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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Broadcast-Haha_Sound-2003-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄▄▀▀███████████▀▀▀ ▀▀████████████▀▀ ░
▄░▓███████▄▄▄░ ARTiST.... Broadcast ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Haha Sound █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Warp ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Electronic ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-22 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2003-08-12 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 253 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 14 / 44:38 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 84.98 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Colour Me In 2:51 ████▓▄ ░
░ ▄▓████ 2 Pendulum 4:21 ████▓▄ ░
░ ▄▓████ 3 Before We Begin 3:22 ████▓▄ ░
░ ▄▓████ 4 Valerie 4:04 ████▓▄ ░
░ ▄▓████ 5 Man Is Not A Bird 4:52 ████▓▄ ░
░ ▄▓████ 6 Minim 3:01 ████▓▄ ░
░ ▄▓████ 7 Lunch Hour Pops 3:36 ████▓▄ ░
░ ▄▓████ 8 Black Umbrellas 1:08 ████▓▄ ░
░ ▄▓████ 9 Ominous Cloud 3:46 ████▓▄ ░
░ ▄▓████ 10 Distorsion 2:02 ████▓▄ ░
░ ▄▓████ 11 Oh How I Miss You 1:17 ████▓▄ ░
░ ▄▓████ 12 The Little Bell 2:48 ████▓▄ ░
░ ▄▓████ 13 Winter Now 3:48 ████▓▄ ░
░ ▄▓████ 14 Hawk 3:42 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 44:38 MIN ████▓░
░▓███████▄ TOTAL SIZE: 84.98 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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▄▄░▀█████╔════════════════════════════════════════════════════╗██████▀░▄▀
░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ On their early singles and brilliant debut album, ║▀░▓████░▀▄
▄▀░████▓░▀║ The Noise Made by People, Broadcast's commitment ║▀░▓████░▀▄
▄▀░████▓░▀║ to crafting meticulously, ethereally beautiful ║▀░▓████░▀▄
▄▀░████▓░▀║ atmospheres gave their music a detached quality ║▀░▓████░▀▄
▄▀░████▓░▀║ that made them somewhat difficult to embrace ║▀░▓████░▀▄
▄▀░████▓░▀║ fully. This isn't the case on Haha Sound, the ║▀░▓████░▀▄
▄▀░████▓░▀║ band's second album. While their music still ║▀░▓████░▀▄
▄▀░████▓░▀║ sounds like it could've been crafted by ghosts in ║▀░▓████░▀▄
▄▀░████▓░▀║ the machine, now Broadcast give it flesh and ║▀░▓████░▀▄
▄▀░████▓░▀║ blood through more warmth and texture. As with ║▀░▓████░▀▄
▄▀░████▓░▀║ the Pendulum EP, Haha Sound's more human touch ║▀░▓████░▀▄
▄▀░████▓░▀║ comes through in its looser, more intimate, and ║▀░▓████░▀▄
▄▀░████▓░▀║ rougher sound. But aside from being warmer and ║▀░▓████░▀▄
▄▀░████▓░▀║ more textured, the album is simply more, as its ║▀░▓████░▀▄
▄▀░████▓░▀║ first three songs reveal. The delicately spooky ║▀░▓████░▀▄
▄▀░████▓░▀║ nursery rhyme "Colour Me In" begins the album ║▀░▓████░▀▄
▄▀░████▓░▀║ with the wistful, childlike viewpoint that creeps ║▀░▓████░▀▄
▄▀░████▓░▀║ into Haha Sound from time to time, its layers of ║▀░▓████░▀▄
▄▀░████▓░▀║ chopped up, sawing strings giving it an oddly and ║▀░▓████░▀▄
▄▀░████▓░▀║ sweetly tentative feel. "Pendulum" finds the band ║▀░▓████░▀▄
▄▀░████▓░▀║ digging deeper into their psychedelic influences, ║▀░▓████░▀▄
▄▀░████▓░▀║ with acid rock drumming and flashback-like washes ║▀░▓████░▀▄
▄▀░████▓░▀║ of sound making it one of the most tense, driving ║▀░▓████░▀▄
▄▀░████▓░▀║ tracks they've recorded. The Pendulum EP ║▀░▓████░▀▄
▄▀░████▓░▀║ suggested that the entire album might be as wired ║▀░▓████░▀▄
▄▀░████▓░▀║ and dissonant as this song, but tracks like ║▀░▓████░▀▄
▄▀░████▓░▀║ "Before We Begin" quickly prove otherwise. A ║▀░▓████░▀▄
▄▀░████▓░▀║ superstitious song about reuniting lovers, it's ║▀░▓████░▀▄
▄▀░████▓░▀║ gorgeous pop in the vein of "The Book Lovers" and ║▀░▓████░▀▄
▄▀░████▓░▀║ "Come On Let's Go," but more approachable and ║▀░▓████░▀▄
▄▀░████▓░▀║ that much more alluring because of it. The rest ║▀░▓████░▀▄
▄▀░████▓░▀║ of Haha Sound more or less follows in the ║▀░▓████░▀▄
▄▀░████▓░▀║ footsteps of these songs, but the variety that ║▀░▓████░▀▄
▄▀░████▓░▀║ the band instills in the album makes it far from ║▀░▓████░▀▄
▄▀░████▓░▀║ monotonous. A big part of Haha Sound's expansive ║▀░▓████░▀▄
▄▀░████▓░▀║ feel is Trish Keenan's increasingly expressive ║▀░▓████░▀▄
▄▀░████▓░▀║ vocals; while she can still occasionally seem to ║▀░▓████░▀▄
▄▀░████▓░▀║ be hovering slightly outside the songs, her ║▀░▓████░▀▄
▄▀░████▓░▀║ delivery is much more vulnerable and emotive. ║▀░▓████░▀▄
▄▀░████▓░▀║ She's soothing on "Valerie," which is Broadcast's ║▀░▓████░▀▄
▄▀░████▓░▀║ idea of a folk song or lullaby -- although with ║▀░▓████░▀▄
▄▀░████▓░▀║ all of its eerie background noises, sleeping with ║▀░▓████░▀▄
▄▀░████▓░▀║ one eye open is suggested -- ecstatic on "Minim," ║▀░▓████░▀▄
▄▀░████▓░▀║ and poignant on "The Little Bell," another ║▀░▓████░▀▄
▄▀░████▓░▀║ sweetly childlike song that sounds like Keenan is ║▀░▓████░▀▄
▄▀░████▓░▀║ singing inside a broken clock. Noisier aspects ║▀░▓████░▀▄
▄▀░████▓░▀║ find their way into interludes like "Distortion" ║▀░▓████░▀▄
▄▀░████▓░▀║ and "Black Umbrellas," a curious, fuzzy oompah ║▀░▓████░▀▄
▄▀░████▓░▀║ that picks up speed like an out-of-control ║▀░▓████░▀▄
▄▀░████▓░▀║ assembly line. "Man Is Not a Bird" concludes with ║▀░▓████░▀▄
▄▀░████▓░▀║ a playful, Raymond Scott-esque percussive ║▀░▓████░▀▄
▄▀░████▓░▀║ exercise. The spirits of Scott and Joe Meek haunt ║▀░▓████░▀▄
▄▀░████▓░▀║ the album's carefully deconstructed sound, most ║▀░▓████░▀▄
▄▀░████▓░▀║ obviously on its more extreme tracks, but even on ║▀░▓████░▀▄
▄▀░████▓░▀║ gentler songs like the flight of fancy "Lunch ║▀░▓████░▀▄
▄▀░████▓░▀║ Hour Pops," which has a giddy, space-age ║▀░▓████░▀▄
▄▀░████▓░▀║ sweetness akin to the Tornadoes' "Telstar." This ║▀░▓████░▀▄
▄▀░████▓░▀║ song, the beautiful "Ominous Cloud," and "Winter ║▀░▓████░▀▄
▄▀░████▓░▀║ Now" suggest that Broadcast could probably make ║▀░▓████░▀▄
▄▀░████▓░▀║ dozens of immaculate pop songs like these if they ║▀░▓████░▀▄
▄▀░████▓░▀║ wanted to, but all the detours the band takes are ║▀░▓████░▀▄
▄▀░████▓░▀║ precisely what make the more perfectly crafted ║▀░▓████░▀▄
▄▀░████▓░▀║ songs so precious. Haha Sound may not be ║▀░▓████░▀▄
▄▀░████▓░▀║ Broadcast's most superficially perfect album, but ║▀░▓████░▀▄
▄▀░████▓░▀║ it's a more challenging and exciting one because ║▀░▓████░▀▄
▄▀░████▓░▀║ of its deliberate imperfections. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
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▀░▓███████▄▄║ the objects of his creation and is but a ║▄▄███████▓░▀
▀░▓███████▄▄║ reflection of human frailty. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
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