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░ Misstress Barbara - Live at the TLV Tel-Aviv 13-11
RIPPER...: 1REAL TEAM GRABBER..: WaveLab 4.0
RIP DATE.: 14.11.2003 QUALITY..: 192kbps/44.1kHz
ENCODER..: LAME 3.92 GENRE....: Techno
SOURCE...: Live Session YEAR.....: 2003
TRACKS...: 01 LABEL....: none
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Misstress (Miss Stress) Barbara is a pumping
funky techno set at the TLV club in Tel-Aviv
Israel.
Enjoy
1REAL Team
about MIsstress Barbara
The meaning behind the name
My name is Misstress Barbara. And before you
say anything, no, it isnÆt a typing mistake.
People donÆt really understand the æstressÆ
part of it but IÆll try and explain it. IÆm a
really hyperactive personality and IÆm always
very stressed. ItÆs in my nature. IÆm also very
serious about everything. IÆm always stressing
that things should be done properly and when
they arenÆt; I really, really get annoyed.
From Canada, outta Italy
Okay, letÆs go to my story. Although I was
brought up in Canada, I was born in the shadow
of Mount Etna in Sicily and IÆm a Sagittarius,
a fire sign û maybe that explains why IÆm quite
a fiery person!
While I have a passion for DJing, I also love
to fly aeroplanes. I was 17 when I got my
glider license and 18 when I got my single-
engine license [for safety, itÆs best to go
flying every couple of months but thatÆs
impossible with my life! So every time I go I
have to do like a million checks then convince
the instructors that IÆm okay to fly. ItÆs
really great fun].
I got into music before the plane stuff
happened. Here in Canada, I was in the Air
Cadets between the ages of 12 and 19. It was
here I really developed the serious side I was
talking about before. Once I start something I
keep going until itÆs finished. ItÆs in my
nature also. When I was 16 I had made it up
through all the ranks to the top level.
I played drums with the Cadets. Using the
experience IÆd had on the snare drum, I took up
drumming in my spare time. I bought a big kit
for my home. It was beautiful. I was playing
the drums with friends in bands and doing a bit
of teaching; back then I used to hate
electronic music. I didnÆt know about techno
and house, I just knew about commercial dance
music. I was a rocker: purple jeans, Dr
MartenÆs, leather jacket, you name it. Led
Zeppelin were my favourites and in my CD
collection were Guns & Roses and Iron Maiden.
I found house music
One night, when I was 17, I went to a friendÆs
birthday. She wanted to go to a disco so I went
with a crowd of people. This club was really
commercial and the DJ played rock, reggae,
cheese then half an hour of the latest
underground music. I was stood at the bar
drinking my beer looking at my watch û I
couldnÆt wait to get out! But I was moving my
knees. My friend came up to me and was like
ôBarbara, you really like house.ö I was like,
ôWhat the hell is house?ö He told me what it
was. I was like ôOkay, maybe I doö and he told
me to go check out raves, parties and gay clubs
because they play house there.
And I did. I started going out to these parties
and I found out electronic music was different
from the Rhythm Of The Night shit they played
in that club. I started finding tracks like The
Age Of Love and stuff and I just fell in love
with them. By 1995 I couldnÆt have fun unless I
was trainspotting the DJ and seeing what he was
doing. I wouldnÆt even dance anymore. All week
I would dream about going out to check the DJs
and what they were playing.
Kicking off
My first decks were a pair of used Technics
1200s. One of my friends, Neerav, was a DJ
round here and he showed me how to mix for just
five minutes at his place one night û ôHave
fun,ö he said and off he went. He came back
hours later and was like, ôIÆm going to bed, if
you want to practice more come back tomorrowö.
I was like ôIÆm not coming backö. He asked me
why, and I told him that I sucked but I really
wanted to improve, so I would buy my own decks.
He said heÆd lend them to me but I refused.
ThatÆs my independent side. I like having my
own things rather than lent stuff.
It was February 1996 when I finally got my
turntables. I had to sell my drum kit to afford
them. That was one of the biggest heartbreaks
in my life, but I came to the conclusion that I
wasnÆt selling the drums to fund a hobby, I was
selling them to kick off my career. After two
weeks I offered my first mixtape to that guy
Neerav. He didnÆt want to hear it cos he didnÆt
want to tell me that it would probably suck. I
went mad but when he invited me to jam with him
acouple of weeks later, he was gob-smacked. He
took me by my shoulders and looked at me in the
eyes and said was, ôYouÆre going to go fucking
farö. My first gig came three months later. I
didnÆt practice that much. And I still donÆt. I
hate to play in front of a wall.
All around the world
And here we are today. IÆm doing okay, you
know? I get to play all these exotic places -
like Brazil and Iceland. I also love playing in
Spain, Italy and the UK. In fact, Europe is my
favourite. I donÆt normally get nervous before
I go on but I might get a few shakes if I have
a Red Bull beforehand. The biggest place IÆve
played at was to 35,000 people in a stadium in
Los Angeles but I prefer smaller parties so
much, like Ultimate Base in London or Row in
Barcelona because youÆre so much more connected
to the people and thatÆs what itÆs all about.
Meet my sound
I play drummy, funky, pumping techno. HereÆs
why:
Drummy: With drummy I am trying to say
ôpercussiveö û but I say ôdrummyö, because itÆs
cuter.
Funky: Even though my music is hard thereÆs
always a bassline that makes it really funky.
ItÆs got soul to it.
Pumping: This is a good word to use instead of
banging or hard. I donÆt play hard techno.
Sometimes I play a record that sounds normal on
0, but I pitch it up to +7 so it sounds not
hard but pumping.
Techno: If you donÆt understand this bit, then
you simply must come and see me!
I did not start DJing because I was a producer.
I started DJing because of my love of spinning
vinyl. I produce for the liberty of playing my
own music. In addition to my techno label
Relentless, I have plans to start a house music
label soon.
When I sit down in the studio these days, I
seem to make more house music, which I release
under the Barbara Brown name. Musically, when I
make house tracks, I do stuff with my own voice
û so far I have spoken on a few tracks. But IÆm
moving building myself a new house in a nice
area of Montreal, which means I will have more
time to be creative in all of my music; thereÆ
ll be a studio right there at home. ItÆs going
to be a penthouse-style loft and thereÆll be
lots of activity outside û if I ever get lonely
I will just have to open the window.
So thatÆs my story. I want people to know me
for my energy. My company û Energia
Productions, my label û Relentless, and me -
Misstress Barbara
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01. misstress barbara - live at the tlv 150:57
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tel-aviv 13-11-2003
TOTAL TIME 150:57
TOTAL SIZE 207,3
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░ 1REAL /1-REE-ILL/
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It's been a long time since we've updated this
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- TEAM 1REAL
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