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Queen-Innuendo
Artist : Queen
Album : Innuendo
Label : EMI Encoder : LAME V0
Genre : Rock Bitrate : VBRkbps 44.1Hz
Playtime : 53:44 min Size : 95,6 MB
Tracks:
01 Innuendo (06:32)
02 I'm Going Slightly Mad (Edit) (04:22)
03 Headlong (04:38)
04 I Can't Live without You (04:33)
05 Ride the Wild Wind (03:39)
06 All God's People (04:43)
07 These are the Days of our Lives (04:21)
08 Delilah (04:15)
09 Don't Try so Hard (Edit) (03:35)
10 The Hitman (edit) (04:57)
11 Bijou (edit) (03:37)
12 The Show Must Go On (04:32)
Notes:
Innuendo is the thirteenth studio album by
British rock band Queen, released in 1991. It
is the band's fourteenth studio album and the
last to be composed entirely of new material.
It is also the final studio album to be
released while lead singer Freddie Mercury was
still alive. The album was praised by critics
and fans as one of the strongest albums of
Queen's later career. The album was recorded
when Mercury was progressing into the final
stages of his HIV/AIDS infection. Much of the
material on the album deals with the band's
coming to terms with his imminent death. The
theme is also reflected in the music, which can
be heavy and arresting ("Innuendo" and
"Headlong"), but also bleak and dark ("The Show
Must Go On","These Are The Days Of Our
Lives","I'm Going Slightly Mad" and "Don't Try
So Hard"), and very often both ("The Hitman"
and "Bijou"). Stylistically, Innuendo is in
some sense a return to Queen's roots with its
harder rock sound ("Headlong", "Ride the Wild
Wind"), strong vocals from Freddie ranging over
four octaves, overdubs, multipart composition
(the title track), and psychedelic effects
("I'm Going Slightly Mad").
Innuendo
"Innuendo" began as a jam session in
Switzerland amongst May, Taylor and Deacon in
spring 1989. Mercury was upstairs and heard
them playing the beat, and turned it into a
song, creating the melody and starting off the
lyrics. From then on they all four worked on
polishing the track and Taylor took over the
lyrics (which were written as a tribute to Led
Zeppelin and their song "Kashmir"). The middle
section, written by Mercury, was included later
and it featured a synth-orchestra programmed by
producer David Richards and a flamenco
interlude played by Yes guitarist Steve Howe,
who had come to visit them and was asked to
play what Brian May himself admitted he
couldn't. "Innuendo" was released as a single
in January 1991.
I'm Going Slightly Mad
"I'm Going Slightly Mad" was begun in Mercury's
London house, after he'd got the idea of
writing a song about madness, inspired by Noel
Coward's camp one-liners. Most of the lyrics
(like "banana tree" or "one needle") came from
both him and his friend Peter Straker, who
stayed up all night in Mercury's kitchen,
devising ever more outlandish lines. The music
is Mercury's as well and it's one of the
earliest songs they were working on in Montreux
when Steve Howe came in. The video that
accompanied the song saw Mercury dressed in a
costume suit with wild hair, white gloves, long
pointing shoes and extremely heavy make up,
also filmed in black and white. Whilst Queen
fans were thoroughly amused by the band in the
video, in the documentary, "Champions of the
World," Taylor confessed, from the band's
perspective, the video was marred by Mercury's
appearance having to be camouflaged by costume
and make-up, as Taylor admitted Mercury looked
"Pretty ill, at that point." Actress Cleo Rocos
stated that Mercury had explained to her and
mutual friend Kenny Everett that the song
touches on the AIDS induced dementia he
incurred during the final years of his life.
Headlong
"Headlong" came from May at the studio they'd
got in Switzerland. He recorded it for the solo
album he was doing at the same time. May heard
Mercury singing it and instantly decided that
it worked better as a Queen track. Then the
band took it over and they all made
modifications.
I Can't Live with You
"I Can't Live with You" was also written for
May's solo album. He gave it to the band as
well since Taylor, Deacon and Mercury were fond
of the track. Drums were programmed on synth by
May, and the keyboard-pads were added by the
producer. An alternative version of this song
appeared on the 1997 compilation album Queen
Rocks, billed as the "'97 Rocks Retake". it was
said to be more along the lines of how May and
Taylor originally wanted the track to sound,
with a harder, guitar-driven rock edge.
Don't Try So Hard
"Don't Try So Hard" came from Mercury. The
intro "rain" is actually the pre-set sound of
the Korg M1, which appears when it's switched
on. Mercury sings most of the song in falsetto.
The song's middle section is written in a style
reminiscent of Queen's early 1980s-songs such
as Play The Game.
Ride the Wild Wind
"Ride The Wild Wind" was composed by Roger
Taylor, who recorded a demo with his own
vocals. The definitive version is sung by
Mercury with Taylor on backing vocals. The song
is a sort of sequel of Roger's "A Night at the
Opera" composition, "I'm In Love With My Car",
which focused on Taylor's passion for cars and
race. This time, the song involved all of the
other members, that gave life to a fast song
with beating drums and rhythmic bass line,
eerily note-for-note similar to The Smiths'
"Shakespeare's Sister", which create the
sensation of speed and engine's roar. In the
mid-part, a brilliant May solo, which
accentuates the sense of high velocity, and
also gives the song a heavier sound. In some
parts a racing car can be heard. It was
released as a single in Poland, peaking at
number one.
All God's People
"All God's People" started off as part of
Mercury's Barcelona project under the title
"Africa by Night" (hence the co-writing credit
with Mike Moran). He'd asked May to play
guitar, then one thing led to another and the
entire band played. Piano was recorded by Mike
Moran. The song features Mercury singing a
head-voiced high-F note, as well as some very
low ones.
These Are the Days of Our Lives
"These Are the Days of Our Lives" was written
by Roger Taylor. It's harmonically and
structurally one of the simplest songs of the
band's catalogue. Keyboards were programmed by
the four of them in the studio, and conga
percussion was recorded by David Richards. The
music video for this song was Mercury's last
appearance in a video medium. By the time the
video was made, it had become impossible to
disguise that Freddie was seriously ill.
Despite his frail appearance, he appeared and
gave what energy he had left, filmed in black
and white. The black and white in the video
helped somewhat to reduce the ill/frail
appearance. When footage of the band making the
video was released in colour, it is clear to
see why.
Delilah
"Delilah" is a song Mercury penned for his
favourite housecat, a female tortoiseshell cat,
named Delilah. May recorded his solo using a
talk box. Reportedly, Taylor was not fond of
the song and agreed to let it be included in
the album only at Mercury's insistence.
The Hitman
The fly-away rocker "Hitman" was started by
Mercury as well. The original version was
apparently on keyboards and in a different key.
May took Mercury's riff (not un-common),
changed the key and recorded a demo of the
heavy version. Deacon then re-arranged the
structure and they all filled the gaps in
lyrics and recorded it. All of the backing
vocals were done by May.
Bijou
"Bijou" was an idea Mercury and May had of
making a song "inside-out" (having guitar doing
the verses and the vocal doing the break).
Mercury put the chords, title and lyrics, and
the two of them worked on the guitar parts.
Mercury sang the first line and then May
transferred the melody to his Red Special. The
song was finished without any input from Taylor
or Deacon. The idea was not new and already
used by Yes on their song "Soon". Brian later
credited Jeff Beck's 1989 song "Where Were You"
as the inspiration for 'Bijou'. In 2008, Queen
+ Paul Rodgers performed this song in their
shows of the Rock the Cosmos Tour by May
playing the verse live and then having
Mercury's studio vocals play while a screen
showed footage from the band's famous Wembley
concert in 1986, with the visuals put in sync
with the tape. Afterwards the Mercury part
would fade out and May would lead into "Last
Horizon"
The Show Must Go On
"The Show Must Go On" was written primarily by
May. The song was a lively dramatic cross
between Opera and Rock. The initial idea was a
chord sequence Taylor and Deacon were working
on. The chord progression used in the refrain
is the same as in Queen's 1989 song, "I Want It
All". Then May decided to use the sequence, and
both he and Mercury decided the theme of the
lyrics and wrote the first verse together. From
then on May finished the lyrics, did the vocal
melody and wrote the bridge, inspired by
Pachelbel's Canon. Some keys and ideas were
suggested by the producer too.
The song was initially not released as a single
as part of promotion for the Innuendo album,
but was released in October 1991 as the band
launched their Greatest Hits II album. The
video for the song featured a compilation of
clips from all their videos since 1982, in
support of the Greatest Hits II album. Due to
Mercury's now critically fast fading health, a
fresh appearance by the band in a video was not
possible.
Source: wikipedia.org
Hail to All!
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