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▄▄░▀████████▄▄▄║D e B T i s S l a V 3 r Y S T u P i D║░▄▄▄████████▀░ ▀
░▓█████▓░░░ ░ ╚═════╗ ╔════════╝▀ ░ ░░░▓█████▓░
▄▄███░▓████▓░░▀▀ ▀ ║DuBi0uSlY EnDoWs YoU WiTh║ ▀ ▀▀░░▓████▓░███▄▄
▄▀░████▓╔═══════════════════════╩═════════════════════════╩══════════════════════════╗▓████░▀▄
▐░ ▀▓████║ At_The_Gates-Slaughter_Of_The_Soul-Expanded_Edition-2002-DeBT_iNT ║████▓▀ ░▌
▀ ░████╚════════════════════════════════════════════════════════════════════════════╝████░ ▀
▀ ▀▀█████▀░████ ▄ ▄ ░▓████░▀ ████▀▀ ▀
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▄░▓███████▄▄▄░ ARTiST.... At the Gates ░▄▄▄███████▓░▀
░▓█████▄░░ ▄ ▀ TiTLE..... Slaughter of the Soul █████▓░
▀░████▓░░▀ ░ ▀ LABEL..... Earache ▀ ░ ▀░░▓████░▀
░▓███▓▓░ ▀ ▄▓▄ GENRE..... Death Metal ▄▓▄ ▀ ░▓▓███▓░
▀▀░███▓░▄▄░ RiP.DATE.. 2011-04-23 ░▄▄░▓███░▀▀
▀ ▄███▀░░ STOREDATE. 2002-00-00 ░░▀███▄ ▀
░░▄▄██▀▀▀ SOURCE.... CD ▀▀▀██▄▄░░
░░▄▄██▀▀▀ QUALiTY... 274 kbps / 4410kHz / Joint Stereo ▀▀▀██▄▄░░
▄ ▄███▀░░ TRACKS.... 17 / 53:02 ░░▀███▄ ▄
▄▄░███▓░▄ ░ SIZE...... 110.05 MB ░ ▄░▓███░▄▄
░▓███▓▓░ ▄ ▄▓▄ RIPPER.... EAC Secure with LAME 3.98.4 ▄▓▄ ▄ ░▓▓███▓░
▄░████▓░░▄ ░ ▀ URL....... ░▓████░▄
░▓█████▄░░ ▄ ▄ ░░▄█████▓░
▄░▓███████▄▄▄░ ░▄▄▄███████▓░▀
░▀▀ ▀▀████████████▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄▀▀▄████████████▀▀▀▀
▀ ▄ ░░▓█▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀ ▀▀████▓░░ ▄
▄░███ NR. TRACKNAME TiME ████░▄
▄ ░████ ████░ ▄
░ ▄▓████ 1 Blinded by Fear 3:12 ████▓▄ ░
░ ▄▓████ 2 Slaughter of the Soul 3:03 ████▓▄ ░
░ ▄▓████ 3 Cold 3:27 ████▓▄ ░
░ ▄▓████ 4 Under a Serpent Sun 3:59 ████▓▄ ░
░ ▄▓████ 5 Into the Dead Sky 2:12 ████▓▄ ░
░ ▄▓████ 6 Suicide Nation 3:36 ████▓▄ ░
░ ▄▓████ 7 World of Lies 3:35 ████▓▄ ░
░ ▄▓████ 8 Unto Others 3:11 ████▓▄ ░
░ ▄▓████ 9 Nausea 2:23 ████▓▄ ░
░ ▄▓████ 10 Need 2:36 ████▓▄ ░
░ ▄▓████ 11 The Flames of the End 2:56 ████▓▄ ░
░ ▄▓████ 12 Legion (Slaughterlord Cover) 3:54 ████▓▄ ░
░ ▄▓████ 13 The Dying (Unreleased Track) 3:18 ████▓▄ ░
░ ▄▓████ 14 Captor of Sin (Slayer Cover) 3:19 ████▓▄ ░
░ ▄▓████ 15 Unto Others ('95 Demo) 3:05 ████▓▄ ░
░ ▄▓████ 16 Suicide Nation ('95 Demo) 3:21 ████▓▄ ░
░ ▄▓████ 17 Bister Verklighet (No Security Cover) 1:55 ████▓▄ ░
░ ▄▓████ ---------------------------------------------------------████▓▄ ░
▀▄░████▓ ████░▄▀
░▓████▓▄ TOTAL TiME: 53:02 MIN ████▓░
░▓███████▄ TOTAL SIZE: 110.05 MB▄█████▓░
▀░▀████████▄ ▄█████▀░▀▀
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░▓█████▓░╟─────────────────────────────────────RELEASE NOTES╢░▓█████▓░
░▓████▓░░║ ║░░▓████▓░
▄▀░████▓░▀║ When it was first released, At the Gates' Earache ║▀░▓████░▀▄
▄▀░████▓░▀║ debut Slaughter of the Soul was regarded as a ║▀░▓████░▀▄
▄▀░████▓░▀║ generally excellent example of Gothenburg-style ║▀░▓████░▀▄
▄▀░████▓░▀║ melodic death metal, and certainly the band's ║▀░▓████░▀▄
▄▀░████▓░▀║ best and most focused album to date. But the ║▀░▓████░▀▄
▄▀░████▓░▀║ commonly held view was that it wasn't anything ║▀░▓████░▀▄
▄▀░████▓░▀║ all that special, either. After all, it lacked ║▀░▓████░▀▄
▄▀░████▓░▀║ the intricate twin-guitar leads of In Flames, the ║▀░▓████░▀▄
▄▀░████▓░▀║ complex song structures of Dark Tranquillity, the ║▀░▓████░▀▄
▄▀░████▓░▀║ progressive artistry of Edge of Sanity, or even ║▀░▓████░▀▄
▄▀░████▓░▀║ the rock & roll underpinnings of latter-day ║▀░▓████░▀▄
▄▀░████▓░▀║ Entombed. Slaughter of the Soul was more ║▀░▓████░▀▄
▄▀░████▓░▀║ obviously rooted in American thrash (especially ║▀░▓████░▀▄
▄▀░████▓░▀║ Slayer) than its peers, and didn't seem to be ║▀░▓████░▀▄
▄▀░████▓░▀║ consciously trying to break new ground. It was ║▀░▓████░▀▄
▄▀░████▓░▀║ simply a stripped-down, no-frills melodic death ║▀░▓████░▀▄
▄▀░████▓░▀║ album that hit all the basic points of the style. ║▀░▓████░▀▄
▄▀░████▓░▀║ In hindsight, though, that's precisely what made ║▀░▓████░▀▄
▄▀░████▓░▀║ the album resonate so strongly. It gets those ║▀░▓████░▀▄
▄▀░████▓░▀║ basics gloriously right: rhythmically kinetic ║▀░▓████░▀▄
▄▀░████▓░▀║ riffs, tight song construction, and enough tempo ║▀░▓████░▀▄
▄▀░████▓░▀║ and dynamic contrasts to keep the listener ║▀░▓████░▀▄
▄▀░████▓░▀║ engaged. More than on any of the band's previous ║▀░▓████░▀▄
▄▀░████▓░▀║ albums (and in contrast to the more sweeping ║▀░▓████░▀▄
▄▀░████▓░▀║ visions of their Gothenburg cohorts), the songs ║▀░▓████░▀▄
▄▀░████▓░▀║ on Slaughter of the Soul are concise, sharply ║▀░▓████░▀▄
▄▀░████▓░▀║ honed assaults; only one makes it all the way to ║▀░▓████░▀▄
▄▀░████▓░▀║ the four-minute mark. The tempo shifts are ║▀░▓████░▀▄
▄▀░████▓░▀║ executed with stop-on-a-dime precision and never ║▀░▓████░▀▄
▄▀░████▓░▀║ feel randomly placed; the band always seems fully ║▀░▓████░▀▄
▄▀░████▓░▀║ in control of its furious outbursts. So even if ║▀░▓████░▀▄
▄▀░████▓░▀║ Slaughter of the Soul wasn't revolutionary, it ║▀░▓████░▀▄
▄▀░████▓░▀║ turned out to be the leanest, meanest, and most ║▀░▓████░▀▄
▄▀░████▓░▀║ focused example of the melo-death style. Key to ║▀░▓████░▀▄
▄▀░████▓░▀║ its influence was the way its straightforward ║▀░▓████░▀▄
▄▀░████▓░▀║ aggression and back-to-basics approach kept the ║▀░▓████░▀▄
▄▀░████▓░▀║ music simple enough to be duplicated: a whole ║▀░▓████░▀▄
▄▀░████▓░▀║ generation of metalheads across the Atlantic used ║▀░▓████░▀▄
▄▀░████▓░▀║ this record as a textbook for learning to play ║▀░▓████░▀▄
▄▀░████▓░▀║ this style. It's also important to note that in ║▀░▓████░▀▄
▄▀░████▓░▀║ place of the usual guttural death grunts, ║▀░▓████░▀▄
▄▀░████▓░▀║ vocalist Tomas Lindberg here adopts a strangled ║▀░▓████░▀▄
▄▀░████▓░▀║ shriek that actually keeps the lyrics somewhat ║▀░▓████░▀▄
▄▀░████▓░▀║ intelligible. Not only does it put a more human ║▀░▓████░▀▄
▄▀░████▓░▀║ face on the music, it also bears a significant ║▀░▓████░▀▄
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▄▀░████▓░▀║ coming into vogue among screamo bands in the ║▀░▓████░▀▄
▄▀░████▓░▀║ American punk underground. This point of ║▀░▓████░▀▄
▄▀░████▓░▀║ connection helped set the stage for At the Gates' ║▀░▓████░▀▄
▄▀░████▓░▀║ massive influence on the metalcore movement, ║▀░▓████░▀▄
▄▀░████▓░▀║ which became the predominant style in American ║▀░▓████░▀▄
▄▀░████▓░▀║ metal during the first decade of the 2000s. This ║▀░▓████░▀▄
▄▀░████▓░▀║ legion of imitators was what finally stamped ║▀░▓████░▀▄
▄▀░████▓░▀║ Slaughter of the Soul as not merely excellent, ║▀░▓████░▀▄
▄▀░████▓░▀║ but as an all-time classic and one of the most ║▀░▓████░▀▄
▄▀░████▓░▀║ influential metal albums of the í«90s. ║▀░▓████░▀▄
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