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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Queens_Of_The_Stone_Age-Lullabies_To_Paralyze-2005-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Queens of the Stone Age ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Lullabies to Paralyze █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Interscope Records ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Rock ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-17 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2005-03-22 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 266 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 14 / 59:26 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 119.40 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 This Lullaby 1:22 ████▓▄ ░
░ ▄▓████ 2 Medication 1:54 ████▓▄ ░
░ ▄▓████ 3 Everybody Knows That You Are Insane 4:14 ████▓▄ ░
░ ▄▓████ 4 Tangled Up in Plaid 4:13 ████▓▄ ░
░ ▄▓████ 5 Burn the Witch 3:35 ████▓▄ ░
░ ▄▓████ 6 In My Head 4:01 ████▓▄ ░
░ ▄▓████ 7 Little Sister 2:54 ████▓▄ ░
░ ▄▓████ 8 I Never Came 4:48 ████▓▄ ░
░ ▄▓████ 9 Someone's in the Wolf 7:15 ████▓▄ ░
░ ▄▓████ 10 The Blood Is Love 6:37 ████▓▄ ░
░ ▄▓████ 11 Skin on Skin 3:42 ████▓▄ ░
░ ▄▓████ 12 Broken Box 3:02 ████▓▄ ░
░ ▄▓████ 13 "You Got a Killer Scene There, Man..." 4:56 ████▓▄ ░
░ ▄▓████ 14 Long Slow Goodbye 6:53 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 59:26 MIN ████▓░
░▓███████▄ TOTAL SIZE: 119.40 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Before heading into the studio in early 2004 to ║▀░▓████░▀▄
▄▀░████▓░▀║ record the fourth Queens of the Stone Age album, ║▀░▓████░▀▄
▄▀░████▓░▀║ Lullabies to Paralyze, the band's ║▀░▓████░▀▄
▄▀░████▓░▀║ guitarist/vocalist/chief songwriter, Josh Homme, ║▀░▓████░▀▄
▄▀░████▓░▀║ kicked out bassist Nick Oliveri for undisclosed ║▀░▓████░▀▄
▄▀░████▓░▀║ reasons. Since Homme and Oliveri were longtime ║▀░▓████░▀▄
▄▀░████▓░▀║ collaborators, dating back to the 1990 formation ║▀░▓████░▀▄
▄▀░████▓░▀║ of their previous band, Kyuss, this could have ║▀░▓████░▀▄
▄▀░████▓░▀║ been a cause for concern, but QOTSA is not an ║▀░▓████░▀▄
▄▀░████▓░▀║ ordinary band, so ordinary rules do not apply. ║▀░▓████░▀▄
▄▀░████▓░▀║ Throughout their history, from Kyuss through ║▀░▓████░▀▄
▄▀░████▓░▀║ Queens of the Stone Age's 2002 breakthrough Songs ║▀░▓████░▀▄
▄▀░████▓░▀║ for the Deaf, Homme and Oliveri have been in ║▀░▓████░▀▄
▄▀░████▓░▀║ bands whose lineups were as steady as quicksand; ║▀░▓████░▀▄
▄▀░████▓░▀║ their projects were designed to have a revolving ║▀░▓████░▀▄
▄▀░████▓░▀║ lineup of musicians, so they can withstand the ║▀░▓████░▀▄
▄▀░████▓░▀║ departure of key musicians, even one as seemingly ║▀░▓████░▀▄
▄▀░████▓░▀║ integral to the grand scheme as Oliveri -- after ║▀░▓████░▀▄
▄▀░████▓░▀║ all, he left Kyuss in 1994 and the band carried ║▀░▓████░▀▄
▄▀░████▓░▀║ on without him. Truth is, the mastermind behind ║▀░▓████░▀▄
▄▀░████▓░▀║ QOTSA has always been Josh Homme -- he's the ║▀░▓████░▀▄
▄▀░████▓░▀║ common thread through the Kyuss and QOTSA albums, ║▀░▓████░▀▄
▄▀░████▓░▀║ the guy who has explored a similar musical vision ║▀░▓████░▀▄
▄▀░████▓░▀║ on his side project the Desert Sessions -- and ║▀░▓████░▀▄
▄▀░████▓░▀║ since he's wildly indulging his obsessions on ║▀░▓████░▀▄
▄▀░████▓░▀║ Lullabies to Paralyze, even hardcore fans will be ║▀░▓████░▀▄
▄▀░████▓░▀║ hard-pressed to notice the absence of Oliveri ║▀░▓████░▀▄
▄▀░████▓░▀║ here. Sure, there are some differences -- most ║▀░▓████░▀▄
▄▀░████▓░▀║ notably, Lullabies lacks the manic metallic ║▀░▓████░▀▄
▄▀░████▓░▀║ flourishes of their earlier work, and the gonzo ║▀░▓████░▀▄
▄▀░████▓░▀║ humor and gimmicks, such as the radio DJ banter ║▀░▓████░▀▄
▄▀░████▓░▀║ on Deaf, are gone -- but it all sounds like an ║▀░▓████░▀▄
▄▀░████▓░▀║ assured, natural progression from the tightly ║▀░▓████░▀▄
▄▀░████▓░▀║ wound, relentless Songs for the Deaf. That album ║▀░▓████░▀▄
▄▀░████▓░▀║ contained genuine crossover pop tunes in "No One ║▀░▓████░▀▄
▄▀░████▓░▀║ Knows" and "Go With the Flow," songs that ║▀░▓████░▀▄
▄▀░████▓░▀║ retained QOTSA's fuzzy, heavy neo-psychedelic ║▀░▓████░▀▄
▄▀░████▓░▀║ hard rock and were channeled through an ║▀░▓████░▀▄
▄▀░████▓░▀║ irresistible melodic filter that gave the music a ║▀░▓████░▀▄
▄▀░████▓░▀║ serious sexiness that was nearly as foreign to ║▀░▓████░▀▄
▄▀░████▓░▀║ the band as the undeniable pop hooks. Homme has ║▀░▓████░▀▄
▄▀░████▓░▀║ pulled off a surprise of a similar magnitude on ║▀░▓████░▀▄
▄▀░████▓░▀║ Lullabies to Paralyze -- he doesn't walk away ║▀░▓████░▀▄
▄▀░████▓░▀║ from these breakthroughs but marries them to the ║▀░▓████░▀▄
▄▀░████▓░▀║ widescreen art rock of R and dark, foreboding ║▀░▓████░▀▄
▄▀░████▓░▀║ metal of Kyuss, resulting in a rich, late-night ║▀░▓████░▀▄
▄▀░████▓░▀║ cinematic masterpiece. One of the reasons QOTSA ║▀░▓████░▀▄
▄▀░████▓░▀║ have always been considered a musician's band is ║▀░▓████░▀▄
▄▀░████▓░▀║ that they are masters of mood, either sustaining ║▀░▓████░▀▄
▄▀░████▓░▀║ tension over the course of a six-minute epic or ║▀░▓████░▀▄
▄▀░████▓░▀║ ratcheting up excitement in the course of a ║▀░▓████░▀▄
▄▀░████▓░▀║ two-minute blast, all while using a familiar ║▀░▓████░▀▄
▄▀░████▓░▀║ palette of warm, fuzz-toned guitars, ghostly ║▀░▓████░▀▄
▄▀░████▓░▀║ harmonies, and minor-key melodies. While ║▀░▓████░▀▄
▄▀░████▓░▀║ Lullabies is hardly a concept album, its songs ║▀░▓████░▀▄
▄▀░████▓░▀║ play off each other as if it were a song cycle, ║▀░▓████░▀▄
▄▀░████▓░▀║ progressing from the somber Mark Lanegan-sung ║▀░▓████░▀▄
▄▀░████▓░▀║ opening salvo of "This Lullaby" and steadily ║▀░▓████░▀▄
▄▀░████▓░▀║ growing spookier with each track, culminating in ║▀░▓████░▀▄
▄▀░████▓░▀║ the scary centerpiece "Someone's in the Wolf." ║▀░▓████░▀▄
▄▀░████▓░▀║ The key to QOTSA's darkness is that it's ║▀░▓████░▀▄
▄▀░████▓░▀║ delivered seductively -- this isn't an exercise ║▀░▓████░▀▄
▄▀░████▓░▀║ in shallow nihilism, there's pleasure in ║▀░▓████░▀▄
▄▀░████▓░▀║ succumbing to its eerie, sexy fantasies -- and ║▀░▓████░▀▄
▄▀░████▓░▀║ that seductiveness is all musical. Specific ║▀░▓████░▀▄
▄▀░████▓░▀║ lyrics don't matter as much as how Homme's voice ║▀░▓████░▀▄
▄▀░████▓░▀║ blends into the band as all the instruments bleed ║▀░▓████░▀▄
▄▀░████▓░▀║ together as one, creating an elastic, hypnotic ║▀░▓████░▀▄
▄▀░████▓░▀║ force that finds endless, fascinating variations ║▀░▓████░▀▄
▄▀░████▓░▀║ on a seemingly simple sound. Simply put, there is ║▀░▓████░▀▄
▄▀░████▓░▀║ no other rock band in 2005 that is as pleasurable ║▀░▓████░▀▄
▄▀░████▓░▀║ to hear play as QOTSA -- others may rock harder ║▀░▓████░▀▄
▄▀░████▓░▀║ or take more risks, but no one has the command ║▀░▓████░▀▄
▄▀░████▓░▀║ and authority of Queens at their peak, which they ║▀░▓████░▀▄
▄▀░████▓░▀║ certainly are here. They are so good, so natural ║▀░▓████░▀▄
▄▀░████▓░▀║ on Lullabies to Paralyze that it's easy to forget ║▀░▓████░▀▄
▄▀░████▓░▀║ that they just lost Oliveri, but that just makes ║▀░▓████░▀▄
▄▀░████▓░▀║ Homme's triumph here all the more remarkable. ║▀░▓████░▀▄
▄▀░████▓░▀║ He's not only proven that he is the driving force ║▀░▓████░▀▄
▄▀░████▓░▀║ of Queens of the Stone Age, but he's made an ║▀░▓████░▀▄
▄▀░████▓░▀║ addictive album that begs listeners to get lost ║▀░▓████░▀▄
▄▀░████▓░▀║ in its ever-shifting moods and slyly sinister ║▀░▓████░▀▄
▄▀░████▓░▀║ sensuality. ║▀░▓████░▀▄
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