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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ Gil_Scott-Heron-Im_New_Here-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... Gil Scott-Heron ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... I'm New Here █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... XL Recordings Ltd. ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... R&B ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-23 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-02-09 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 199 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 15 / 28:16 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 43.67 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
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▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 On Coming from a Broken Home, Pt. 1 2:20 ████▓▄ ░
░ ▄▓████ 2 Me and the Devil 3:33 ████▓▄ ░
░ ▄▓████ 3 I'm New Here 3:33 ████▓▄ ░
░ ▄▓████ 4 Your Soul and Mine 2:02 ████▓▄ ░
░ ▄▓████ 5 Parents (Interlude) 0:18 ████▓▄ ░
░ ▄▓████ 6 I'll Take Care of You 2:58 ████▓▄ ░
░ ▄▓████ 7 Being Blessed (Interlude) 0:12 ████▓▄ ░
░ ▄▓████ 8 Where Did the Night Go 1:14 ████▓▄ ░
░ ▄▓████ 9 I Was Guided (Interlude) 0:14 ████▓▄ ░
░ ▄▓████ 10 New York Is Killing Me 4:29 ████▓▄ ░
░ ▄▓████ 11 Certail Things (Interlude) 0:08 ████▓▄ ░
░ ▄▓████ 12 Running 2:00 ████▓▄ ░
░ ▄▓████ 13 The Crutch 2:44 ████▓▄ ░
░ ▄▓████ 14 I've Been Me (Interlude) 0:16 ████▓▄ ░
░ ▄▓████ 15 On Coming from a Broken Home, Pt. 2 2:15 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 28:16 MIN ████▓░
░▓███████▄ TOTAL SIZE: 43.67 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Ií»m New Here is a shock. Ití»s a wallop filled ║▀░▓████░▀▄
▄▀░████▓░▀║ with big nasty beats, a wide range of sonic ║▀░▓████░▀▄
▄▀░████▓░▀║ atmospheres, and more -- sometimes unintentional ║▀░▓████░▀▄
▄▀░████▓░▀║ -- autobiographical intimacy than weí»ve heard ║▀░▓████░▀▄
▄▀░████▓░▀║ from Gil Scott-Heron than ever before. Produced ║▀░▓████░▀▄
▄▀░████▓░▀║ by XL Recordings head Richard Russell, Ií»m New ║▀░▓████░▀▄
▄▀░████▓░▀║ Here is his first record in 16 years. It is a ║▀░▓████░▀▄
▄▀░████▓░▀║ scant 28 minutes and doesní»t need to be a second ║▀░▓████░▀▄
▄▀░████▓░▀║ longer. It's unlike anything heí»s previously ║▀░▓████░▀▄
▄▀░████▓░▀║ recorded, though there is metaphoric precedence ║▀░▓████░▀▄
▄▀░████▓░▀║ in his earliest, largely spoken word albums. Its ║▀░▓████░▀▄
▄▀░████▓░▀║ production pushes forcefully at the margins, and ║▀░▓████░▀▄
▄▀░████▓░▀║ Scott-Heron embraces it without a hint of ║▀░▓████░▀▄
▄▀░████▓░▀║ nostalgia. It opens with í░On Coming from a ║▀░▓████░▀▄
▄▀░████▓░▀║ Broken Home,í▒ the first of a two-part poem that ║▀░▓████░▀▄
▄▀░████▓░▀║ bookends the album. Over a piano and a sampled ║▀░▓████░▀▄
▄▀░████▓░▀║ string loop (from Kanye West's í░Flashing ║▀░▓████░▀▄
▄▀░████▓░▀║ Lightsí▒), he reflects on his upbringing filled ║▀░▓████░▀▄
▄▀░████▓░▀║ with strong female figures and an unconventional ║▀░▓████░▀▄
▄▀░████▓░▀║ structure, with a startling epiphany at the end. ║▀░▓████░▀▄
▄▀░████▓░▀║ It segues immediately into a slamming read of ║▀░▓████░▀▄
▄▀░████▓░▀║ Robert Johnson's í░Me and the Devil,í▒ with ║▀░▓████░▀▄
▄▀░████▓░▀║ enormous hip-hop drums, sampled strings, and ║▀░▓████░▀▄
▄▀░████▓░▀║ sonic effects that create a sense of brooding ║▀░▓████░▀▄
▄▀░████▓░▀║ menace as Scott-Heron wails with bracing rawness ║▀░▓████░▀▄
▄▀░████▓░▀║ to hair-raising effect. Just as quickly, the ║▀░▓████░▀▄
▄▀░████▓░▀║ album shifts dramatically. A lone acoustic guitar ║▀░▓████░▀▄
▄▀░████▓░▀║ introduces the Bill Callahan-penned title track. ║▀░▓████░▀▄
▄▀░████▓░▀║ Scott-Heron recites the verse but sings its ║▀░▓████░▀▄
▄▀░████▓░▀║ refrain: í░No matter how far wrong gone/You can ║▀░▓████░▀▄
▄▀░████▓░▀║ always turn around.í▒ It feels like heí»s ║▀░▓████░▀▄
▄▀░████▓░▀║ speaking into a mirror with a dawning awareness ║▀░▓████░▀▄
▄▀░████▓░▀║ of who -- and what -- he's become as he accepts ║▀░▓████░▀▄
▄▀░████▓░▀║ it. He now owns this song. A Burial-like wall of ║▀░▓████░▀▄
▄▀░████▓░▀║ effects over a cello loop introduces í░Your Soul ║▀░▓████░▀▄
▄▀░████▓░▀║ and Mine.í▒ Ití»s Scott-Heron's unflinching look ║▀░▓████░▀▄
▄▀░████▓░▀║ at death, and the way it feeds, yet ends with a ║▀░▓████░▀▄
▄▀░████▓░▀║ warriorí»s words: "So if you see the vulture ║▀░▓████░▀▄
▄▀░████▓░▀║ coming/Flying circles in your mind/Remember there ║▀░▓████░▀▄
▄▀░████▓░▀║ is no escaping/For he will follow close ║▀░▓████░▀▄
▄▀░████▓░▀║ behind/Only promise me a battle/For your soul, ║▀░▓████░▀▄
▄▀░████▓░▀║ and mine." Ití»s not all darkness, however. A ║▀░▓████░▀▄
▄▀░████▓░▀║ reading of Bobby "Blue" Bland's í░Ií»ll Take Care ║▀░▓████░▀▄
▄▀░████▓░▀║ of You,í▒ features Gil's soulful piano with a ║▀░▓████░▀▄
▄▀░████▓░▀║ small string section. He sings it tenderly, in a ║▀░▓████░▀▄
▄▀░████▓░▀║ now-raspier but still deeply expressive voice; it ║▀░▓████░▀▄
▄▀░████▓░▀║ stands out sonically, but belongs here because of ║▀░▓████░▀▄
▄▀░████▓░▀║ its intimacy. í░New York Is Killing Me,í▒ based ║▀░▓████░▀▄
▄▀░████▓░▀║ on a John Lee Hooker blues, has been reinvented ║▀░▓████░▀▄
▄▀░████▓░▀║ with almost entirely new lyrics and arrangement. ║▀░▓████░▀▄
▄▀░████▓░▀║ Singers from the Harlem Gospel Choir; handclaps, ║▀░▓████░▀▄
▄▀░████▓░▀║ bass drums, cymbals, synths, and guitar are ║▀░▓████░▀▄
▄▀░████▓░▀║ treated spatially by Russell; Scott-Heron's lead ║▀░▓████░▀▄
▄▀░████▓░▀║ vocal roars from the center. í░The Crutchí▒ is a ║▀░▓████░▀▄
▄▀░████▓░▀║ burning atmospheric poem about a junkieí»s life. ║▀░▓████░▀▄
▄▀░████▓░▀║ Scott-Heron doesní»t distance himself from his ║▀░▓████░▀▄
▄▀░████▓░▀║ subject; it isní»t mere observation, but an ║▀░▓████░▀▄
▄▀░████▓░▀║ empathic elegy, and Russellí»s suffocatingly ║▀░▓████░▀▄
▄▀░████▓░▀║ close production brings it home. Forty years ║▀░▓████░▀▄
▄▀░████▓░▀║ after his debut, Ií»m New Here contains the ║▀░▓████░▀▄
▄▀░████▓░▀║ artful immediacy that distinguishes ║▀░▓████░▀▄
▄▀░████▓░▀║ Scott-Heroní»s best art. The modern production ║▀░▓████░▀▄
▄▀░████▓░▀║ adds immeasurably to that quality, underscores ║▀░▓████░▀▄
▄▀░████▓░▀║ his continued relevance in reflecting the times, ║▀░▓████░▀▄
▄▀░████▓░▀║ and opens his work to a new generation of ║▀░▓████░▀▄
▄▀░████▓░▀║ listeners while giving older ones a righteous ║▀░▓████░▀▄
▄▀░████▓░▀║ jolt. [XL is also offering a limited editon of ║▀░▓████░▀▄
▄▀░████▓░▀║ 300 copies with seven bonus tracks. These include ║▀░▓████░▀▄
▄▀░████▓░▀║ unreleased material from the album's sessions, as ║▀░▓████░▀▄
▄▀░████▓░▀║ well as new versions of "Winter In America" and ║▀░▓████░▀▄
▄▀░████▓░▀║ "Home Is Where The Hatred Is."] ║▀░▓████░▀▄
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▀░▓███████▄▄║ them. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Albert Einstein ║▄▄███████▓░▀
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