Queen-Hot_Space-Remastered-1994-mwnd_int

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                  - m e t a l   w i l l   n e v e r   d i e -


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                              Queen-Hot Space

          Artist   : Queen
          Album    : Hot Space
          Label    : EMI                 Encoder  : LAME V0
          Genre    : Rock                Bitrate  : VBRkbps 44.1Hz
          Playtime : 43:36 min           Size     : 75,0 MB


          Tracks:

          01   Staying Power                           (04:13)
          02   Dancer                                  (03:50)
          03   Back Chat                               (04:36)
          04   Body Language                           (04:32)
          05   Action This Day                         (03:33)
          06   Put Out the Fire                        (03:19)
          07   Life is Real (Song for Lennon)          (03:33)
          08   Calling All Girls                       (03:52)
          09   Las Palabras de Amor                    (04:32)
               (The Words of Love)
          10   Cool Cat                                (03:29)
          11   Under Pressure                          (04:07)


          Notes:

          Hot Space is the ninth studio album by British
          rock band Queen, released in May 1982. Marking
          a notable shift in direction from their earlier
          work, Queen employed many elements of disco,
          Pop Music, R&B and dance music on Hot Space,
          being partially influenced by the success of
          their 1980 hit "Another One Bites the Dust".
          This made the album less popular with fans that
          preferred the traditional rock style they had
          come to associate with the band, though Hot
          Space did fit in with the Queen tradition of
          incorporating many disparate influences into
          their music.

          Staying Power

          The horn arrangement for "Staying Power" was
          added by Arif Mardin (who also produced Chaka
          Khan and added horn sections to Bee Gees and
          Aretha Franklin records). "Staying Power" would
          be performed on the band's accompanying "Hot
          Space Tour", albeit much faster and heavier,
          with real drums replacing the drum machine and
          guitars and keyboards replacing the horns (this
          arrangement contained no actual bass guitar, as
          John Deacon would play guitar in addition to
          Brian May. The bass sound for the song appears
          to be played on a keyboard by either Morgan
          Fisher or Fred Mandel). It was also played on
          Queen's The Works Tour albeit less frequently
          than on the Hot Space Tour. In Japan, the band
          released "Staying Power" as a single in July of
          1982. The song was also issued as a single in
          the US, in November of 1982. It failed to chart
          in either countries. Mr Mardin's bit was
          recorded in New York.

          Dancer

          The bassline of "Dancer" was played on a
          synthesiser (a Oberheim OB-Xa) by
          writer/guitarist Brian May. The song itself - a
          fusion of rock and disco - is something of a
          follow-up to "Dragon Attack" from the band's
          1980 album The Game in that it fuses heavy
          elements of music with danceable ones, as Led
          Zeppelin did. The phone message at the end of
          "Dancer" is in German, and was recorded in a
          hotel room in Munich; it roughly translates to
          "good morning, this is your wake-up call". The
          lyrics of "Dancer" are also notable for being
          the only ones on the album that make reference
          to the album title itself.

          Back Chat

          "Back Chat", written by bassist John Deacon, is
          the track most influenced by black music. In
          addition to normal bass duties, John also plays
          rhythm guitar and electric piano on the song.
          As a single, it stalled at 40 on the UK charts.
          On the video commentary on Greatest Video Hits
          2, Roger Taylor makes it clear that he hates
          the music video for it. On the Hot Space Tour,
          Brian May plays the song using his Red Special
          (As opposed to a Fender Telecaster). The
          electronic drums are also replaced by acoustic
          drums (Saved during the drum solo).

          Body Language

          "Body Language" is atypical among Queen songs,
          being the sole single released by the band that
          does not include guitar (save for during the
          closing strains, which are made more prominent
          throughout the 1991 remix). Mercury, who
          composed "Body Language" on synth bass, had
          previously explored the instrument's potential
          with his contributions to the Flash Gordon
          soundtrack. The "Body Language" video,
          featuring scantily-clad models writhing around
          each other, proved somewhat controversial and
          was banned in a few territories. The song also
          appeared in the 1984 documentary film
          "Stripper", being performed to by one of the
          dancers.

          Action This Day

          "Action This Day", one of two Roger Taylor
          songs that appear on the album, was clearly
          influenced by the New Wave movement/style
          current at the time; the track is driven by a
          pounding electronic drum machine and features a
          saxophone-like synthesizer solo, played by
          producer Mack on an Oberheim OB-Xa. "Action
          This Day" takes its title from a Winston
          Churchill catchphrase that the statesman would
          attach to urgent documents, and recapitulates
          the theme of social awareness that Taylor
          espoused in many of his songs. The band
          performed "Action This Day" live on the Hot
          Space Tour in a more conventional arrangement,
          replacing the drum machine and bass synth with
          a rock rhythm section.

          Put Out the Fire

          "Put Out the Fire" is an anti-firearm song
          written by Brian May, with lead vocals by
          Freddie Mercury. May recorded its guitar solo
          under the influence of alcohol (after many
          unsuccessful attempts). Though never released
          as a single, "Put Out the Fire", the album's
          most 'traditional' Queen song, later appeared
          on the Queen Rocks compilation in 1997. A new
          video was also produced for the accompanying
          video compilation, featuring a live performance
          of the song intercut with footage of fire and
          explosions.

          Life Is Real (Song for Lennon)

          Mercury wrote "Life Is Real" as a tribute to
          John Lennon, whose murder in 1980 had also
          previously prompted the band to perform his
          song "Imagine" on tour. Like Lennon's songs,
          "Life Is Real" features a sparse piano-based
          arrangement and a melancholy tone. It is also
          one of the few Queen songs whose lyrics were
          written before the music ("Killer Queen" being
          another). The title may be a reference to the
          lyric "love is real", from Lennon's 1970 song
          "Love". It contains the slightly offensive line
          "...Loving like a whore." It begins with three
          bell-like piano notes, meant to recall the
          opening bells in Lennon's "(Just Like) Starting
          Over," and "Beautiful Boy." Also, the first two
          words, "Guilt stains..." are virtually
          identical interval-wise (though in a different
          key) to Lennon's first two notes in his song,
          "Mother."

          Calling All Girls

          The first Roger Taylor song (however with
          Mercury on vocals) to be released as a single
          (albeit in selected countries, including the
          United States and Australia, but not the United
          Kingdom), "Calling All Girls" failed to create
          much of an impact on the charts where it peaked
          at #60 in the U.S., despite having an
          entertaining music video based on the George
          Lucas film THX 1138. Taylor composed "Calling
          All Girls" on guitar, and played the feedback
          noises during the song's break. Queen never
          performed the song in Europe, and a live
          recording from Japan in 1982 is commercially
          available on the Queen on Fire - Live at the
          Bowl DVD, where "Calling All Girls" accompanies
          the photo gallery. The single was released in
          July of 1982 and reached #33 in Canada and #60
          in the US.

          Las Palabras de Amor (The Words of Love)

          Brian May's lyrics for "Las Palabras de Amor"
          were inspired by Queen's close relationship
          with their Ibero American fans, and have been
          interpreted as an allegory for the Falklands
          War (actually the album was released during the
          war, and must have been recorded long before
          the war started). A Top 20 hit in the UK, "Las
          Palabras de Amor" marked the band's fourth
          appearance on Top of the Pops (the first,
          second and third being for "Seven Seas of
          Rhye", "Killer Queen" and "Good Old-Fashioned
          Lover Boy"). For this mimed performance May is
          seen playing a grand piano though on the
          recording there are only synths (played by
          May). May also sang lead vocals for the
          harmonized line "this time and evermore".

          Cool Cat

          "Cool Cat", written by Freddie Mercury and John
          Deacon, originally featured David Bowie on
          background vocals and even a few lines of rap
          during the middle eight. According to Mercury
          in a 1982 television interview, Bowie was
          unhappy with the results and requested them to
          be removed. All the instruments are played by
          either Deacon. On the album version, Mercury
          sings the entire song in falsetto. The
          alternate take with Bowie's vocals still intact
          is widely available on various bootleg
          recordings and surfaces from an early 1982
          vinyl "Hot Space" test pressing from the USA.
          This is also the only Queen studio track on
          which John Deacon uses the popping technique.

          Under Pressure

          A now famous duet with David Bowie, "Under
          Pressure" was the result of an impromptu jam
          session in the band's studio in Montreux. When
          it was released in 1981, the considerable
          numbers of Queen and Bowie fans ensured that
          "Under Pressure" reached #1 in the UK singles
          chart. Nine years later, its bassline and piano
          parts were sampled by Vanilla Ice to form the
          basis of his hit "Ice Ice Baby", creating a
          highly controversial industry event, and
          Vanilla Ice didn't even credit Mercury & Bowie
          for the sample, claiming his melody had an
          extra note (which it doesn't). Freddie Mercury
          was the primary director of this track, with he
          and Bowie as the main lyricists (each writing
          the lines they sang). Part of the chord
          progression is based on a rough demo of Roger
          Taylor's unreleased song "Feel Like". The
          songwriting is credited to all five
          participants.

          Source: wikipedia.org

          Hail to All!


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