Mescaliner-Eye-CDR-2009-GRW
- Section
-
MP3/FLAC
- Group
- GRW
- Size
- 0 B
- Files
- 0
- Date
- 2011-04-05
NFO
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░█▒█ Artist ■ Mescaliner █▒█░
░ █▒█ Album ■ Eye █▒█ ░
░█░█ Year ■ 2009 █░█░
█░█ Release Date ■ 2011-04-05 █░█
█░█ Genre ■ Instrumental Rock █░█
█ █ Label ■ DIY █ █
█░█ Source ■ CDR █░█
█ █ Type ■ Album █ █
█░█ Quality ■ VBR, 44.1kHz, Joint Stereo █░█
█ █ █ █
█ █ █ █
█ █ In an environment dominated by packaged prefabs and a █ █
█ █ conformed loss of character, where everything is organized █ █
█ █ and categorized with neat labels and even a large array of █ █
█ █ personalities and images can be picked out and lived up █ █
█ █ to, it is hard to carve your own niche when you do not feel █ █
█ █ comfortable planning out your life as it should be and █ █
█ █ living up to expectations by people who do. █ █
█ █ It is even harder to find likeminds who share a desire to █ █
█ █ just 'create' and let the outcome speak for itself. For █ █
█ █ Mescaliner, a coincidental meeting resulted in the █ █
█ █ formation of a group of such likeminds. The initial period █ █
█ █ of Mescaliner's existence was spent simply -playing-; long, █ █
█ █ stretched out jams with varying themes created an █ █
█ █ experience that was exactly what the band sought -- to be █ █
█ █ able to express themselves musically without constraints. █ █
█ █ There was no pressure to create something new and █ █
█ █ innovating, and no desire to be different or superior. This █ █
█ █ would only end up in a circular process of superstition and █ █
█ █ self-confirmation that the band did not advocate. The sound █ █
█ █ was simply an extension of their emotional states, a way to █ █
█ █ let go of emotions. █ █
█ █ █ █
█ █ After long sessions of jamming together and recording most █ █
█ █ of these jamsessions, the band possessed an enormous █ █
█ █ database of sound. They realized they could turn these █ █
█ █ jamsessions into concise, dynamic tracks and still leave █ █
█ █ spots open for jamming within a track (in a █ █
█ █ semi-constructed way). This lead to the development of █ █
█ █ the tracks that are found on their debut release ('Eye', █ █
█ █ 2009). Since the music does not begin with a preconceived █ █
█ █ notion of how it is supposed to sound, they developed a █ █
█ █ sound that is characterized by dynamic jumps that can go █ █
█ █ from mellow, beautiful pieces to strong, harsh parts, all █ █
█ █ in the same track, while still sounding concise as a whole. █ █
█ █ Furthermore, they have a penchant for spacey, epic riffs. █ █
█ █ █ █
█ █ These days, Mescaliner is working hard on releasing more █ █
█ █ material, and increasing their number of performances. █ █
█ █ █ █
█░█ █░█
█ █ 1. Intro 3:54 █ █
█ █ 2. Elyon 8:20 █ █
█ █ 3. I Am Air and You Are Wind 5:23 █ █
█ █ 4. Metropolis 7:28 █ █
█ █ 5. Those That Flee from the Sun 2:51 █ █
█ █ 6. All Forbidden Colours 6:53 █ █
█ █ 7. Street Chalkers Drawing 8:11 █ █
█ █ 8. Cloak of Roses 6:31 █ █
█ █ 9. Outro 2:35 █ █
█ █ 52:06 █ █
█░█░ █░█░
█░█░ █░█░
█░█▒ + G R a v e W i s h + █░█▒
░█▒█▒ - est.2000 - ░█▒█▒
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