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█▓█ General Info :
█▓█ Title .........: No Bingo - Kallabristische Unterhaltungsmusik
█▓█ Artist ........: Kallabris
█▓█ Music Style ...: Ambient
█▓█ Type ..........: Album - Limited to 100 Copies !
█▓█ Release Date ..: Dec-09-2003
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█▓█ Used Tools :
█▓█ Grabber .......: Exact Audio Copy
█▓█ Encoder .......: LAME
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█▓█ Additional Info:
█▓█ Source ........: CDDA
█▓█ No. Of Songs ..: 10
█▓█ Size ..........: 97,3 MB
█▓█ Playtime ......: 70:46 min
█▓█ URL ...........: www.kallabris.de
█▓█ Label .........: Jazztone
█▓█ Quality .......: 192kbps / 44,1kHz / HQ / Full Stereo
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█▓█ 01 ::: Begrⁿssung durch Cindy Common ::: 01:55
█▓█ 02 ::: Parsek 1 ::: 07:29
█▓█ 03 ::: Parsek (abstract) ::: 00:07
█▓█ 04 ::: Plasma (3. Teil: Die Weltherrschaft) ::: 08:15
█▓█ 05 ::: Rota ::: 07:46
█▓█ 06 ::: 3 or 4 Gang ::: 04:16
█▓█ 07 ::: Die heilige Einfalt des Protestantismus ::: 05:02
█▓█ 08 ::: Vorhut von Tamat ::: 03:00
█▓█ 09 ::: Die VerklΣrung der Umnachtung ::: 03:12
█▓█ 10 ::: Kalkwater (Dehn und Streckⁿbungen) ::: 29:44
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█▓█ A tonal pulse rises to start Begrussung durch Cindy Common, sighing in a
█▓█ harmonic fashion. Into this thick bass wells, marked by periodic piano
█▓█ notes. A woman's voice talks in German, though her words don't mean
█▓█ anything to me their placement is effective in this short piece. The thick
█▓█ bass carries us into Parsek 1, crackles echoing through that, followed by
█▓█ little dunts and pulse trailers. Rich in it's subdued atmosphere, the
█▓█ hints of melody carrying on well from Cindy Common; though in this case
█▓█ it is a male voice in German that is added along with chimes. At it's
█▓█ core stark, with the bass drones contrasted by the repeating voice and more
█▓█ solid clatters and scrapes that are heard every so often in the depths.
█▓█ Becoming increasingly programmed, layering in details in a cinematic
█▓█ manner, as it progresses - building up the gravity of Parek.
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█▓█ Another voice element appears with the short Parsek (abstract), a filtered
█▓█ wavered man acting as introduction to Plasma (3. Teif: Die Welthemschaft).
█▓█ Peaking bass pulses mix with the return of the voice on a lower level, with
█▓█ a sense that it has been delayed and echoed. Triggering another drone level
█▓█ which builds behind it, with a less deep sensation. Horn plays rounded,
█▓█ squelch toned notes as slow steps contributing to this unfolding whole.
█▓█ This is the direction Plasma goes in, still subdued but stepping up the
█▓█ progression of this stage of No Bingo - even adding vibrant beat pads in
█▓█ the process. Becoming quite pronounced, forceful even with a clipped blip
█▓█ sirening along for a moment. Breaking into rhythm instead of padding-voices
█▓█ continuing in background whispers.
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█▓█ Tonal bass plays in Rota, brushing at the edges of senses, little crackled
█▓█ sounds pattering as a semi-rhythm. A twitter rotation plays, fading in and
█▓█ out, in such a manner that it provides a sense of purring melody. Going for
█▓█ a totally different feel from the tracks before - all micro rhythms and
█▓█ bleeps forming a layer composite with a definite density - more "upbeat"
█▓█ and agitated than the dark soundtrack work that went before. Resolving into
█▓█ a pulsing stream, weaving along a stroked path and punctuated by the
█▓█ resilience of crackle work. Stripping down to mirror its origins past 7
█▓█ minutes. A ping pulse triggers 3 Or 4 Gang, leading to a low voice sample,
█▓█ echoing with slight repetition through fades. There is a sound of
█▓█ glistening electronics and pulsing bass. As the voice steps beats start to
█▓█ move in, slow pad detail leading to hi hat tinkles. The pace of the rhythm
█▓█ is plodding, a high squeal of tuning signal works its way through at a mid
█▓█ level backed by the more subliminal bass drones.
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█▓█ A pulse wave and crackle leads to the chopped signal transmission of Die
█▓█ Helige Einfalt Des Protestantismus. A message sequence mixed with sustained
█▓█ pulses. Bass cutting up as a wavering force to replace the initial signal.
█▓█ Stark clean sound, working in a striking fashion - drone core sensations.
█▓█ Melodic inferences are captured in their layers, integrated into this
█▓█ wavering, agitated drone. Light notes play, almost beats in the rounded
█▓█ bobbles, kicks and snare adding to Vorhut von Tamat, contrasting those first
█▓█ tones. A slow but solid rhythm forms, with weary drone melody starting up to
█▓█ go with the quick spoken monologue. Wavering organ melody plays wanly,
█▓█ spacey/spooky notes higher up the scale adding to the mood of Die Verklarung
█▓█ Der Umnachtung. Strangely seductive in its understated persistence, repeated
█▓█ strains of layered waves lapping happily.
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█▓█ The last track on this album - Kalkwater (Dehn und Streckubungen am Beispiel
█▓█ von Led Zeppelin: No Quarter) -is an epic, slow prog rock expansions starting
█▓█ from low and emotive melodic levels. Light male vocals add in a wistful
█▓█ manner, that very Robert Plant tone, complimenting the track in its mildly
█▓█ filtered form. From the title and vocal style I would take this as being a
█▓█ Led Zeppelin tribute/parody. On the whole I think it is probably quite a nice
█▓█ piece, though I admit it took me by surprise the first time and isn't
█▓█ necessarily in keeping with the rest of the disc. My only problem would be
█▓█ while it may be trying to capture the feel of such epic rock classics it is
█▓█ perhaps too long at just under a half hour, especially when there is a lot of
█▓█ repetition involved - shifts in pace and added guitar are present, but come
█▓█ back around soon enough.
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█▓█ Overall No Bingo could almost be considered to work in 3 parts - the first 4
█▓█ tracks defining a definite block, the middle of the album working along
█▓█ another theme, and then being rounded out by the epic Kalkwater.
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