ P r e s e n t s . . ▌ ████ █ ██
██ ▌ ██ ▌ ▐▌
▐▌ ▌ ██ ▐
▌────── Release Info ───────────────── ▐▌ ──────────────── ▌ ──────── ▐
▐
▐
Originally released : 06-11-1991
Release date : 03-30-2011
Album name : Sugar Tax
Artist : Orchestral Manoeuvres in the Dark
Ripped by : convey
Genre : Electronic
Label : Virgin
Encoding Software : Lame EOS
Quality : -V 2
Tracks : 12
Size of Files : 71,4 MB
─ Track list ───────────────────────────────────────── ─── ─ ─
01 03:46 Sailing On The Seven Seas
02 04:09 Pandora's Box
03 04:17 Then You Turn Away
04 04:29 Speed Of Light
05 04:30 Was It Something I Said
06 04:20 Big Town
07 04:23 Call My Name
08 04:13 Apollo XI
09 04:50 Walking On Air
10 03:55 Walk Tall
11 04:20 Neon Lights
12 04:06 All That Glitters
Total time: 51:18 min
─ Release notes ─────────────────────────────────────── ─── ─ ─
With the split between McCluskey and the rest of the
band resolved by the former's decision to carry on with
the band's name on his own, the question before Sugar
Tax's appearance was whether the change would spark a
new era of success for someone who clearly could
balance artistic and commercial impulses in a winning
fashion. The answer, based on the album -- not
entirely. The era of Architecture and Morality wouldn't
be revisited anyway, for better or for worse, but
instead of delightful confections with subtle heft like
"Enola Gay" and "Tesla Girls," on Sugar Tax McCluskey
is comfortably settled into a less-spectacular range of
songs that only occasionally connect. Like fellow
refugees from the early '80s such as Billy Mackenzie
and Marc Almond, McCluskey found himself bedeviled in
the early '90s with an artistic block that resulted in
his fine singing style surrounded by pedestrian
arrangements and indifferent songs. There was one
definite redeeming number at the start: "Sailing on the
Seven Seas," with glam-styled beats underpinning a
giddy, playful romp that showed McCluskey still hadn't
lost his touch entirely, and which became OMD's biggest
single at home since "Souvenir." Beyond that, though,
the album can best be described as pleasant instead of
memorable, an exploration by McCluskey into calmer
waters recorded entirely by himself outside of some
guitar from Stuart Boyle. Without his longtime
bandmates to help him, the results lack an essential
spark (Holmes' drumming creativity being especially
missed). In a tip of the hat to a clear source of
inspiration, Sugar Tax includes a pleasant cover of
Kraftwerk's "Neon Lights," with guest vocals by
Christine Mellor, while "Apollo XI" uses Dazzle Ships-
styled sample collages made up of moon-landing
broadcasts, though the song itself isn't much. Even at
its most active -- "Call My Name" and "Pandora's Box"
-- Sugar Tax is for the most part just there.
─ Contact ───────────────────────────────────────────── ─── ─ ─
Contact us @ : #eos (EFNet)
█▀▀ ▀ ▀ ▀▀█
▀█▀▓▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▓▀█▀
▀▀▀▀▀▀ ▀ RIPPING AT ITS FINEST -- ECONOMY OF SOUND ▀ ▀▀▀▀▀▀