Erykah_Badu-New_Amerykah_Pt._2_Return_Of_The_Ankh-2010-DeBT_iNT
- Section
-
MP3/FLAC
- Group
- DeBT_iNT
- Size
- 0 B
- Files
- 0
- Date
- 2011-04-24
NFO
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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
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▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
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▐░ ▀▓████║ Erykah_Badu-New_Amerykah_Pt._2_Return_Of_The_Ankh-2010-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
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▄░▓███████▄▄▄░ ARTiST.... Erykah Badu ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... New Amerykah, Pt. 2: Return of the Ankh █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Universal Motown ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... R&B ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-23 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2010-03-30 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 227 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 11 / 50:36 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 87.16 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
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▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 20 Feet Tall 3:24 ████▓▄ ░
░ ▄▓████ 2 Window Seat 4:49 ████▓▄ ░
░ ▄▓████ 3 Agitation 1:33 ████▓▄ ░
░ ▄▓████ 4 Turn Me Away (Get Munny) 5:26 ████▓▄ ░
░ ▄▓████ 5 Gone Baby, Don't Be Long 4:39 ████▓▄ ░
░ ▄▓████ 6 Umm Hmm 3:45 ████▓▄ ░
░ ▄▓████ 7 Love 6:01 ████▓▄ ░
░ ▄▓████ 8 You Loving Me (Session) 1:04 ████▓▄ ░
░ ▄▓████ 9 Fall In Love (Your Funeral) 6:06 ████▓▄ ░
░ ▄▓████ 10 Incense 3:28 ████▓▄ ░
░ ▄▓████ 11 Out My Mind, Just in Time 10:21 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 50:36 MIN ████▓░
░▓███████▄ TOTAL SIZE: 87.16 MB▄█████▓░
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ Return of the Ankh was supposed to be issued ║▀░▓████░▀▄
▄▀░████▓░▀║ earlier than March 2010. It's just as well: ║▀░▓████░▀▄
▄▀░████▓░▀║ 2008's stupefying 4th World War provided such a ║▀░▓████░▀▄
▄▀░████▓░▀║ dense concentration of charged lyrics over ║▀░▓████░▀▄
▄▀░████▓░▀║ ceaselessly vein-melting production work that ║▀░▓████░▀▄
▄▀░████▓░▀║ Erykah Badu could have been forgiven for letting ║▀░▓████░▀▄
▄▀░████▓░▀║ five years pass prior to unveiling something else ║▀░▓████░▀▄
▄▀░████▓░▀║ to soak up. Return of the Ankh is a relief in ║▀░▓████░▀▄
▄▀░████▓░▀║ that Badu does not attempt to trump herself with ║▀░▓████░▀▄
▄▀░████▓░▀║ a set that is even more intense and powerful than ║▀░▓████░▀▄
▄▀░████▓░▀║ its predecessor. Thematically, it's aligned with ║▀░▓████░▀▄
▄▀░████▓░▀║ 4th World War's relatively lighter songs, "Me" ║▀░▓████░▀▄
▄▀░████▓░▀║ and "Honey," more personal than planetary, less ║▀░▓████░▀▄
▄▀░████▓░▀║ challenging sonically and lyrically. Most of it ║▀░▓████░▀▄
▄▀░████▓░▀║ was actually recorded at the same time as 4th ║▀░▓████░▀▄
▄▀░████▓░▀║ World War. The list of collaborators, featuring ║▀░▓████░▀▄
▄▀░████▓░▀║ Georgia Anne Muldrow, Madlib, Shafiq Husayn, ║▀░▓████░▀▄
▄▀░████▓░▀║ Dilla, James Poyser, Ahmir Thompson, and Karriem ║▀░▓████░▀▄
▄▀░████▓░▀║ Riggins, is similar, yet the makeup is ║▀░▓████░▀▄
▄▀░████▓░▀║ drastically different, designed for instant ║▀░▓████░▀▄
▄▀░████▓░▀║ kicked-back enjoyment. A pause, deep breath, and ║▀░▓████░▀▄
▄▀░████▓░▀║ a "Here we go" is not required prior to putting ║▀░▓████░▀▄
▄▀░████▓░▀║ it on. Instead, we get Badu playing around, in ║▀░▓████░▀▄
▄▀░████▓░▀║ the best possible way, with sample-rooted songs ║▀░▓████░▀▄
▄▀░████▓░▀║ like "Turn Me Away (Get Munny)" (a twist on ║▀░▓████░▀▄
▄▀░████▓░▀║ Sylvia Striplin's "You Can't Turn Me Away" and ║▀░▓████░▀▄
▄▀░████▓░▀║ the 1995 hip-hop anthem that sampled it, Junior ║▀░▓████░▀▄
▄▀░████▓░▀║ M.A.F.I.A.'s "Get Money"), "Gone Baby, Don't Be ║▀░▓████░▀▄
▄▀░████▓░▀║ Long" (a slightly silly new-love song that ║▀░▓████░▀▄
▄▀░████▓░▀║ reworks Paul McCartney's "Arrow Through Me"), and ║▀░▓████░▀▄
▄▀░████▓░▀║ "Umm Hmm" (its optimism reflected in that of its ║▀░▓████░▀▄
▄▀░████▓░▀║ backbone, Ndugu & the Chocolate Jam Company's ║▀░▓████░▀▄
▄▀░████▓░▀║ Earth, Wind & Fire-like "Take Some Time"). Though ║▀░▓████░▀▄
▄▀░████▓░▀║ the album is so rich with sample-reliant songs ║▀░▓████░▀▄
▄▀░████▓░▀║ that it sometimes resembles a glorified mixtape, ║▀░▓████░▀▄
▄▀░████▓░▀║ a couple standouts were made from scratch. ║▀░▓████░▀▄
▄▀░████▓░▀║ "Window Seat" should appeal to those who have ║▀░▓████░▀▄
▄▀░████▓░▀║ wanted Badu to revisit that lissome sound of ║▀░▓████░▀▄
▄▀░████▓░▀║ Baduizm songs like "On & On" and "Otherside of ║▀░▓████░▀▄
▄▀░████▓░▀║ the Game," and it packs stunning stomp-and-clap ║▀░▓████░▀▄
▄▀░████▓░▀║ breakdowns that sync up with Badu's most halting ║▀░▓████░▀▄
▄▀░████▓░▀║ lines: "I need you to want me/I need you to miss ║▀░▓████░▀▄
▄▀░████▓░▀║ me/I need your attention/I need you next to me." ║▀░▓████░▀▄
▄▀░████▓░▀║ "Out My Mind, Just in Time" is a ten-minute ║▀░▓████░▀▄
▄▀░████▓░▀║ finale that traces a trajectory of heartache ║▀░▓████░▀▄
▄▀░████▓░▀║ across three movements, beginning innocently ║▀░▓████░▀▄
▄▀░████▓░▀║ enough with a devotional (if pained and humorous) ║▀░▓████░▀▄
▄▀░████▓░▀║ piano ballad that shifts into Muldrow's ║▀░▓████░▀▄
▄▀░████▓░▀║ psychedelic, slow-motion soul-jazz as Badu gets ║▀░▓████░▀▄
▄▀░████▓░▀║ increasingly fragmentary and tripped-out. By the ║▀░▓████░▀▄
▄▀░████▓░▀║ end, she is renewed: "Finally I got a leading ║▀░▓████░▀▄
▄▀░████▓░▀║ role/Introducing Super Dope/Starring in her ║▀░▓████░▀▄
▄▀░████▓░▀║ episode/Hello new world/Out my mind." Actual next ║▀░▓████░▀▄
▄▀░████▓░▀║ level, as always. ║▀░▓████░▀▄
░ ▀▓████▀ ║ ║▄░████▓▀ ░
▀ ░████▓▄║ ║░▓████░ ▀
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▀░▓███████▄▄║ Politics is for the present, but an equation is ║▄▄███████▓░▀
▀░▓███████▄▄║ for eternity. ║▄▄███████▓░▀
▀░▓███████▄▄║ ║▄▄███████▓░▀
▀░▓███████▄▄║ -- Albert Einstein ║▄▄███████▓░▀
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