Amon_Tobin--Isam-(ZENDNL168)-WEB-2011-OMA
- Section
-
MP3/FLAC
- Group
- OMA
- Size
- 0 B
- Files
- 0
- Date
- 2011-04-22
NFO
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████ ■ ███▓█ █▓███ ■ ████
████ · ▄▓███▓ OPEN MUSiC ASSOCiATiON ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ .···. P R E S E N T S .···. ▓ │▀▀▀█▓▄▄ █████
██████▓▀ ▀ ▀ ▀▓██████
█████▀ Amon Tobin - Isam ▀█████
████▀ ▀████
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█▓▓▓▓ ARTiST..[ Amon Tobin ▓▓▓▓█
█▓▓▓▓ TiTLE...[ Isam ▓▓▓▓█
████ GENRE...[ Electronic CAT#....[ ZENDNL168 ████
████ LABEL...[ Ninja Tune ENCODER.[ Lame 3.98.4 ████
████ YEAR....[ 2011 QUALiTY.[ 320kbps ████
████ SOURCE..[ WEB MODE....[ Joint-Stereo ████
████ PLAYTIME[ 49:57 min REL.DATE[ 04.22.2011 ████
████ TRACKS..[ 12 RiPPER..[ TEAM OMA ████
████ SiZE....[ 114,6 MB SUPPLiER[ TEAM OMA ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. T R A C K L i S T .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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███▀ NR. TRACK. TiME. ▀███
█▓▓▓▓ ∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙∙ ▓▓▓▓█
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████ 01 Journeyman 06:38 ████
████ 02 Piece of Paper 02:40 ████
████ 03 Goto 10 04:20 ████
████ 04 Surge 02:05 ████
████ 05 Lost & Found 04:54 ████
████ 06 Wooden Toy 02:25 ████
████ 07 Mass & Spring 04:16 ████
████ 08 Calculate 01:33 ████
████ 09 Kitty Cat 04:16 ████
████ 10 Bedtime Stories 03:44 ████
████ 11 Night Swim 05:56 ████
████ 12 Dropped from the Sky 07:10 ████
████ ∙∙∙∙∙∙∙∙∙∙∙∙ ████
████ TOTAL: 49:57 ████
████ ████
████ ████
████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. R E L E A S E N O T E S .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ ▓ │▀▀▀█▓▄▄ █████
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████ http://ninjatune.net ████
████ ████
████ What is ôISAMö? A transmission from a distant ████
████ planet? A gateway into an alternate reality? A ████
████ codename for a new psychotropic? A freshly ████
████ discovered planet? A secret swingerÆs network? ████
████ A liberation theology? A soundtrack to the ████
████ ultimate snuff movie? Nonsense? The only sense ████
████ in town? ████
████ ████
████ Re-drawing and blurring the lines between ████
████ psychedelia and sci-fi, between art and ████
████ entertainment, between sound design and ████
████ melody, Amon Tobin has created the finest, ████
████ most intense work of his very considerable ████
████ career, an extension and refinement of ████
████ everything he has achieved thus far, a ████
████ crowning achievement in the process that he ████
████ describes as ôre-ordering the things around ████
████ me.ö ████
████ ████
████ TobinÆs earliest work, in his own words, ôtook ████
████ bits of existing music from old records and ████
████ tried to find new contexts for them.ö This led ████
████ to albums like ôBricolageö and ôSupermodifiedö ████
████ (the clues being in the titles). Gradually, ████
████ though, the samples ôgot smaller and smaller ████
████ and more processed until they became less ████
████ about context or reference and more like a ████
████ physical reincarnation of sounds.ö This led to ████
████ the next stage in TobinÆs development, his ████
████ last album, ôFoley Room,ö where he followed a ████
████ Cage-ian tack and ôlooked at all sounds as ████
████ potentially musical,ö ending up using his own ████
████ field recordings of lions, wolves, bees, ████
████ factories and so on. With ôISAMö Amon started ████
████ with field recordings but then synthesised the ████
████ sounds and built them into actual playable ████
████ instruments. With these instruments he then ████
████ created the album. The vocals are Amon Tobin's ████
████ for the first time, synthesised and gender ████
████ modified. ôItÆs by far the most exciting ████
████ development in my personal quest for some ████
████ control over nature,ö Tobin explains. ████
████ ôAnything from a grain of found sound to my ████
████ own voice can be transformed into something ████
████ new.ö ████
████ ████
████ The result is a record of uncharacteristic ████
████ depth and richness (intellectual, emotional ████
████ and aural), one which sets your synapses ████
████ crackling with dread and beauty, reminiscence ████
████ and speculation, or just the pure apprehension ████
████ of sound, accomplishing most of the hopes and ████
████ dreams of dubstep, for instance, without even ████
████ bothering to limit itself to having to be ████
████ dubstep (which isnÆt to say it doesnÆt have ████
████ some of the most terrifying bass rumbles your ████
████ sternum will feel this side of Hell). Rarely ████
████ has a piece of music made the listener feel so ████
████ completely immersed in a new world, with all ████
████ the strangeness, excitement and, occasionally, ████
████ fear that entails. Once you begin listening to ████
████ ôISAM,ö anything written about it becomes ████
████ redundant. A truly outstanding piece of work, ████
████ it should establish once and for all Amon ████
████ TobinÆs well-earned right to sit at the very ████
████ top table of electronic music making. ████
████ ████
████ ████
████ URL: n/a ████
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████ ▄▀▀███▓▄ ▄▓███▀▀▄ ████
████ ■ ███▓█ .···. G R O U P .···. █▓███ ■ ████
████ · ▄▓███▓ ▓███▓▄ · ████
█████ ▄▄▓█▀▀▀│ ▓ MAiL: oma@never-ever.com ▓ │▀▀▀█▓▄▄ █████
█▀ ▀██▓▀ ▀ ▀ ▀▓██▀ ▀█
██▄██▀ ▀██▄██
████▀ The only thing that really matters is music!!! ▀████
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.▀ │ ▀▀██▄▓▄ .···. G R E E T S .···. ▄▓▄██▀▀ │ ▀
. ▄▓▓▄ │ ▀▀▀█▄▄ ▄▄█▀▀▀ │ ▄▓▓▄ .
▀▀ ▀▀▄ FRiENDS / SiTEOPS / NUKENET ▄▀▀ ▀▀
▀ . ▄ ▄▓▓▄ ▀▄ RIP kHz ▄▀ ▄▓▓▄ ▄ . ▀
▀ ▀▓▀ ▀▀ ▀ . ▄.···. !kb^faa 08.MARCH 2009 .···.▄ . ▀ ▀▀ ▀▓▀ ▀ .
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